Privacy Policy Cookie Policy
  • TABLE OF CONTENT
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • THE DREAMING MACHINE
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • CONTACT
No Result
View All Result

The Dreaming Machine

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

No Result
View All Result
The Dreaming Machine
No Result
View All Result
Home Non Fiction

Figures of Pathos (Part I)- Salvatore Piermarini

From the photographer's introduction to the book Pathos, by Salvatore Piermarini and Vito Teti, Rubbettino editore, 2019.

April 29, 2022
in Non Fiction, The dreaming machine n 10
Figures of Pathos  (Part I)- Salvatore Piermarini
Share on FacebookShare on Twitter

 

It could happen sometimes that a photographer gets lost and breathless, that in the blink of an eye they feel observed, and it dawns on them  that it is the landscape that is taking a picture of them, rather than the other way around. It may happen sometimes that, conveyed in the  eyes of the person the photographer is trying  to capture, they may find the very image they seek. In that suspended interlude, the photographer feels exhausted, à bout de souffle, enchanted, stunned and overtaken by passion, like a visual fragment imprisoned by pathos.

The mechanical shutter risks staying shut, drawn like a stage curtain not  rising on a performance; it no longer releases the command, the shutter button gets stuck, hesitating almost though it were jammed. It is us, the photographers who are entranced by the gaze, lost for a moment in darkness, wandering aimlessly among unequivocal signs of emptiness, without that narrow strip of light needed for the film. However, it is nothing more  than that condition of being spellbound, that unconfessed pause for meditation. The same may occur to actors who have been slightly delayed and hiding behind the velvet curtain on the proscenium they peer through that invisible buttonhole made in the fabric – a small pinhole – to check whether the theater is empty. No one in the audience notices it, but nevertheless the perplexed actors peek anxiously, with their hearts beating fast, as they try to sniff some trace of meaning.

 

To recall the core of pathos using formulas, tropes, models and forms, we need to go back to the twentieth century, pick up Greek and Latin dictionaries to check the Italian equivalent, leaf through their pages, thin as rustling leaves, look for the entry paschein and reformulate the etymology of the word with meanings and concepts. All the declinations that propagate from the word appear painful and figurative, exciting, passionate, exhausting, happy, painful, exhilarating, festive and mourning, shocking like a scourge, devastating like floods, disruptive as an earthquake, volcanic explosions in the manner of falling in love or even ecstasy. Pathos is also an emotion that joins love with death. A com passion that is difficult to translate as it opposes the rationality of logos, inspires fear, dread and circumspection, it’s disturbing yet fascinating but, perhaps, can be put into practice through the visionary nature of images and time sweeping us away. It is like meeting death, an appointment that offers no redemption, is inescapable, the conclusive, consolation-free vis-à-vis between two faces that divide and separate life from the first and second act, up to the point of no return. It is a troubled, infinite and at the same time undefinable time that remains nevertheless imprinted in the eyes and simple memory of those who know how to look.

 

For many years, both Vito Teti and I have felt an affinity, we share an instinct for that peculiar pathos that marks “photography natives”, born and raised with light-sensitive film, and seeking images from that special point of view. A visible, protruding, projecting glimpse that involves, indicates and signals empathic vision and demands attention: glimpsing figures ‘gushing’ out summoning the photographer from a primary source, a source of light and wonder. It is a complex kind of enterprise that is encountered, and as such, it is not always possible to find or solve it. Rummaging through our respective archives, we deemed some of the frames to be “completed scenes”; we chose them following an anthological drive and central theme, perhaps among the most frequently recurring ones as we toured to make our reportages. For half a century, our gaze has been driven by amazement at the dramatic loneliness of individuals and things, at inadequacy, abandonment, natural disasters, eco-environmental stalemate, ancient and new migrations, disorientation, apocalyptic crises  befalling modern and contemporary human beings so afflicted by existential and climate crises. It is the amazed glance at the identification with and adherence of contemporary human beings to the landscape that punctually describes, shows and evokes them in the landscape of natural and artistic wonders.

These are the latest signs and legacies of a tradition and a history that many persist in forgetting, on a planet that seems poised and ready to overturn its own axis. Not all is sad and desolate, however, some images evoke joy and participation. In those figures we try to recognize ourselves by micro-stories of documentary photos and photo-portraits where something has happened and demands testimony, while new daily habits become slippery, “liquid” and more and more disconcerting. It is a journey backwards, from this immediate present disconnected from the real world, in some Italian locations,  or just Calabrian places where we  traveled over the years from North to South, together or separately.  These journeys are linked by the idea that pathos was a common feeling, a kind of privilege that would never abandon us: the momentum and the motive for a sort of humble rebellion against cold science, the one that refuses to be moved and does not get excited.

We were driven by the desire to restore empathy, meaning and soul to the people and things we encountered. It was a choice, we were there to see and experience it, it’s not a secret endeavor and some people know it. In order to avoid getting lost, Vito and I have always shown each other the way, the one leading home and the one leading away from it, so that, even when we are far away, every place seemed familiar to us. This averted the danger of detachment, emptiness and silence. So why not suggest, in clear photographs and clear letters, these passions that have made such deep impression on us rather than keep them  on the sidelines as if they were taken for granted? For the time that we have left, it would be a good thing to look more carefully, be patient and vigilant, avoid haste, but rather meditate, grant time, honor orders and take care of space using gaze as our measure. It is the ethics of respect for others that should prevent every emotion-driven photographer from engaging in aggressivity and abuse, the talent of their pedigree is not enough: one must be sensitive, kind, good, courteous, cautious and present, participatory, without pretending and without wearing a mask.

Clues and inspirations on the topos of pathos for figures, visions and images can be referenced using vast bibliographic sources, the most fundamental we have used are works by Charles Baudelaire, Aby Warburg, Ernesto De Martino, Roland Barthes, Carlo Ginzburg, Jean Baudrillard and Georges Didi-Huberman.

The cover image was taken by Vito Teti, in Nicotera (Calabria, 2000) for the feast of the Immaculate Mary.

The first photo in the body of the essay was taken by Vito Teti among the olive grove and ruins of the ancient Greek colony city of Oppido Mamertina, in Calabria (1991).

The second photo was taken by Salvatore Piermarini in Sicily in 1991.

The third photo was taken by Vito Teti  in  Africo antica , an abandoned village in the interior of Calabria, in 1999.

The fourth photo was taken by Salvatore Piermarini in Rome, in 2004.

The fifth photo was taken by Salvatore Piermarini in Val d’Agri, Lucania in 1996.

 

Tags: compassionempathypathosphotographyrelation between object and subjectSalvatore PiermariniVito Teti

Related Posts

Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
Interviews and reviews

Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

November 30, 2021
Night Journeys: Camilla Boemio Interviews artist Peter Ydeen
Interviews and reviews

Night Journeys: Camilla Boemio Interviews artist Peter Ydeen

November 27, 2021
Excerpts from the novel “I negativi”  –  Daniele Morgese (Giulio Perrone editore, 2021)
Fiction

Excerpts from the novel “I negativi” – Daniele Morgese (Giulio Perrone editore, 2021)

November 16, 2021
ART IN THE TIME OF PANDEMIC – From Quarantine to Community
Interviews and reviews

ART IN THE TIME OF PANDEMIC – From Quarantine to Community

April 29, 2021
From The Antonym –  Azrael’s Call – Hamiruddin Middya, trans. Rinita Roy
Interviews and reviews

BEYOND LIGHT- Photo gallery from en nico’s photo exhibition, with review by Walter Valeri

April 29, 2021
Between past and present – Photo gallery and poems by Nicoletta Lofoco
Interviews and reviews

Between past and present – Photo gallery and poems by Nicoletta Lofoco

April 28, 2021
Next Post
Farewell, Silver Girl – Carolyn Miller

A medley of artwork from Le braccianti di Euripide collective

The Dreaming Machine

Writing and visual arts from the world.

Fiction

The Terrorist, by Julio Monteiro Martins

The exasperated husband jumps out of bed, pretending to be thirsty in order to justify his need to talk on ...

November 29, 2019
Interviews and reviews

That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

Cover photo by Per Albrightsen, Ostlandsposten,2018 You can read the original interview appearing on 30  November 2021 in L'Ortique  in ...

December 1, 2021
Intersections

“Lost Land”, a disappearing island and its people- a documentary by Silent Storm Productions

  In today's world where boundaries keep on multiplying, both among nations and disciplines, for the purpose of promoting a ...

December 2, 2018
Fiction

Everything – Mia Funk

      We’re all seated in the school gymnasium screaming for some reason. The teacher says this is called ...

December 5, 2018
Out of bounds

Though they were in no need of miracle – Four prose poems by Gerald Fleming

  Island   What did it mean, he wondered, that their dear friend not only arrived at the island the ...

December 2, 2018

Latest

The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

May 4, 2022
M’aidez, May Day – Pina Piccolo

M’aidez, May Day – Pina Piccolo

May 1, 2022
A medley of artwork from Le braccianti di Euripide collective

The dolls have pronounced it – Poems by Mohamed Kheder

April 30, 2022
A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

April 30, 2022

Follow Us

news

RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT
News

RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

by Dreaming Machine
2 years ago
0

3 SEPTEMBER 2020 – DEADLINE FOR RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT   Rucksack, at Global Poetry Patchwork is an...

Read more
  • TABLE OF CONTENT
  • THE DREAMING MACHINE
  • CONTACT

© 2019 thedreamingmachine.com

No Result
View All Result
  • Home
  • Poetry
  • Fiction
  • Non Fiction
  • Interviews and reviews
  • Out of bounds
    • Poetry
    • Fiction
    • Intersections
  • THE DREAMING MACHINE
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • TABLE OF CONTENTS
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • News
  • Contacts

© 2019 thedreamingmachine.com

Login to your account below

Forgotten Password?

Fill the forms bellow to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In