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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Water: The Longest Tunnel Where the Color Blue Is Born — Four Poems by SHANKAR LAHIRI

    Message to Forough Farrokhzad and other poems – Samira Albouzedi

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    A Very Different Story (Part II)- Nandini Sahu

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    The Aunt: An Exhilarating Story by Francesca Gargallo

    THE PROGENITOR – Zakir Talukder (trans. from Bengali by Masrufa Ayesha Nusrat)

    Stalks of Lotus – Indrani Datta

    Love in Africa and the Variety of its Declinations:  Short-story Tasting from Disco Matanga by Alex Nderitu

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    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

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    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

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    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

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    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

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    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

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    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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A star freshly dug up from the mine – Five poems by Saibal Sarkar, trans. by Animikh Patra

Courtesy of Duniyaadaari journal. Cover artwork by Sumana Mitra

November 24, 2021
in Poetry, The dreaming machine n 9
Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
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Written on the back side of the page

 

1.

Whenever we start to talk

A butterfly comes out

from each mouth.

And hurriedly

they jump on each other.

 

Crowd gathers and they think it’s a fight

Some gamble in each other’s shadow.

 

Wings fall off slowly – yours and mine.

 

Time becomes empty.

 

We sit in silence

beside two dead butterflies.

 

 

2.

At the very start of a trip

you miss all the buses.

So there’s no urge in you to return.

 

All day long hawks fly

over your head and mine

They take notice of your flesh and fat

from ancient Kolkata.

 

This is the way a day comes to an end

 

Just a little before evening the police show up

They interrogate me about those buses.

arrest me once the evening is over.

 

 

 

Stranger

 

Absence

is actually the name of a foreign flower.

He couldn’t understand the nature of it

even after much effort.

Therefore, water constantly diminishes

in his drink

He moves the drink

between his fingers.

And he realizes-

a suddenly lost day

a very familiar-

a very familiar colour.

A calm cold tiger

with spots of white and green.

 

 

 

Preface

 

There is no river in this village

 

Long ago

some unknown man

used to go past  by whistling

on a bicycle

 

That was a river channel

 

Years passed

 

Light from my mother still spreads

all over my home

 

 

 

 

Lonely like God, in a dream

 

Darkness here

like old furniture

has shaken off its pregnancy.

 

I have taken in my hands like the hands of dead

hair soaked in water

and I sit here

 

In the days of distant seasons

News of you reaches me

Around a window under lock and key

Fall

Ashes like snow

Snow like ashes.

 

 

 

Mr. Das’ tunnel

 

The path gradually winds down

from inside a shadow.

Noise of water from the spiral stairs.

Light shifts in the glass of drink

if you utter a cloud.

The bats hanging in a line-

I like this red line, slightly bent.

You find your own image

on the walls that you own.

In the alley of these walls

Mr. Das is walking alone.

Still stuck in his shawl

is a star freshly dug up from the mine.

 

 

 

 

Saibal Sarkar was born in 1980. He has a  Master’s degree in Economics and presently works as a teacher in West Bengal. He is a member of the Duniyaadaari  literature journal Editorial Board and has published three poetry collections so far – Ekush nombor bhalo thaka (2009), Beshi boyoser premer moton (2012), Purono Kobita (2020).

 

 

 

 

 

 

 

 

Animikh Patra: poet, storyteller, prose writer and translator, born in 1983 in West Bengal. He holds a Masters in English Literature from the University of Kolkata. He is the author of six collections of poems JOTODUR BOIDHO BOLI (2009), KONO EKTA NAM (2013), PATONMONER KURSI (2016), SANDEHOPROSUTO KABITAGUCHCHHO (2017), ALO DEKHAR NESHA (2018), RASTAR KONO CHHUTI NEI (2020). His poems have appeared in many literary and commercial magazines, as well as in anthologies. He has translated several contemporary Indian, Italian and Chinese poets into Bangla. and has participated in numerous collective projects in India and abroad. Together with Sanghamitra Halder he is co-founder and co-editor in chief of the bilingual literary site duniyaadaari.com, a literary magazine with which over the years The Dreaming Machine has established a partnership with exchanges of translations and presentations of poets and poets. For more information on the poet and the magazine see here interview in English on The Dreaming Machine website.

Tags: Animikh PatraBengali poetryDuniyaadaariIndiamemoryparadoxperceptionSaibal SarkartimeWest Bengal

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