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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)

    from AFROWOMEN POETRY – Three Poets from Tanzania: Langa Sarakikya, Gladness Mayenga, Miriam Lucas

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    What Was Heart Is Now A Scorched Branch – Three Poems by Elina Sventsytska

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Water: The Longest Tunnel Where the Color Blue Is Born — Four Poems by SHANKAR LAHIRI

    Message to Forough Farrokhzad and other poems – Samira Albouzedi

  • Fiction
    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    A Very Different Story (Part II)- Nandini Sahu

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    The Aunt: An Exhilarating Story by Francesca Gargallo

    THE PROGENITOR – Zakir Talukder (trans. from Bengali by Masrufa Ayesha Nusrat)

    Stalks of Lotus – Indrani Datta

    Love in Africa and the Variety of its Declinations:  Short-story Tasting from Disco Matanga by Alex Nderitu

    Love in Africa and the Variety of its Declinations: Short-story Tasting from Disco Matanga by Alex Nderitu

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

  • Non Fiction
    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE TIME HAS COME – Gaius Tsaamo

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” –  Massimo Ceresa

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” – Massimo Ceresa

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

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    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    From Euromaidan: Three Ukrainian poets to spoil Westsplaining fest in Italy – Zarina Zabrisky

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE MATERICIST MANIFESTO by AVANGUARDIE VERDI

    Artwork by Mubeen Kishany – Contamination and Distancing

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

    The Shipwreck Saga – Lynne Knight

    Phoenix: Part I – YIN Xiaoyuan

    Surrender to Our Explosive Democracy – Five Poems by Serena Piccoli from “gulp/gasp” (Moria Poetry 2022)

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Me and French, or What I Did During the Pandemic (Moi et le français, ou Ce que j’ai fais pendant la pandémie) – Carolyn Miller

    Becoming-animal as a Mirror – Ten Animals from Gabriele Galloni’s Bestiary

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

  • Home
  • Poetry
    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)

    from AFROWOMEN POETRY – Three Poets from Tanzania: Langa Sarakikya, Gladness Mayenga, Miriam Lucas

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    What Was Heart Is Now A Scorched Branch – Three Poems by Elina Sventsytska

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Water: The Longest Tunnel Where the Color Blue Is Born — Four Poems by SHANKAR LAHIRI

    Message to Forough Farrokhzad and other poems – Samira Albouzedi

  • Fiction
    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    A Very Different Story (Part II)- Nandini Sahu

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    The Aunt: An Exhilarating Story by Francesca Gargallo

    THE PROGENITOR – Zakir Talukder (trans. from Bengali by Masrufa Ayesha Nusrat)

    Stalks of Lotus – Indrani Datta

    Love in Africa and the Variety of its Declinations:  Short-story Tasting from Disco Matanga by Alex Nderitu

    Love in Africa and the Variety of its Declinations: Short-story Tasting from Disco Matanga by Alex Nderitu

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

  • Non Fiction
    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE TIME HAS COME – Gaius Tsaamo

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” –  Massimo Ceresa

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” – Massimo Ceresa

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

  • Interviews & reviews
    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    From Euromaidan: Three Ukrainian poets to spoil Westsplaining fest in Italy – Zarina Zabrisky

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE MATERICIST MANIFESTO by AVANGUARDIE VERDI

    Artwork by Mubeen Kishany – Contamination and Distancing

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

    The Shipwreck Saga – Lynne Knight

    Phoenix: Part I – YIN Xiaoyuan

    Surrender to Our Explosive Democracy – Five Poems by Serena Piccoli from “gulp/gasp” (Moria Poetry 2022)

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Me and French, or What I Did During the Pandemic (Moi et le français, ou Ce que j’ai fais pendant la pandémie) – Carolyn Miller

    Becoming-animal as a Mirror – Ten Animals from Gabriele Galloni’s Bestiary

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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Home Interviews and reviews

Atelier Montez: Let the Arts Inhabit a Productively Shared Space- Interview with Marcella Magaletti

May 2, 2019
in Interviews and reviews, The dreaming machine n 4
Atelier Montez: Let the Arts Inhabit a Productively Shared Space- Interview with Marcella Magaletti
Atelier Montez: Let the Arts Inhabit a Productively Shared Space- Interview with Marcella Magaletti
Atelier Montez: Let the Arts Inhabit a Productively Shared Space- Interview with Marcella Magaletti
Atelier Montez: Let the Arts Inhabit a Productively Shared Space- Interview with Marcella Magaletti
Atelier Montez: Let the Arts Inhabit a Productively Shared Space- Interview with Marcella Magaletti
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1)  PINA PICCOLO.   Can you please explain how the idea to reclaim an abandoned industrial facility for artistic use came about in this specific instance? It is a common practice in many parts of the world, especially those where de-industrialization is taking place (Europe, North America, Australia). How does your project differ from those of other young artists reclaiming industrial spaces?

 MARCELLA MAGALETTI.  Atelier Montez’ motto is: “We regenerate space to be shared by inhabiting it, bringing gradual and pondered benefits to the environment, culture, society and the economy.”  

The Atelier was founded as a project by artist Gio Montez, who together with Giacomo Capogrossi and architect Francesco Perri, reclaimed  the urban space of a former car repair shop that had been abandoned after a fire and transformed it into a productive and welcoming structure, a factory for contemporary art. .

The work undertaken by  Gio Montez, Giacomo Capogrossi  and architect  Francesco Perri to regenerate the abandoned industrial space had an initial stage that lasted three years in which the local community was called on to participate in the planning, thus including them in the space sharing process even in that phase.  

These years of exploratory work entailing both physical and intellectual work aimed at analyzing and  improving the site led us to formulate a precise method of action, as well as a poetics and a ‘fruition algorithm’ to be implemented in a space that hadn’t been regenerated yet.  

This method determines our artistic operation, helps quantify the benefits we contribute, and generates our discourse, which can be summarize in the following three points:

   1)      Regenerate the identified space: usability based on compliance with safety standards.  A space must first of all be usable, built according to standards, safe and accessible. It must reflect minimum standards so that the structure itself does not constitute a hindrance or a danger for those who inhabit it.  

    2)    Sharing the regenerated space: inhabiting it. We define ‘inhabiting’ as a circular action repeated habitually over time, which generates and accumulates value as a pole of attraction,  a place of interest, as though it were a centripetal force that generates a center, i.e., an accumulation of value that crystallizes into a unified modality of fruition, in a productive function”. The use destination of a regenerated space is therefore a “workshop for contemporary craft, artistic and cultural production.”    

   3)   Quantifying the benefits: production. A well organized inhabitation/dwelling generates and accumulates value around itself. The value is manifested as its fruition and use potential, economic and social capital, services, cultural products and activities. This value must be a shared value, a benefit for the whole local community. 

What differentiates us from other experiments is the ties between us and the community that surrounds us. A bond that is increasingly weakened by globalization and the development of industrial processes that characterize our contemporary society. 

For us there is an integral connection with the local community and the interaction between us and the users of the facility. 

 

2)  P.P. Is it particularly difficult for young artists to emerge in Italy, a country where the youth are demographically challenged?

  MM. As of today, in Italy it is practically impossible for young people to emerge. To emerge means that you have established your reputation abroad,  at an international level, because remaining in Italy means to remain tied to a local setting.    

At this point contemporary society is global, you have to come ton terms with that  and consider the whole world your playing field, not just your country.

 

3. PP .  I see that the idea that Atelier Montez continues to be a “factory”- fabbrica – is prominently featured in your website. Can you give us your thoughts on the importance of “making”, something in a collective setting, a concept that has a long tradition with the artist botteghe of the past but is challenged by the more solitary mode in which art is created today.

MM. The 4.0 factory model proposed by Ateleier Montez is based on the concept of use (fruibilità) rather than craft or industrial production. By use we mean an interpretive- formative- cognitive- morphogenetic process . This is the key to participation (a kind of participation where spectators become ‘users’ that is active subjects).

 

4. PP Can you describe how your artist residencies work? Is it difficult to reach artists internationally? What are the criteria you use in awarding residences?

 MM. Our understanding and practice of artist residencies is first of all different from the common understanding of the concept both as far as modality and purpose. Our residencies are intended to be an experimental experience generating contemporary contents, different from a traditional art show which reproduces contents produced elsewhere. We do it this way to give guest artists a chance to develop their work directly onsite, each of them living approximately one month  in accommodations provided by the Atelier Montez  productive plant. 

This approach determines a sort of ongoing/decentralized Happening, extended over time, that enables artists to present their work practically in real time, sharing their experience with the local community, ‘Inhabiting’ it to be exact, thus allowing her/him to become familiar with its historical  and natural attractions, tourist accommodations and productive facilities that are available, the surrounding neighborhood and share this experience with the community they belong to. 

Selection criteria depend on the project the residency refers to. For example “artMED”, the series that includes the most innovative art and culture trends in the Mediterranean area, provides for a series of productive residencies for Mediterranean artists who are invited to Rome to inhabit the territory included in our outskirts neighborhood of Pietralata in the spring period, experiencing in first person its transformation and  potential gentrification process. In this case, over the years we’ll invite artists who seem interesting to us  and representative of new trends of the industrial revolution that is developing right now along Mediterranean shores.      

 

5.) PP.   Are informal, international networks being created by young artists’ increased mobility and international exchanges? Does this internationalization (which has existed in the past as well in traditional artistic magnets like Paris and now Berlin, for example) result in the creation of internationalized trends?

MM. We could actually say  that the opposite is true. International trends and the growing number of artists that associate in an independent manner, as well as their international mobilization, are the result of new, internationalized communication systems. 

 

6) PP. Related to the question above, but focusing it on Italy: How does that increased mobility affect young artists from Italy who go abroad for their projects (sometimes due lack of opportunities here, sometimes to expand their horizons). Is there something that distinguishes young Italian artists who have received their early education here and are in some ways affected by the experience of having being raised here?

MM. Being that Italy is a very traditionalist country, the perception of contemporary art runs against a sensibility that is not prepared for it. 


Italian artists certainly do move around easily and take with them a cultural background that is the result of a country that is still tied to its archaeological and Renaissance traditions (hence traditionalist), in spite ff the fact that many great Masters of contemporary art were born here. 

 

7)  PP. What is the distinguishing feature that makes Atelier Montez stand out in the busy Roman artistic scene?

MM. We can assert that we have no competitors because there are no other facilities that perform the same work as us, neither as far as methodology or typology is concerned. 

The illusion of the MAAM (Museo dell’Altro e dell’Altrove), which recently has merged in the new management of MACRO ASILO, actually offers a simplified and crass version of the concept developed by Atelier Montez already starting from 2012.  .

 

8) PP. How is your goal of letting many different projects share the physical space at the same time working out?Is it creating opportunities for intersections between the different arts? Please give us some examples.

Atelier Montez is a space for performance arts and is interdisciplinary in its approach, in the sense that all arts cross the boundaries of their discipline creating a hybrid language  that goes across the different disciplines.   

That’s what happens, for example,  in our Pietralarte festival , the first performance festival in Rome, entirely devoted to performance arts.

 

9) PP Could you please share some images of the facilities and the art work that has been shown here over the years?

Please see the e-mail attachment with a dossier of our activities from 2012 to today.

 

[ri]GENERAZIONE MONTEZ

https://www.youtube.com/watch?v=N3udgItwiK0

 

Thank you so much for your time and information. Please feel free to contact The Dreaming Machine to let our readers know about your projects and exhibition.

 

 

 

Tags: arteMEDartist residencesartistic productionAtelier MontezcommunityFestival PietralarteFrancesco Perrifruition algorithmgentrificationGiacomo CapogrossiGiovanni Montezindustrial productioninhabitationinterdisciplinaryMarcella Magalettipaintingperformance artPietarlataregenerationsitespecific workvisual arts

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HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran
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HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

by Dreaming Machine
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HAIR IN THE WIND we  invite all poets from all countries to be part of the artistic-poetic performance HAIR IN...

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