Privacy Policy Cookie Policy
  • TABLE OF CONTENT
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • THE DREAMING MACHINE
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • CONTACT
No Result
View All Result

The Dreaming Machine

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

No Result
View All Result
The Dreaming Machine
No Result
View All Result
Home Non Fiction

Blackface in Italian Schools- ‘’Don’t Teach Racism, We Aren’t Racist’’, by Nick Garratt and John Austin Byrne

November 29, 2019
in Non Fiction, The dreaming machine n 5
Blackface in Italian Schools- ‘’Don’t Teach Racism, We Aren’t Racist’’, by Nick Garratt and John Austin Byrne
Share on FacebookShare on Twitter

‘’Don’t Teach Racism, We aren’t Racist’’

By Nick Garratt and John Austin Byrne

I’m walking through the halls and I hear a lot of enthusiasm from my next class. I wonder what my students are so excited about. Today, three of them are presenting Shakespeare’s play, The Tempest, which is about a guy called Prospero who is stranded on an island with his daughter, and a native called Caliban who Prospero treats as a slave. I walk in, and I see phones are out, taking photos of a boy being face painted – black. They are going to reenact scenes from Shakespeare’s play. The boy is playing Caliban, the half-monster, the slave. The students have decided to represent Caliban as a “black person.’’ They literally paint the boy’s face black.

I, as the teacher, always try to get the kids to showcase their creativity and critical thinking instead of just answering multiple choice questions to a test they don’t feel is important. The enthusiasm I hear makes me feel like real learning is happening.

I tried to give the play context and meaning to the student’s lives in the weeks prior. We learned how Shakespeare owned a part of a company in Virginia during the early parts of the Trans-Atlantic slave trade. Enslaved people ‘’ungratefully’’ revolted and destroyed part of a ship destroying the trade of that company for that day.  This ‘’monstrosity’’ motivated Shakespeare’s character choice in The Tempest. We watch how the characters were represented through the years which lead into the method and purpose of Black face. At the end of the unit the students had the opportunity to reenact the play with their own character representations.

As I watch what seemed to be shoe polish being smeared onto the student’s face I have a mixture of fear and anger. If these pictures go viral I can only imagine tomorrow’s Headline ‘’Teacher makes Blackface Project in Class.’’ I’ll be fired by tomorrow.

But… that didn’t happen.

Images of Black face characters like Sambo, Uncle Tom, and Jezebel run through my head. After slavery was abolished, newly freed enslaved people were considered by many still not of equal status. Black Characters (played by white actors in Black Face)  were created to symbolize typical less-than human ‘neighbors.’ The audience (who was also white), absorbed these images as funny but also real depictions of their new ‘neighbors.’ This same audience also ignored the incredible suffering of their ‘neighbors’ through segregation, discrimination and lynching.

I am mad. I try not show this to the students.

My middle-class white American upbringing had sensitized me to these images all throughout school. It was common to watch and read stories of racial discrimination in school and it seemed universal to me that no matter where you live you accept people who are different than you. And although the American middle class continues to struggle over arguments concerning police violence in black communities, hate groups, and racial wealth gaps there at least exists a discussion which is constructive in many ways.

What kind of place am I living that thinks this is ok? South Tyrol. A beautiful, progressive region that cares about their people. They have great universal healthcare, family friendly neighborhoods, and student-centered schools. However, here I am witnessing not just a white boy trying to be a black man like Othello. He was representing a monster as a black man. But he is just a kid who probably doesn’t understand his actions, which is common with adolescents.

I manage to keep calm by sticking to the group’s project objectives. I ask ‘’So…Did you think through your costume decisions? Do you have reasons for your representation like the other groups?’’

The student answers ‘’Yes. We wanted to dress as the original play we saw last week’’

‘’So… you wanted to represent a monster as a Black man?’’

‘’Dai professor it’s just for fun, In fact we always dress like this for Fasching?’’ (Fasching is like the American Halloween but in February)

I tread softly as I don’t want to reveal the real monster in my belly and then discourage these students from being creative. So at the end, I use the instance as a powerful learning opportunity by relating back to the content we studied in class. I explain that once white actors put black face on themselves in theatre, they connect skin color as part of an inherent character trait like hyper-sexual man, promiscuous jungle women, or a monster. However, my critique falls on deaf ears and students cry in humiliation.

Later in the next week I am later visited by the mother. She marches in upset,

‘’You criticized my son’s project’’

I answer, ‘’as part of the curriculum and criteria of the….’’

She interrupts, ‘’Blackface is not racist it is just fun and innocent. They are kids.’’

She continues without letting me speak…’’Our family is not racist… We love Libyans.’’ At this point I realize we live in completely different realms and she storms out and I can hear ‘’we love Libyans’’ echoing through the halls.

…

Later on that week, I am called into the director’s office. She tells me how she has received complaints from parents about how I teach. She further advises me to steer away from topics like race.

I say, ‘’Director the students were putting Blackface on themselves!’’

‘’Mr. Garratt our school isn’t racist we don’t identify between races.’’ This phrase was becoming familiar.

I began realizing that there was a profound cultural disconnect between what I took to be obviously racist  and what they thought was normal.

Later that year, the director told me I would not be invited back next year and that I spoke too much about race.

 

 

Nick Garratt and John Austin Byrnes are both English teachers who live and teach English in Bolzano. Nick Garratt has also taught in social sciences for the past nine years. He is involved in youth sports as a coach  and has participated in Team work between asylum seekers and South Tyroleans.

This story originally appeared in Italian translation  in La Macchina Sognante n. 16.

Tags: blackfaceCalibancensorshipclassroomItalyJohn Austin ByrneNick Garrattracismrepresentationschool authoritiesSouth Tyrolteachingtheater

Related Posts

Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri
Non Fiction

Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

April 29, 2022
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Poetry

Alphabet – Farah Ahamed

April 23, 2022
Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman
Interviews and reviews

Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

November 30, 2021
Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman
Non Fiction

Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

November 30, 2021
Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo
Fiction

Fanta Blackcurrant – Makena Onjerika

November 29, 2021
Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
Fiction

Here, Where We Keep on Meeting – Giuseppe Ferrara

November 29, 2021
Next Post
Photogallery of Irene De Matteis Oneiric Artwork

"The Marathon Continues", by Addes Tesfamariam, trans. by Candice Whitney

The Dreaming Machine

Writing and visual arts from the world.

Interviews and reviews

That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

Cover photo by Per Albrightsen, Ostlandsposten,2018 You can read the original interview appearing on 30  November 2021 in L'Ortique  in ...

December 1, 2021
Interviews and reviews

Getting to Know Sumac Space, a Middle Eastern Intersection of Poetry and Visual Arts

The Dreaming Machine is eager to connect its international readers to some very interesting work that stands at the intersection ...

November 23, 2021
Poetry

Excerpts from Alessandro Brusa’s poetry collection “L’amore dei lupi” (Perrone 2021)

You are like a cloud                on the land that is sand to me             ...

April 30, 2021
Intersections

silviotrump – Serena Piccoli

silviotrump (#toadeena)   Europe |cradle of civilization| could not but teach you how to. Plato, Aristotle, Sappho, Dante and Silvio ...

November 30, 2017
Interviews and reviews

Securing the future for the Sorbian languages – Interview with Dr. Hauke Bartels about the work of the Sorbian Institute, Bautzen/Germany

Sorbian Institute in Cottbus (Photo by Georg Schaaf) Who are the Sorbs? Sorbs is the name given to members of ...

May 4, 2020

Latest

The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

May 4, 2022
M’aidez, May Day – Pina Piccolo

M’aidez, May Day – Pina Piccolo

May 1, 2022
A medley of artwork from Le braccianti di Euripide collective

The dolls have pronounced it – Poems by Mohamed Kheder

April 30, 2022
A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

April 30, 2022

Follow Us

news

RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT
News

RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

by Dreaming Machine
2 years ago
0

3 SEPTEMBER 2020 – DEADLINE FOR RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT   Rucksack, at Global Poetry Patchwork is an...

Read more
  • TABLE OF CONTENT
  • THE DREAMING MACHINE
  • CONTACT

© 2019 thedreamingmachine.com

No Result
View All Result
  • Home
  • Poetry
  • Fiction
  • Non Fiction
  • Interviews and reviews
  • Out of bounds
    • Poetry
    • Fiction
    • Intersections
  • THE DREAMING MACHINE
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • TABLE OF CONTENTS
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • News
  • Contacts

© 2019 thedreamingmachine.com

Login to your account below

Forgotten Password?

Fill the forms bellow to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In