what poverty, confinement & ingenuity produce—
a tasty brown taffy stretched
from packets of creamer, sugar, peanut butter
saved from dining hall meals
mixed & microwaved
set & shared by inmates
after count in Birch
Camp Cupcake isn’t as sweet as it sounds
lockdown is still lockdown
but sisterhood survives in it somehow
bright as a pink volleyball
bouncing off the sand
steady as a bear beyond the pines
chomping down on blackberries
in the prickly late summer bramble
quick as a dragonfly
riding the unseen breeze
that brushes across our cheeks
For Rita Wongs own reflections on her time spent in jail, see article that appeared in September 2019 in The Tyee
I’m grateful to be here alive today with all of you on sacred, unceded Coast Salish territories, the homelands of the Musqsueam, Squamish and Tsleil Waututh peoples.
On 24 August 2018, while BC was in a state of emergency because of wildfires caused by climate change —breaking records for the second year in a row; putting lives at risk, health at risk, and displacing thousands of people— I sang, prayed, and sat in ceremony for about half an hour in front of the Trans Mountain pipeline project’s Westridge Marine Terminal.
I did this because we’re in a climate emergency, and since the Federal government has abdicated its responsibility to protect us despite full knowledge of the emergency, it became necessary to act. We are in imminent peril if we consider the rate of change we are currently experiencing from a geological perspective – we are losing species at an alarming rate and facing mass extinction due to the climate crisis that humans have caused. This is the irreparable harm I sought to prevent, which the court, the Crown, and corporations also have a responsibility to prevent. arrest Wong at the site of the Trans Mountain Pipeline in Burnaby. (Photo- CTV News)
Everyone has the responsibility to respond to this crisis. We are on the global equivalent of the Titanic, and this industrialized ship needs to change direction. We also need to build life boats, healthy places that can support resilience in the future, such as the sacred Salish Sea.
I acted with respect for the rule of law which includes the rule of natural law and the rule of Indigenous law and the rule of international law. Under the rule of law:
- I have a responsibility to my ancestors and the ancestors of this land to protect the lands and waters that give us life with each breath, each bite of food, each sip of water.
- I have a responsibility to reciprocate to the salmon who have given their life to feed mine, to reciprocate to the trees that produce and gift us the fresh air from their leaves through the perpetual song of photosynthesis.
- I have a responsibility to give back to the great Pacific Ocean, the Coast Salish Sea, Stalew (the Fraser River), and the many water bodies on which human life – and other lives – depend.
- I have a responsibility to hold our politicians accountable when they persistently breach their international legal obligations to protect us. They should be reducing greenhouse gas emissions, not increasing them in ways that put the very existence of life at risk.
By breaching the injunction, I had no intention of reducing respect for our courts. I do intend to ask the court to respect Coast Salish laws that uphold our responsibilities to care for the land and waters that make life, liberty and peace possible for everyone. I sincerely ask the court to take our reciprocal relationship with the land and water into consideration because we are on Coast Salish lands, where everyone is a Coast Salish citizen.
I’m one of over 200 citizens of conscience who were arrested because, unlike our federal and provincial governments, we take the climate crisis seriously. We take the need to protect society seriously. We did what we could to maintain respect for our justice system:
- We cooperated with Indigenous spiritual guardians, non-governmental organizations and the police.
- We waited patiently for decades before determining —at a moment in history when time has almost run out to act —that orthodox ways of getting the federal government to act were doomed to fail.
- The police were informed in advance and they appointed people to liaise and communicate with the NGOs in order to maintain order.
All of this is evidence of the rule of law working.
I respect the court’s concern for the rule of law. I do appreciate that obeying court orders is part of the rule of law. There are more aspects of the rule of law that I would ask you to consider before sentencing me.
Natural law and Indigenous law rely on mutual aid and cooperation, qualities that require maturity and a deep love for one’s community, recognizing that we are all equal. It is a rule of law that works primarily from a place of love and respect, not from fear of authority and punishment.
This is the aspect of rule of law that has moved the hearts and spirits of the thousands of people who’ve shown up to care for the land and waters of this place. Such an understanding of rule of law, as coming from a place of love and courage more than fear, could strengthen our sense of democracy. It could make our commitment to reconciliation a sincere one.
We can all learn from natural law and Coast Salish law that we have a reciprocal relationship with the land; and that we all have a responsibility to care for the land’s health, which is ultimately our health too. This was reinforced most recently for me by Tsleil-Waututh speakers at the Drums Not Drills gathering at the scene of my arrest, the Westridge Marine Terminal, on Aug 5 this year, which I helped to co-organize as part of the Mountain Protectors group.
My ancestors teach me to act responsibly, to honour the water, the land and my relatives. I feel their teachings in my blood & guts, my bones that carry their spirits within them, my heart as it closes & opens again & again with each beat.
The morning of my arrest we hung red dresses to honour the murdered and missing Indigenous women, the sisters who are made more vulnerable and victimized by the man camps that accompany pipeline expansion and massive resource extraction. We sang the women warriors song, over and over again, for each woman who should have been there & wasn’t.
We sang for our grandparents, for people from all four direction of the earth.
Our ceremony that morning was an act of spiritual commitment, of prayer, of artistic expression, of freedom of expression, an act of desperation in the face of climate crisis, an act of allegiance with the earth’s natural laws, and a heartfelt attempt to prevent mass extinction of the human race.
As I see it, one shows respect by speaking honestly, a view shared by Canada’s Truth and Reconciliation Commission. To speak the truth is not to show contempt, but to hold those in power accountable for failing to protect us and for instead knowingly choosing to inflict systemic harm & violence upon us and upon the land and waters that give us life.
I pray that the urgency of the climate crisis and our responsibilities to be good relatives living on Coast Salish lands, under Coast Salish laws, will help to guide this justice system as it encounters land defenders. As land and water defenders, we do what we do for everyone’s sake.
Maja Giannoccaro, professional photographer and videographer, produces creative photo and film projects for organisations, businesses and artists. Born in Italy, but has since 2008 lived and worked in Denmark, now based in Vancouver; speaks and writes English, Danish, Spanish, add to the Italian mother tongue. Maja G has worked for: Polens Ambassade, Copenhagen | Dansk Boldspil Union (DBU), Copenhagen | Danmarks Udenrigsministerium, Copenhagen | polennu.dk, København | Aarhus Stiftstidende, Aarhus | Kongens Ø, Dronningmølle | Kvinder for Fremtiden, Hillerød | Polsk-dansk Handelskammer, Hellerup | DR P4 Østjylland, Aarhus | TV2 Østjylland, Aarhus | Christiania, Christianshavn | misbrugsportalen.dk, Christianshavn | Dansk-polsk Ungdom, Copenhagen, Jazz Festival Copenhagen | in Italy web editor and photo editor for Panorama, Donna Moderna, Cosmopolitan, Mondadori publisher, Milan.
Cover image: artwork by Irene De Matteis.