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  • Poetry
    In Memoriam Lawrence Ferlinghetti – Three poems: Pity the Nation, Cries of Animals Dying, The History of the Airplane

    In Memoriam Lawrence Ferlinghetti – Three poems: Pity the Nation, Cries of Animals Dying, The History of the Airplane

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    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. PART I, by  Encyclopedic Poetry School

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    Days in Kolkata: a Photo Gallery by Sumana Mitra

    On the tip of her voice a library alive – Six Poems by Gonca Özmen, trans. from Turkish by Neil P. Doherty

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

  • Fiction
    POEMS FOR PEACE, by Hamid Barole Abdu

    from The Widows Series – “Claude”, “Cargo”, “Etc.” – Three Unpublished Short-Stories by Lynne Knight

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    I Want to Be Loved, a New Story by Mia Funk

    Man Ray’s Lips, a new story by Mia Funk

    Man Ray’s Lips, a new story by Mia Funk

    POEMS FOR PEACE, by Hamid Barole Abdu

    A Child of Snow, a new story by Mia Funk

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    The Vulture- by Hasan Azizul Huq, trans. by Bhaskar Chattopadhyay

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

    “Sofía, qué soñaste?” – Vignette from Sonia Gutiérrez’s “Dreaming with Mariposas”

    “Sofía, qué soñaste?” – Vignette from Sonia Gutiérrez’s “Dreaming with Mariposas”

    DIARY OF A DANCING DREAMER IN THE STREETS OF BERLIN – Giulia Marchetti

    DIARY OF A DANCING DREAMER IN THE STREETS OF BERLIN – Giulia Marchetti

    WAITING FOR THE DARK, by Mia Funk

    WAITING FOR THE DARK, by Mia Funk

  • Non Fiction
    Brigada Dignidad: A Health Team Healing the Wounded by the Police in Santiago, Chile – Ximena Soza

    Brigada Dignidad: A Health Team Healing the Wounded by the Police in Santiago, Chile – Ximena Soza

    Time to Transition: Essay by Clarissa Clò,  Image and Document Galleries from the Grassroots Movements, by Barbara Ofosu-Soumah and Marina Romani

    Time to Transition: Essay by Clarissa Clò, Image and Document Galleries from the Grassroots Movements, by Barbara Ofosu-Soumah and Marina Romani

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    COMEDY AND CHILDHOOD. A conversation between Dario Fo and Walter Valeri

    All About EY – Musings about Literature, the Short Story and the Current State of Literary Affairs –  by Shajil Anthru

    All About EY – Musings about Literature, the Short Story and the Current State of Literary Affairs – by Shajil Anthru

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    People Die, Not From Old Age or War or Disease – But from Disappointment, by séamas carraher

  • Interviews & reviews
    Writing “Andolo, the Talented Albino” –  An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

    Writing “Andolo, the Talented Albino” – An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

    POEMS FOR PEACE, by Hamid Barole Abdu

    “Pretending to Be Healthy” Gin Angri’s Photo- Essay from Como (Italy)

    Prima il Punto – Christine Maigne interviewed by Camilla Boemio

    Prima il Punto – Christine Maigne interviewed by Camilla Boemio

    POEMS FOR PEACE, by Hamid Barole Abdu

    Mia Funk Interviews Photographer Mark Seliger

    POEMS FOR PEACE, by Hamid Barole Abdu

    Photographer Marilyn Minter Interviewed by Mia Funk

    Mia Funk Interviews Novelist Viet Thanh Nguyen

    Mia Funk Interviews Novelist Viet Thanh Nguyen

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    • Intersections
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    POEMS FOR PEACE, by Hamid Barole Abdu

    Here comes the voice – Poems by Antonio Merola

    POEMS FOR PEACE, by Hamid Barole Abdu

    Many Disoriented Small Migrations- Poems by Jean-Charles Vegliante

    POEMS FOR PEACE, by Hamid Barole Abdu

    Embraces on hold till a magic clock-strike twelve – Five Poems by Michael D. Amitin

    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

    “Through the Fluid Mosaic” – Following Maica Gugolati though the Permeable Borders of the  Art Exhibition

    “Through the Fluid Mosaic” – Following Maica Gugolati though the Permeable Borders of the Art Exhibition

    Ghayath Almadhoun’s “Evian” Wins the 2020 Poetry Film Zebra Award

    Ghayath Almadhoun’s “Evian” Wins the 2020 Poetry Film Zebra Award

    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    POEMS FOR PEACE, by Hamid Barole Abdu

    The thankless parables – Poems by Sudip Chattopadhyay

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    In Memoriam Lawrence Ferlinghetti – Three poems: Pity the Nation, Cries of Animals Dying, The History of the Airplane

    In Memoriam Lawrence Ferlinghetti – Three poems: Pity the Nation, Cries of Animals Dying, The History of the Airplane

    Like a shadow on an expanse of water –  Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

    Like a shadow on an expanse of water – Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. Part II by Encyclopedic Poetry School

    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. Part II by Encyclopedic Poetry School

    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. PART I, by  Encyclopedic Poetry School

    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. PART I, by Encyclopedic Poetry School

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    On the tip of her voice a library alive – Six Poems by Gonca Özmen, trans. from Turkish by Neil P. Doherty

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

  • Fiction
    POEMS FOR PEACE, by Hamid Barole Abdu

    from The Widows Series – “Claude”, “Cargo”, “Etc.” – Three Unpublished Short-Stories by Lynne Knight

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    I Want to Be Loved, a New Story by Mia Funk

    Man Ray’s Lips, a new story by Mia Funk

    Man Ray’s Lips, a new story by Mia Funk

    POEMS FOR PEACE, by Hamid Barole Abdu

    A Child of Snow, a new story by Mia Funk

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    The Vulture- by Hasan Azizul Huq, trans. by Bhaskar Chattopadhyay

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

    “Sofía, qué soñaste?” – Vignette from Sonia Gutiérrez’s “Dreaming with Mariposas”

    “Sofía, qué soñaste?” – Vignette from Sonia Gutiérrez’s “Dreaming with Mariposas”

    DIARY OF A DANCING DREAMER IN THE STREETS OF BERLIN – Giulia Marchetti

    DIARY OF A DANCING DREAMER IN THE STREETS OF BERLIN – Giulia Marchetti

    WAITING FOR THE DARK, by Mia Funk

    WAITING FOR THE DARK, by Mia Funk

  • Non Fiction
    Brigada Dignidad: A Health Team Healing the Wounded by the Police in Santiago, Chile – Ximena Soza

    Brigada Dignidad: A Health Team Healing the Wounded by the Police in Santiago, Chile – Ximena Soza

    Time to Transition: Essay by Clarissa Clò,  Image and Document Galleries from the Grassroots Movements, by Barbara Ofosu-Soumah and Marina Romani

    Time to Transition: Essay by Clarissa Clò, Image and Document Galleries from the Grassroots Movements, by Barbara Ofosu-Soumah and Marina Romani

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    COMEDY AND CHILDHOOD. A conversation between Dario Fo and Walter Valeri

    All About EY – Musings about Literature, the Short Story and the Current State of Literary Affairs –  by Shajil Anthru

    All About EY – Musings about Literature, the Short Story and the Current State of Literary Affairs – by Shajil Anthru

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    People Die, Not From Old Age or War or Disease – But from Disappointment, by séamas carraher

  • Interviews & reviews
    Writing “Andolo, the Talented Albino” –  An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

    Writing “Andolo, the Talented Albino” – An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

    POEMS FOR PEACE, by Hamid Barole Abdu

    “Pretending to Be Healthy” Gin Angri’s Photo- Essay from Como (Italy)

    Prima il Punto – Christine Maigne interviewed by Camilla Boemio

    Prima il Punto – Christine Maigne interviewed by Camilla Boemio

    POEMS FOR PEACE, by Hamid Barole Abdu

    Mia Funk Interviews Photographer Mark Seliger

    POEMS FOR PEACE, by Hamid Barole Abdu

    Photographer Marilyn Minter Interviewed by Mia Funk

    Mia Funk Interviews Novelist Viet Thanh Nguyen

    Mia Funk Interviews Novelist Viet Thanh Nguyen

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    POEMS FOR PEACE, by Hamid Barole Abdu

    Here comes the voice – Poems by Antonio Merola

    POEMS FOR PEACE, by Hamid Barole Abdu

    Many Disoriented Small Migrations- Poems by Jean-Charles Vegliante

    POEMS FOR PEACE, by Hamid Barole Abdu

    Embraces on hold till a magic clock-strike twelve – Five Poems by Michael D. Amitin

    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

    “Through the Fluid Mosaic” – Following Maica Gugolati though the Permeable Borders of the  Art Exhibition

    “Through the Fluid Mosaic” – Following Maica Gugolati though the Permeable Borders of the Art Exhibition

    Ghayath Almadhoun’s “Evian” Wins the 2020 Poetry Film Zebra Award

    Ghayath Almadhoun’s “Evian” Wins the 2020 Poetry Film Zebra Award

    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    POEMS FOR PEACE, by Hamid Barole Abdu

    The thankless parables – Poems by Sudip Chattopadhyay

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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Excerpts from Wuyi Jacobs’ Interview with Camilla Hawthorne on Racism and Xenophobia in Italy

Part I of an ongoing project by Wuyi Jacobs of AfroBeat (WBAI, Pacifica's New York City radio station) monitoring racism and xenophobia in Italy

April 29, 2018
in Interviews and reviews, The dreaming machine n 2
Excerpts from Wuyi Jacobs’ Interview with Camilla Hawthorne on Racism and Xenophobia in Italy
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Tell us a little bit about yourself.

Sure, my name is Camilla Hawthorne, I’m a PhD candidate in Geography at UC Berkeley. I’m also a self identified black Italian, so my mother is from northern Italy, my father is African American and since 2012 I’ve been doing in depth research with emergent black youth political activism in Italy. I’ve been studying emergent movements and cultural projects that are oriented to the expression of afro Italian identity as well as the movement that’s spearheaded by the children of immigrants born and raised in Italy to reform Italian citizenship law.

 

And you’ve lived both in Italy and the U.S.?

In California – I was born and raised in California but my mom was the only one from her family to emigrate to the US and so since I was a kid I’ve been spending summers and winters in Italy. And when I began doing academic research in Italy I’ve been also going to Italy, like I said, to work with activists both for research purposes but also collaborating with activist organizations. I lived in Italy for all of 2016 so that was the longest chunk of time so, like I said, from one to three months every year for the entirety of my life.

 

I wanted to establish that because I think it’s going to be important in establishing your familiarity with Italy and your relationship with Italy and also you bring a special perspective to the project.

Yeah, we can talk about this more but it’s really interesting having grown up in the US but having spent significant portions of my life in Italy, sort of comparatively thinking about not just the manifestations of racism in the US versus Italy but also what popular responses are to the existence of racism in both places. It has been particularly interesting to reflect on since the shootings in Macerata.

 

What was the situation like especially for women and children  of immigrants caught in the violence. Tell us some of the more specific cases of how people were affected?

I can’t speak specifically for the case of Macerata except to say that both men and women were targeted by the shooter. Speaking of other instances there is a tendency to focus on the figure of the black African migrant which is a figure that is used in a lot of xenophobic rhetoric in Italy in a way that invisiblizes the particular manifestation of racism that’s targeted towards African women and men. So to go back to the 2016 story of a Emmanuel Chidi Namdi, he was beaten to death by an avowed fascist, but what didn’t get reported as much was that at the time he was actually walking with his wife, and his wife was called an African monkey and she was beaten during the attack as well. And so a lot of this vitriol is also directed to these women as well, for a lot of reasons. One is the history of sexualization of black migrants, even when black women may not be subject to direct physical violence, they’re subjected to sexual harassment, assumptions that they are sex workers or prostitutes. And I think that the fear of black women ties with an over arching fear in Italy, as well, of this sense of Italy being overrun by migrants. Shortly before the shootings in Macerata a politician on January 17th from the Lega Nord party, which was actually the same party that the shooter had run for office to represent, made a comment about Italy being overrun by migrants and that being a risk to the white race, the white race being the Italian race. So I think the figure of black women having “too many children” also relates to the specific vitriol that’s directed against African women and also their children in Italy today.

 

 

Has the anti fascist anti racism demonstration left its mark?

I think so. It’s hard to tell at this point, but what I have noticed particularly among the black youth organizations that I’ve been working with since 2012, is that it was a galvanizing moment. It reminds me of again, after the murder of Jerry Maslo in 1990 when there were massive nation-wide anti racism demonstrations across the country after Jerry Maslo was murdered, so I think that for all of the challenges of organizing this demonstration the international attention that it received was very important. The conversations that it has sparked about racism in Italy, particularly because there are elections coming up in early March, and the way that its really started to direct attention to the centrality of racism and racial rhetoric in the campaigning in these March 4th elections. The reality is that the Lega Nord, while it is certainly a far right party, is actually a very mainstream party, so its been very important for people to realize that the kind of xenophobic separatist rhetoric of parties like the Lega nord actually has violent consequences, so it’s lifted the veil in that regard. And it has also galvanized a generation of young black activists in Italy who are realizing that it is possible to get out in the streets and have their voices heard, who are realizing the urgency of the situation because the shooter targeted people based on the color of their skin. He didn’t know if they were asylum seekers, or if they were undocumented migrants or refugees or if they were born and raised in Italy. So it really raises questions not just about xenophobia but also about the precarity of blackness across Italy regardless of immigration status, so in that sense I think it will have long term consequences. I currently work with a small collective of activists and writers in Italy and it has really forced us to think about how we can begin to articulate a black manifesto against racism in Italy that can deal specifically with the particularities of racism in Italy. In that regard it’s really important and I think the consequences will be far reaching.

 

 

The Macerata events seem to constitute an intersection of issues of racism, misogyny and nationalism. How did this toxic mix of sectarian style politics develop so quickly against immigrant communities?

I think it’s important to realize again that this did not develop quickly, but rather the seeds for this kind of violent eruption were really planted – we can really argue at the end of the 19th century. Luca Traini, it’s been argued, was perhaps acting to avenge the death of a young woman in Macerata who was supposedly murdered by an African immigrant. And this is a trope that we see, again not just throughout Italian history, but also across the white supremacist world and the black diaspora. We have to think no further, for those in the United States, than the case of Emmett Till where the threat of violent and sexually promiscuous black man is used to legitimate acts of racial violence against people of African descent. During World War Two when US soldiers occupied Italy there were fascist propaganda posters that showed hyper-sexualized, caricatured black American soldiers attacking, trying to steal white Italian women. So again there’s another manifestation of this tendency to link xenophobia and racism to the supposed threat that’s being posed to the bodily integrity and sexuality of white European women. We saw this happen in Koln in Germany, we saw this I think there was Polish magazine in 2015 that showed a woman draped in the European Union flag being attacked, or this idea that she was being threatened by “dark skinned migrants”. There is a link between the protection of white Italian sexuality, the pathologizing of black migrants and those deeper entanglements that have much deeper histories than get articulated with more contemporary concerns like fears of declining Italian birth rates and rising immigrant birth rates or the impact of an influx of migrants and refugees on the Italian economy. Another aspect of this story is that there’s been a great deal of misinformation that’s been spread by politicians and mainstream media alike about the supposed 35 euros per day that’s given to asylum seekers in Italy. In fact there was a funny story last year where a picture of Samuel L Jackson and Magic Johnson shopping in Bologna somehow began circulating on the Italian speaking internet as black migrants who were using their government issued using handouts to go on an extensive shopping spree. The reality is that asylum seekers are given about 2 euros per day of pocket money and in most cities that’s not even enough to get you a round trip metro ticket. But all of that is to say that there are these fears of Italian decline, whether its demographic decline or economic decline that have been articulated with deeper racism that’s embedded within Italian nationalism and when all those forces come together you end up with someone like Luca Traini who, I want to say, is not an isolated mentally unstable person, but is really the product of this coming together of different forces. He is a product of this deep seated racism, these narratives of crisis, the work that these parties like the Lega Nord have been doing for the last several decades to stir up nationalist fears and direct them against migrants and against southern Italians.

 

For the whole interview or if interested in the project, please contact Wuyi Jacobs at addresses provided below.

 

Wuyi Jacobs is a seasoned Media professional, audio and video producer and radio host with more than decade experience covering national, state and local politics, public policy, the environment, social movements, activism, Africa and the global African Diaspora as a unit of analysis. Empowering and engaging communities through art, media and creativity. He produces the weekly AfroBeat radio program for NYC station WBAI, as well as topic oriented documentaries running for 8 years.

AfrobeatRadio publishes @ www.AfrobeatRadio.Com.
www.twitter.com/AfrobeatRadio
www.facebook.com/AfrobeatRadio
www.wbai.org (AfrobeatRadio Page – www.wbai.org/program.php?program=9)
AfrobeatRadio airs live every Saturday on WBAI 99.5 FM NYC, Pacifica Radio from 6:00 to 7:00 PM EST.
Social:
www.soundcloud.com/AfrobeatRadio
www.mixcloud.com/AfrobeatRadio
www.vimeo.com/search?q=afrobeatradio

 

For information concerning Camilla Hawthorne se article in this issue http://www.thedreamingmachine.com/meticciato-on-the-problematic-nature-of-a-word-camilla-hawthorne-and-pina-piccolo/

Featured image: painting by Giacomo Cuttone.

Tags: anti-blackdemonstrationsEmmanuel Chidi NnamdiFermoItalyMacerataneo-fascist partiesracially motivated killingsracismrefugeesxenophobia

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  • THE DREAMING MACHINE
    • The dreaming machine n 7
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  • TABLE OF CONTENTS
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
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