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    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Always another curtain  to draw open: Five poems by Helen Wickes

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    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

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    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

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    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

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    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

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    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

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    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

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    But for plants there is no delegating: Seven Poems by Achille Pignatelli

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

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  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

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    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

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    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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From Africa: The Brittle Paper Awards 2018 Winners: Sibongile Fisher; Itiola Jones, Stacy Hardy, Panashe Chigumadzi, Shailja Patel

Started in 2017, The Brittle Paper Awards recognizes the finest, original pieces of literature by Africans available online for free.

December 1, 2018
in Interviews and reviews, The dreaming machine n 3
From Africa: The Brittle Paper Awards 2018 Winners: Sibongile Fisher; Itiola Jones, Stacy Hardy, Panashe Chigumadzi, Shailja Patel
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The 34 finalists of the 2018 Brittle Paper Awards.

The Brittle Paper Awards is our way of recognizing the finest, original pieces of literature by Africans available online for free. We began it in 2017 to mark our seventh anniversary. The $1,100 cash prize is spread across five categories which reflect our efforts to capture the range and variations of literary dialogue on the continent: the Brittle Paper Award for Fiction ($200), the Brittle Paper Award for Poetry ($200), the Brittle Paper Award for Creative Nonfiction ($200), the Brittle Paper Award for Essays & Think Pieces ($200), and the Brittle Paper Anniversary Award ($300) for writing published on our blog.

The 2017 edition shortlisted 48 pieces, and the winners were: South African memoirist Sisonke Msimang for Essays & Think Pieces, Liberian novelist Hawa Jande Golakai for Creative Nonfiction, Nigerian poet JK Anowe for Poetry, South African writer Megan Ross for Fiction, and Nigerian poet Chibuihe Obi for the Anniversary Award.

For the 2018 Awards, we made a call for nominations, for works published between 31 July 2017 and 31 August 2018 and available for free online—available to be engaged with. We paid attention to works that inspired readers to rethink their assumptions about African writing. Some of our picks have been read and shared widely on social media. All have kindled important conversations and debates or have identified and built on areas still under-explored.

The 2018 edition shortlisted 31 pieces.

Here are the winners of the five categories.

THE BRITTLE PAPER AWARD FOR CREATIVE NONFICTION ($200)

Sibongile Fisher. Photo credit: Mlungisi Mlungwana.

READ: The 2018 Brittle Paper Award for Creative Nonfiction: Meet the 8 Finalists   

From a group of works—including a mapping project—all of which are either honoring history or figures on the boundary of history or turning an inward gaze towards the self, we unanimously chose Sibongile Fisher’s powerful memoir, “The Miseducation of Gratitude.” Fisher’s track-by-track reinterpretation of rapper Lauryn Hill’s 1998 album The Miseducation of Lauryn Hill is an autobiography of love, motherhood, family, and wounds. She blends literature and trauma into a musical framework and the result is poetic, soulbreaking, symbolic and, importantly, sure-footed. It is literary confessionality at its most bare.

The “The Miseducation of Gratitude” first appeared in Selves: An Afro Anthology of Creative Nonfiction, an independent anthology published by us, and online in Enkare Review. 

READ: “The Miseducation of Gratitude”

THE BRITTLE PAPER AWARD FOR POETRY ($200)

Itiola Jones. Photo credit: Nicholas Nichols.

READ: The 2018 Brittle Paper Award for Poetry: Meet the 6 Finalists

From a pool of poems that reconsider bodies, families, relationships, and political developments, we chose Itiola Jones’s “A Field, any Field.” In lines shrouded in intimacy, Jones renders an alluring tussle between lovers, between the female persona and her body, between the pull of love and betrayal, and she portrays well the irreducible draw of lust. Her language is memorable and strewn with metaphors. In a sense, it is a declaration of physical self-ownership and responsibility—two lovers doing to each other what lovers do, refreshing an archetypal story.

“A Field, any Field” is published in The Offing. 

READ: “A Field, any Field”

THE BRITTLE PAPER AWARD FOR FICTION ($200)

Stacy Hardy. Photo credit: Aryan Kaganof.

READ: The 2018 Brittle Paper Award for Fiction: Meet the 5 Finalists

From a set of short stories in which lives are hidden, mourned, distrusted, and accepted, we chose Stacy Hardy’s “Involution.” Hardy imbues the female sex organ with poignant agency, making it an incongruous character in her fabulist fiction. In the vein of characters who go on and on and seem incapable of stopping, at the center of Hardy’s work is a young woman whose curiosity to know her body part is intriguing and sustained. She approaches this dilemma with innovativeness, demonstrating, in a continental culture dominated by a brand of social realism, that fiction can be more than only story.

“Involution” is published in Migrations: New Short Fiction from Africa, an anthology by Short Story Day Africa, the continent’s most important institution for short fiction.

READ: “Involution”

THE BRITTLE PAPER AWARD FOR ESSAYS & THINK PIECES ($200)

Panashe Chigumadzi. Photo credit: Tarryn Hatchet.

READ: The 2018 Brittle Paper Award for Essays & Think Pieces: Meet the 7 Finalists 

From a class of essays and think pieces—including an interview, that mode of literary conversation often overlooked as a think piece—that inspire rethinks of poetry, books, legacies, and photography, we chose Panashe Chigumadzi’s “History Through the Body or Rights of Desire, Rights of Conquest.” Chigumadzi uses literary analysis, history, and memoir to interrogate J. M. Coetzee’s novel Disgrace, reckoning with race, gender, sex, land, and power in South African literature, politics, and everyday living, and the ways in which the novel is suspect in handling those. By finding links between geographical significances and Coetzee’s body of work—even connecting the different Davids in works by Coetzee, Zoe Wicomb, and John Buchan—the racialized atmosphere of South Africa is broken up, and with it the dehumanization of the black female body by white males, and the black female’s consequent raw fear of white maleness. It is a timely work that leaves us pondering power and privilege.

“History Through the Body or Rights of Desire, Rights of Conquest” is published in The Johannesburg Review of Books, a new magazine that has significantly expanded the online African literary scene with its rich mix of new writing and critical analyses.

READ: “History Through the Body or Rights of Desire, Rights of Conquest”

THE BRITTLE PAPER ANNIVERSARY AWARD ($300)

Photo credit: Wairimu Muriithi.

READ: The 2018 Brittle Paper Anniversary Awards: Meet the 8 Finalists

From a selection of writing and critiquing in which ideas war, we chose Shailja Patel’s “On Postcolonial Theory.” Patel’s relentless critiquing, in reiteration of the irreducible relevance of postcolonial theory following comments by Chimamanda Ngozi Adichie, merges intersectionality with elements of historical and biographical criticism. It demonstrates, in the midst of its noise, the harnessing of social media as a tool for intellectual intervention and engagement, and in a way that offers as much competence as traditional media.

“On Postcolonial Theory” consists of 14 tweets. At over 63 thousand views and 13,000 Facebook likes, “On Post Colonial Theory” is the perfect meeting point of viral content and intellectual substance.

READ: “On Postcolonial Theory” 

Congratulations to Panashe Chigumadzi, Shailja Patel, Sibongile Fisher, Itiola Jones, and Stacy Hardy.

 

Republished courtesy of The Brittle Paper website.

Tags: AfricaBrittle papercreative non fictionEssaysfictiononline literaturePoetrysocial media

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