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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Always another curtain  to draw open: Five poems by Helen Wickes

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    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

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    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

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    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

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    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

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    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

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    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

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    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

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    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

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    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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From California to Chile, from Wallmapu to Palestine: Art Exhibit Documenting Struggles for Hope and Justice in the World, Ximena Soza curator

Cover art: Photo by Haitham Khatib.

May 1, 2020
in Interviews and reviews, Out of bounds, The dreaming machine n 6
From California to Chile, from Wallmapu to Palestine: Art Exhibit Documenting Struggles for Hope and Justice in  the World, Ximena Soza curator
From California to Chile, from Wallmapu to Palestine: Art Exhibit Documenting Struggles for Hope and Justice in  the World, Ximena Soza curator
From California to Chile, from Wallmapu to Palestine: Art Exhibit Documenting Struggles for Hope and Justice in  the World, Ximena Soza curator
From California to Chile, from Wallmapu to Palestine: Art Exhibit Documenting Struggles for Hope and Justice in  the World, Ximena Soza curator
From California to Chile, from Wallmapu to Palestine: Art Exhibit Documenting Struggles for Hope and Justice in  the World, Ximena Soza curator
From California to Chile, from Wallmapu to Palestine: Art Exhibit Documenting Struggles for Hope and Justice in  the World, Ximena Soza curator
From California to Chile, from Wallmapu to Palestine: Art Exhibit Documenting Struggles for Hope and Justice in  the World, Ximena Soza curator
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From California to Chile, from Wallmapu to Palestine

Embracing  Dr Martin Luther King Junior’s lucid words “an injustice anywhere is an injustice everywhere”,  From California to Chile, from Wallmapu to Palestine is a collective exhibit that hopes to make visible the struggle for justice in different corners of the world and how they are connected to the devastating effects of Neoliberalism and the deep inequality it has created worldwide.  This exhibit, which opened in mid-February at La Peña Cultural Center in Berkeley California displays how, if not justice, hope has been taken in the own hands of millions of people who have come to the streets of several countries to remind oppressive states that they will not settle for anything but justice. When we see the works from the occupied territories of Palestine, the fight for self-determination in Mapuche territories  in both sides of the Andes, independence in Catalunya, and the rebellious awakenings of Colombia, Ecuador and Chile, we see lots in common, but especially; police brutality and resistance. The bravery and commitment of the photographers of this show proves particularly impressive because some of them have literally risked their lives to take their photographs. The show also counts on artwork that honors the uprisings against the coup in Bolivia, which tell us of the ferocious consequences of intervention and one piece from the Zapatista communities, that gives us the hope of building a space of autonomy, donde el pueblo mande, or where people govern!

The original show displayed the work in different medias of artists Claudia Curiqueo, Fernanda Gallardo, Haitham Khatib, Pancho Peskador,  Marc Hors, Yulieth Andrea Rincón López, Cristian Muñoz, Indira Urrutia, Marcelo Garay, Pablo Ruiz Arroyo, Luis Hidalgo, Andres Gallegos, Miguel Pérez Guillén and a collective piece from Community members from North California. The show has been closed since mid-March due to the statewide restrictions for the Cov-19 but will be reopened as soon as activities are resumed.

We will share the works of three photographers which demonstrate that daily acts of resistance that are happening every day in different corners of the world.

Ximena Soza (Curator)

 

Resistance in Santiago 1, Santiago, Chile by Marcelo Garay

 

Resistance in Santiago 2, Santiago, Chile by Marcelo Garay

 

Resistance in Santiago 3, Santiago, Chile by Marcelo Garay

 

Marcelo Garay is a journalist, social communicator and photographer, 49 years old. Born in a working-class neighborhood in the southern part of Santiago, he has been engaged in his profession for more than two decades. Starting with the Chilean popular revolt, he joined the Latin American independent photojournalism group Ruta-35 (www.route-35.com), where he began publishing chronicles and photographs of the mobilization days in Chile. In the middle of his work, during a riot on November 18th, a police officer shot him twice and caused injuries to his legs and hands, due to the impact of 9 bullets, six of which he still has embedded in his body.

 

 

Palestina 1, Palestine, by  Haitham Khatib

 

Viva Palestina 2, Palestine, by  Haitham Khatib

 

Haitham Khatib: Born and raised in the agricultural village of Bil’in, he is a self-taught freelance Palestinian photographer and documentary film-maker, in Palestine’s West Bank. His life has been tragically affected by the illegal Israeli occupation. In the First Intifada, at age 15 he was sent to Israeli jail for two years. He decided to use photography as a tool or a weapon to protect his family and villagers from the harassment by the Israeli Occupation forces. For 11 years he has documented his village’s organized weekly Friday demonstrations, which are show of unity and solidarity and a peaceful means of resistance. He re-affirms the strength, with which Palestinians fight for their dignity and freedom.

 

Wechrafken by Claudia Curaqueo

 

 

Pu lof en resistencia by Claudia Curaqueo

Claudia Curaqueo is a photographer, Visual Arts Teacher, documentary filmmaker and member of the Mapuche Inchiñ Communication Department in  Kurru Leufu (Rio Negro) Puelmapu. The work in the collective reflects the importance of the active role that they develop as producers of content that relates to their own identity, with a proposal of clear revitalization  of the Mapuche culture. In their work, they highlight the great ancestral Mapuche framework centered on good living, which has provided a counter model against the extractivist and capitalist model, documenting  with a  critical eye  the constant demonstrations organized as a response  against the oppressive state.

 

 

Ximena Soza is a Chilean born artist, poet and educator. Formally she earned her BA in Education in Chile and her Masters and PhD in the University of Wisconsin,  Milwaukee.  As an artist, Ximena has participated in several collective and individual exhibits, showing her work in different medias in galleries, museums and streets. Her traveling exhibit “Bajo las Suelas/ Underneath the Soles” has been presented in 12 cities in the United States, Brazil, Mexico, Chile, Guatemala, Spain and Italy. As a writer and performer, Ximena has been awarded with three international literary prizes for her fiction,and has been included in Latin American short stories anthologies in Argentina and the US. She has performed her poetry widely and a few monologues. She been part of Teatro Maquis a Theater of the Oppressed troupe and now she is part of the Collective Arte Precario dedicated to different forms of art related to Social Justice. As an educator, Ximena used her artistic skills to work with women and children at mental health centers and schools, She also worked with Williche communities in Chiloe, Chile, developing an inter-cultural curriculum.  She is currently developing didactic material to promote the learning of several Latin American indigenous languages and several children books on Day of the Dead and issues of social justice.

 

 

 

 

Tags: BerkeleyCaliforniaChileClaudia Curaqueocollective showdemonstrationsHaitham KhatibhopejusticeLa Peña Cultural CenterMapucheMarcelo GarayPalestinephotographyresistance artuprisingsXimena Soza

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