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    Like a shadow on an expanse of water –  Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

    Like a shadow on an expanse of water – Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

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  • Home
  • Poetry
    Like a shadow on an expanse of water –  Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

    Like a shadow on an expanse of water – Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

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    Days in Kolkata: a Photo Gallery by Sumana Mitra

    On the tip of her voice a library alive – Six Poems by Gonca Özmen, trans. from Turkish by Neil P. Doherty

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

    POEMS FOR PEACE, by Hamid Barole Abdu

    Three poems from Julio Monteiro Martin’s “La grazia di casa mia”, translated by Don Stang and Helen Wickes

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    from The Widows Series – “Claude”, “Cargo”, “Etc.” – Three Unpublished Short-Stories by Lynne Knight

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    Man Ray’s Lips, a new story by Mia Funk

    POEMS FOR PEACE, by Hamid Barole Abdu

    A Child of Snow, a new story by Mia Funk

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    The Vulture- by Hasan Azizul Huq, trans. by Bhaskar Chattopadhyay

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

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    “Sofía, qué soñaste?” – Vignette from Sonia Gutiérrez’s “Dreaming with Mariposas”

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    DIARY OF A DANCING DREAMER IN THE STREETS OF BERLIN – Giulia Marchetti

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  • Non Fiction
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    Brigada Dignidad: A Health Team Healing the Wounded by the Police in Santiago, Chile – Ximena Soza

    Time to Transition: Essay by Clarissa Clò,  Image and Document Galleries from the Grassroots Movements, by Barbara Ofosu-Soumah and Marina Romani

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    Days in Kolkata: a Photo Gallery by Sumana Mitra

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    People Die, Not From Old Age or War or Disease – But from Disappointment, by séamas carraher

  • Interviews & reviews
    Writing “Andolo, the Talented Albino” –  An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

    Writing “Andolo, the Talented Albino” – An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

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    POEMS FOR PEACE, by Hamid Barole Abdu

    Mia Funk Interviews Photographer Mark Seliger

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  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    POEMS FOR PEACE, by Hamid Barole Abdu

    Here comes the voice – Poems by Antonio Merola

    POEMS FOR PEACE, by Hamid Barole Abdu

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    POEMS FOR PEACE, by Hamid Barole Abdu

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    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

    “Through the Fluid Mosaic” – Following Maica Gugolati though the Permeable Borders of the  Art Exhibition

    “Through the Fluid Mosaic” – Following Maica Gugolati though the Permeable Borders of the Art Exhibition

    Ghayath Almadhoun’s “Evian” Wins the 2020 Poetry Film Zebra Award

    Ghayath Almadhoun’s “Evian” Wins the 2020 Poetry Film Zebra Award

    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    POEMS FOR PEACE, by Hamid Barole Abdu

    The thankless parables – Poems by Sudip Chattopadhyay

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

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    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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Home Poetry

I guarded my theft like a relic – Four poems from “Noura” by Asmae Dachan

Selected and translated by Pina Piccolo, from "Noura", Blu di Prussia, 2016

April 29, 2018
in Poetry, The dreaming machine n 2
I guarded my theft like a relic –  Four poems from “Noura” by Asmae Dachan
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To my sister Noura (Aleppo, 28 October 1975 – Ancona, 30 October 2014)

Guardian of memory

I appointed my insomnia

guardian of your memory.

I asked my loneliness

to accompany your shadow

and my silences to articulate time,

time that separates your eyes

from my glance, your smile

from my stony face,

your hands from my embrace.

I wrote your name among the leaves

and the wind blew it away,

I painted your face among the clouds

and my rain dissolved it

into rivulets of yearning.

Among flowers I looked for the most beautiful

and I found you in the flight of a butterfly.

I whispered your name to the waves

and the waves composed an ode,

and the ode rocked the moon

and her melancholy in the night.

I stroked your white gravestone and I heard

a breath of life takes wing among the cypress.

 

A handful of earth

 

I stole, for my severed roots,

a handful of earth.

With my hands I picked

the red that tells its story

and with my glance I stroked

the grassy  carpet I had never trampled.

I bowed to kiss her wounds

and breathe its glory

and find myself.  I, unknown to myself.

I guarded my theft

like a relic

and now the relic

embraces a land foreign to you

you who saw the first rays of the sun in Aleppo,

and closed your eyes in a faraway land,

in a city where I have no blood,

but I write my history.

I gifted you with my theft, my relic,

so that you may sleep caressed by a veil

that is neither that of a bride or of the faithful

but a veil of memory and identity.

Now on that hill

merging like two sisters

are the land of Syria and the land of Italy,

embracing you forever.

 

The name of rain

I am looking for a name

for the fragrance

of the first rain

an ephemeral moment

fragment of eternity.

 

 

My  first memory

 

From behind the window where I was standing

I lifted my eyes to the sky

and saw white clods floating by

and birds getting drunk on freedom.

I heard the wind singing

a tune I didn’t know

and I trembled out of a sweet fear

dressed as the unknown.The world, outside, was flying

and I wondered where it would stop

and how we would return home.

My punishment was to stay there by myself

to learn that you are not supposed to write on walls

but you, an accomplice in that passion,

looked up to give me your smile.

The first thing  in life I recall.

 

Asmae Dachan is a writer, blogger (Diario di Siria) and an award winning journalist, born in Italia of Syrian descent. Editor in chief until 2015 of the Italian journal Mondo Lavoro, she writes about human rights, the Syrian conflict, the refugee crisis and the anti -Assad  resistance for major national Italian magazines and newspapers. An award winning novelist, she published Dal quaderno blu in 2009, 2 collections of poetry, Noura and Tu, Siria (co-authored with Yara al Zatr). Her latest novel, published in 2017 and set between Syria and Italy is  called Il silenzio del mare.

Tags: Asmae dachandeathdislocationItalymemoryNoura Dachanpremature deathremembrancesisterSyria

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  • TABLE OF CONTENTS
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