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    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

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    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija

May 1, 2019
in Intersections, Out of bounds, The dreaming machine n 4
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
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ABOUT MY TECHNIQUES AND CONCEPT

 

I usually use textures as base on canvas, I feel that sometimes when you have a painting which is flat but also like 3D it gives you another approach for the artwork. However, I like to experiment a lot with my painting techniques, I’m always searching for ways of painting which would add ‘spices’ to my identity in painting. Artistic growth is an endless road. You never know enough, you never discover enough. It’s like the universe, as much as you know, you know how little you know.
Generally saying, I must say that woman is my muse. And it doesn’t have to do with feminism. I just think we haven’t got the place we deserve in the world and society. My mother is my muse, my sister, my friends. What can be more mesmerizing and beautiful, and fragile and strong and inspiring than a woman?
My paintings inspire and are not to be defined. They determine nothing. They place us, as does music, in the ambiguous world of the undetermined. They are a kind of metaphor and always leave place for different perspectives, regarding the individual point of view.

The colors I use are generally automatic, I combine them intuitively. I use them as tools of my emotions or experience. As a result they should fit the mood on the painting.

 

 

“illuminating”- oil on canvas 2018

This piece of art is so personal to me.
I painted it through realization of the process of the “divine manifestation”.
The light is revealed. It’s synonym of spiritual and intellectual enlightenment.

 

“wishful thinking”- I see better with my eyes closed. Oil and mixed media 2018
You hear more when you listen. You see more when you observe. The style is surreal including the daylight which the subject is wishing to be all stars and fishes without sea.

 

 

“I daydream and night-dream”. Oil on canvas 2018
I’m just like a sunflower. I grow through strength even when there is no sun and it’s dark. I have the right to shine out. I am my own muse.
Motifs from Has, Prizren.

 

 

“beauty is in the depth’ acrylic and mixed media on canvas 2017
“What are heavy? sea- sand and sorrow What are brief? today and tomorrow.
What are frail? spring blossoms and youth. What are deep? the ocean and truth.”

 

 

“ I paint what I dream, and I dream what I paint” oil and mixed media on canvas 2018

I could relate this painting more to surrealism, and automatism specifically.
It’s a subconscious artwork. Sometimes I don’t like to think while I’m painting, and that gives the painting the freedom to become “something” unintentionally. There are times I dream a painting, and the very next thing I do when I wake up is try to figure it out what it was. Sometimes it’s clear. Sometimes not. However. I add other items myself.

 

 

“midnight marauder”2014

My sister was having her doubts about her that time  instrument “piano”.
She had been playing it for 15 years, she seemed unhappy about it most of the times, somewhat it was consuming her.
One day she woke up and said she doesn’t want to play it any longer. She chose double bass. She changed as a person and was blossoming all the way. I got inspired by her for this painting.

 

 

“Goddess is every Albanian woman” This  draws from Kosovo’s rich cultural heritage and reflects the image of “Hyjnesha ne Fron” (the Goddess on a Throne), celebrating the cult of the great mother idol, a terracotta artifact unearthed in Pristina in 1956. The idea of putting Goddess of the throne as a subject came from the fact that indeed every Albanian woman reflects the cult of the great mother idol as the Goddess herself.

 

 

“vivid dream”  Acrylic and oil and mixed textures on canvas.  80 x 60 cm . 2017
I dream in such vivid colours that I struggle to recapture them when I’m awake; but in principle this is a dream that I haven’t managed to remember it all.
The subjects are this lady and the old man leaving the night club where she works as a dancer. Lucid colors testify to a metaphor of the “unreal” since the lucid drugs themselves makes the reality surreal.

 

 

“ the dance of Love” 2017/ mixed media on canvas

The tree of love and life, life itself. Between the lovers. Beside the moon and the sun, there is no stronger bind and foundation of love, than that of true love. It is free like dancing in the clouds.

“Hiraeth door” there is place in my mind, with a garden of flowers all around. And when I reach there every night, I hear a faint but romantic tune, this feeling I have around daytime, when I crave that place. It is nothing but a place, or a feeling which never happened nor will.

 

 

“Escape boat”
“This will be me, utterly me. The day I decide to take all my sorrows and adversities, all the poison I have and put in on a boat.
I will take the longest destination. The deepest ocean, and will bury them there. I will ask the jellyfish to take them as deep as they can, so deep that they will ‘suffocate’ and maybe disappear. I will then swim along the ocean with, surrendering my being facing the skies.


Along my artistic growth, since I was a little girl, whenever I saw something that seemed interesting, I immediately visualized it in my head. Usually they were unique things, jewels, stones, patterns, anything that can’ possibly be made twice.
This comes out of the fact that I love African art and their culture, also Asian arts.
They were my first inspiration when I started using true colors like : oil or acrylic… when I say ‘true’ I mean “painter’s” colors. I like ambiguity, I like to wonder when I see a piece of art.. that what art is all about. Whoever sees it creates a different version compared to any other individual, because we don’t think the same, and that’s our power. And that’s what a painting should have as its power: ambiguity.
Therefore, I try to apply it subconsciously by making a point out of it.
I paint anything that in my head seems beautiful just by thinking of it. What defines my paintings is textures, colors and different materials I use on them, and that feeling… that you might not have seen it before.

 

 

Dafinë Vitija: was born in 1990 in Prishtina, Kosovo. She’s a self taught artist and also has Bachelor in English Literature. She has been part of many local and region collective shows. She’s currently living and studying “Fine Arts “ in Istanbul.

 

Tags: AlbaniaambiguityDafine VitijadreamsgoddessKosovooneiricpaintingSurrealismvisionary artWomen

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