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    Me and French, or What I Did During the Pandemic (Moi et le français, ou Ce que j’ai fais pendant la pandémie) – Carolyn Miller

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)

    from AFROWOMEN POETRY – Three Poets from Tanzania: Langa Sarakikya, Gladness Mayenga, Miriam Lucas

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    What Was Heart Is Now A Scorched Branch – Three Poems by Elina Sventsytska

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Water: The Longest Tunnel Where the Color Blue Is Born — Four Poems by SHANKAR LAHIRI

    Message to Forough Farrokhzad and other poems – Samira Albouzedi

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    A Very Different Story (Part II)- Nandini Sahu

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    The Aunt: An Exhilarating Story by Francesca Gargallo

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    Stalks of Lotus – Indrani Datta

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    Love in Africa and the Variety of its Declinations: Short-story Tasting from Disco Matanga by Alex Nderitu

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    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

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    Aadya Shakti, or Primal Energy – Lyla Freechild

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

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    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” – Massimo Ceresa

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

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    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

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    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

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    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

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    From Euromaidan: Three Ukrainian poets to spoil Westsplaining fest in Italy – Zarina Zabrisky

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE MATERICIST MANIFESTO by AVANGUARDIE VERDI

    Artwork by Mubeen Kishany – Contamination and Distancing

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

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    The Shipwreck Saga – Lynne Knight

    Phoenix: Part I – YIN Xiaoyuan

    Surrender to Our Explosive Democracy – Five Poems by Serena Piccoli from “gulp/gasp” (Moria Poetry 2022)

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Me and French, or What I Did During the Pandemic (Moi et le français, ou Ce que j’ai fais pendant la pandémie) – Carolyn Miller

    Becoming-animal as a Mirror – Ten Animals from Gabriele Galloni’s Bestiary

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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Home Non Fiction

Lament of the Brahmaputra Riverbank – Chandrani Sinha

Courtesy of the author and the website where it was published originally, The Third Pole, June 22, 2021. This is the first of two projects documenting the songs of communities displaced by flooding.

November 29, 2021
in Non Fiction, The dreaming machine n 9
Lament of the Brahmaputra Riverbank  – Chandrani Sinha
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Article originally published in : https://www.thethirdpole.net/en/culture/brahmaputra-river-songs/  By going to the original article readers can listen to the songs of each village and town by clicking on the blue dots shown in the illustration/map.

 

Locals are voicing the pain of being displaced by floods in their music. The Third Pole travelled along the Brahmaputra river to record their songs.

Songs have always chronicled social, political, historic, geographical, cultural and environmental change.

Many popular singers have responded to the climate crisis – Billie Eilish with All the Good Girls Go to Hell, Kelly Lee Owens with Melt!, Anohni with 4 Degrees, to name a few.
Assam and climate changeIn Assam, in northeast India, local singers are also voicing the pain of the changing climate in their music. The Third Pole travelled through the state to record songs along the Brahmaputra river.

Assam is extremely vulnerable to climate change. Much of the state is in the basin of the Brahmaputra, a river that has changed its depth and width many times in history. Now the floods have worsened due to climate change, while erosion has increased because the river no longer carries as much silt as before – the silt is being trapped in dams upstream.

All this has come on top of the 8.7-magnitude earthquake in 1950 that changed the topography of the region. It started a massive displacement of people from the riverbanks, a process that is accelerating now. Many have used songs to describe the pain of losing homes and livelihoods along the Brahmaputra river.

Song of the displaced

Sunen Hindu Musalman/Boli ekti dukher gaan/Brahmaputra bhainga nilo Tarabari gram

Listen Hindus and Muslims/Let me sing a sad song/Brahmaputra broke Tarabari village

The opening lyrics of 72-year-old Moinul Bhuyan’s song refer to an issue that affects all people in this area irrespective of religion. Bhuyan’s song is about his village Tarabari, which was washed away by the Brahmaputra river after the earthquake.

“Tarabari was a big business hub before the 1950s, a traditional dockyard,” recalled Bhuyan. “Big ships used to come and halt there for trade and commerce. We used to trade jute from there.”

Video: Chandrani Sinha / The Third Pole

Tarabari was in what is now Barpeta district of Assam. It had schools and a college, a library, a hospital, temples and mosques, a police station and playgrounds. All this has been washed away and its people scattered across the state and beyond.

Musharraf Khan, another former resident, now teaches at an Islamic seminary in Barpeta. “I don’t think I would have had to work in a small school if the river had not eroded our land,” he said.

Video: Chandrani Sinha / The Third Pole

Song of the Mising

The Mising, an indigenous people, have been living along the Brahmaputra for as long as they can remember. With a population of around 700,000, they are known as the “river people”. Over centuries, they have learnt to live with floods, and build their huts on stilts. The huts are made of bamboo and can be rebuilt easily if necessary. But now their problem is that the land is eroding from under their feet.

Many of the Mising live in Majuli, an island on the Brahmaputra that is being eroded almost constantly. Nilamoni Ngatey, 55, described how his relatives and neighbours had to move to the mainland as the river ate away their farms.

“We saw gales, heavy rain, floods. Our grandparents used to protect us during those times. We were still afraid. Those horrible scenes remain fresh in our minds.” His song is all about the relationship between floods and people along the Brahmaputra river.

Video: Chandrani Sinha / The Third Pole

Like the Mising, people of the Deori – another indigenous community – remember losing an entire clan to floods. Indian Deori, 45, said: “We migrated from Sadia due to the floods. Deoris have different clans. In the migration one clan was totally lost.”

He sings a love song comparing the pain of losing a beloved to what flood and erosion does to a human soul.

Video: Chandrani Sinha / The Third Pole

The people from Yunnan

Centuries ago, the Tai Phake people moved from Yunnan in China to Naharkatia in eastern Assam. The state’s only Buddhist community, they live beside the Burhi Dihing river, one of the major tributaries of the Brahmaputra. Due to erosion the river is just about to reach the walls of their ancient monastery in Nam Phake village.

Am Chaw ChaKhap, a resident in her 60s, said the Tai Phake people were ethnically Thai, and had moved to India because the land was so fertile. She remembered: “We have seen bad times when the river washed away a part of our village. Now the river is shifting and we can see silt here. We are also indebted towards the river in many ways. It’s part of our culture, though a lot of people have migrated from our village due to flood and erosion.”

Video: Chandrani Sinha / The Third Pole

The Tea Tribe

In the 19th century, the British moved people from all over India to Assam to work in tea gardens. The workers have assimilated over time into a community called the Tea Tribe.

Bhadra Rajwar, a community leader, lives in Nazira near Dikhow river, another tributary of the Brahmaputra. He sings of climate change; of how some tea garden workers wanted to farm, only to see their farms washed away by floods. They lost their land, and stayed saddled with debt, as they had borrowed to take their farms on lease.

“A lot of tea gardens also got eroded by the river,” Rajwar added. “It’s a huge loss for the community.”

Video: Chandrani Sinha / The Third Pole

Another language, same lament

Khagen Sanyasi, 55, a regular singer in Bengali on the local radio station, sang of the way “climate change and unpredictable floods have made people poorer”.

A resident of Bhuragaon, a small village in Morigaon district about 100 km east of state capital Guwahati, Sanyasi said the land his family used to own is now under water.

“This is a mad river, every year it plans to make us poorer,” he said. In his song, Sanyasi blames the Brahmaputra for all his miseries, listing the affected areas he has seen.

Video: Chandrani Sinha / The Third Pole

All illustrations: Vipin Sketchplore

 

 

Chandrani Sinha is an independent multimedia journalist. She is based out of Northeast India. She loves writing on various environmental and climate change issues.

Tags: AssamBrahmaputra riverChandrani Sinhaclimate changedisplacementerosionfloodingIndialamentmigrationMisingriver songsriversTai PhakeThird Pole

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