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    • The dreaming machine – issue number 10
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    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • THE DREAMING MACHINE
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
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    • The dreaming machine n 2
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The Dreaming Machine

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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Home Interviews and reviews

OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

protesting racist/colonial representation of Black Italian girl in photo of Milan mayor for the Style insert of Il Corriere della Sera

May 1, 2019
in Interviews and reviews, News, The dreaming machine n 4
OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN
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OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

 

To the kind attention of Mayor Giuseppe Sala and the editorial team of Style,insert of the Corriere della Sera daily

 

Dear Madams and Sirs:

 

Let us introduce ourselves: we are Black Italian Women, citizens of a country in which many of us were born and raised, a country which we would always like to feel an integral part of, not an integrated part, as unfortunately still happens very often today.  We would always like to be the subject of our representation, media narration and political agenda rather than a mere object that can be exploited as needed.  For these reasons, we felt it is necessary and our duty  to write to you, Mr. Mayor Sala and the editorial team of Style (Corriere della Sera) in reference to the photograph published on April 24, 2019  which indeed shows  you, Mr. Mayor, sitting down, in the company of a white boy placed behind you and a Black Girl, placed at your feet. Starting from our perspective as Italian Women who are Black, but also from that of the many women and men  who are involved  in the life, upbringing and education of Black girls and boys, we are writing to convey to you in a sincere,  heartfelt way our critique of that image. We are women who at one time were that Girl and are today the mothers of similar girls, so we would like to offer not only our analysis but also concrete proposals aimed at activating a true inclusive and multicultural dialogue, avoiding offensive and deleterious portrayals of certain categories of people.

 

The image that was published shows you, a powerful white man, Mr. Mayor Sala, sitting on a chair.  Behind you is a white boy, standing up, while at your feet, sitting on the ground tenderly hugging your ankle, is a Black Girl, represented like a docile puppy.  While that image may reflect the message of “Milan, open city”  for a certain sector of Milan and Italy, We, Black Children, Girls and Women pick up on a very different symbolism, one that refers to visual and cultural codes belonging to a colonial and patriarchal tradition which, historically,  has placed the Black Female subject  at the lowest rung of the social hierarchy.

 

Looking at this photograph, we, those who are directly impacted, Italian Black, Afro-Descendent women could not misunderstand the message: the position of the Black Girl at the feet of a white man is not a neutral image.  It has a strong historical connotation, a meaning and a history, which is unfortunately unknown to the photographer MrPaolo di Paolo, Style’s editorial team and to you, Mr. Mayor.  Since the times of slavery in the Americas all the way up to the more recent Italian colonialism in, Black women have not been considered women but rather “females”, suitable for sexual relations but lacking that feminine essence which is exclusively attributed to white women.

 

In relation to this, one should be reminded that in many cases, acts of sexual violence committed by Italian men against girls (and boys) in the Horn of Africa even when reported and brought to court, often were not  punished because the body of a Black girl or woman did not have the same value as that of a white woman and, therefore, was not worthy of the same consideration or respect. This attitude was angelically confirmed by the much-acclaimed Italian journalist and historian Indro Montanelli, who in response to accusations of paedophilia, raised by the sexual nature of the relation he had for a whilewith a 12-year-old Abyssinian girl, said “Excuse me, but in Africa it’s different”.

 

The photograph also bears the following heading: “Milan a city that is open, tolerant but attentive to rules”. The people who don’t see what is wrong with this photo and heading and are missing why it is insulting, starting from the photographer himself, Mr. Paolo di Paolo, you Mr. Mayor and Style’s editorial team, do so because you are not on the receiving end of it.  Blindness to racist situations happens because, sometimes, certain details that are very clear to the eyes of the racialized subject, are missed by even those with the best intentions, because they lack “the appropriate viewing lenses” so to say, capable of seeing, or catching certain pieces of information.

 

Granted that race as a biological phenomenon does not exist, and it is, therefore, senseless to classify human beings on the basis of parameters that are not scientifically true, the daily, “racially” originated micro-aggressions suffered by racialized subjects do exist and are real.  These dynamics, based on a meaning that is historically attributed to certain physical characteristics, such as skin colour and some somatic traits, capable of defining a certain group of people, manifests itself in actions that are apparently neutral or even thought of as “positive”, such as the photograph we are analysing. Nevertheless, the presumed neutrality or “good intentions” of such gestures or words yield counterproductive results because they contribute to stressing the so-called “colour line”, i.e.,   that line between white and black, that can stigmatize, humiliate and exclude a certain section of the population from some fundamental rights, including the right of representation.

 

Finally, it is important for us to reiterate that the choice of an adjective such as “tolerant” corroborates that line of thinking and action  that claims that a certain group of people  who are entitled to the benefits of citizenship, find themselves in the position of having to bear the inconvenient presence  of people who are considered “different” and  voiceless in the social and political space. We believe that if the city of Milan’s objective is truly that of openness on various fronts, the terminology used should be accurate. In this direction, we propose the term “multicultural” to convey the message of a multi-ethnic Milan, that is enthusiastic about the richness deriving from multiple cultures that compose it, and encourages relations based on equality, reciprocal exchange of knowledge aimed at living together in harmony.

 

Conclusions and proposals

Because we truly believe in multiculturality and the need to be actively engaged in dialogue building and inclusion, we have thought of concrete proposals aimed at deconstructing the prejudices that undermine our living together. It is high time that the council of one of the most important cities of Italy, and the editorial board of one of the largest dailies in Italy, equip themselves with people who are competent on the issue of diversity and inclusion, that they  consult experts of gender, race and sexuality studies so that they are extremely careful  about the consequences of any given visual language. We are ready to contribute and available to meet any time you feel it is needed, hoping to prevent unpleasant situations such as this.

 

We can work together to build an image of the city, and the country, that is aligned with its increasingly multicultural demographics. Furthermore, we would like to be heard  when facing the subject of racism, because although it is true that people who are not directly victimized may feel  empathy, we believe that people who are directly impacted by racism, every day and in various ways, are the ones entitled and have the authority to express themselves about the physical and psychological suffering resulting from racism.  We believe this to be true for all the so called “minorities” and non-dominant categories based on gender, sexuality, health status, physical conditions and social class.  We believe that the foundations needed to formulate solutions for the betterment of society can be built based on listening.

 

It is important to understand (and will reiterate ad infinitum) that when a group of subjects sharing a specific identity is the object of what they believe is an offensive behaviour, there can be no voice outside that group authorized to deny that assessment.  Speaking for others, as well as refusing to listen, should not be considered legitimate if you are really seeking to be inclusive, if you are aiming for integration, if you want a Milan and an Italy that is multicultural. Otherwise you can just pretend to do so on the cover of a newspaper, by showing a little “blackie” girl (but not too much) crouching next to the ankle of a man who is staring straight into the lens and smiling, convinced that he has won a challenge which he hasn’t even understood yet.

 

Cordially

 

The writers :

Eden Embafrash, Black Woman
Alesa Herero, Black Woman
Kwanza Musi Dos Santos, Black Woman
Kiasi Sandrine Mputu, Black Woman
Leaticia Ouedraogo, Black Woman
Sara Tesfai, Black Woman
Susanna Owusu Twumwah, Black Woman
Angelica Pesarini, Black Woman
Loredane Tshilombo, Black Woman

Translated by Pina Piccolo, for The Dreaming Machine

 


 

 

LETTERA APERTA DI UN GRUPPO DI DONNE NERE ITALIANE 🇮🇹

Alla cortese attenzione del Sindaco Giuseppe Sala e del team editoriale per la rivista Corriere della sera – Style

Gentilissime e Gentilissimi,

Permetteteci di presentarci: siamo Donne Nere italiane, cittadine di un paese in cui molte di noi sono nate e cresciute, e del quale vorremmo poterci sentire sempre parte integrante, non integrata, come accade ancora molto spesso. Vorremmo essere sempre soggetto della nostra rappresentazione, narrazione mediatica e agenda politica e non un mero oggetto o un’immagine strumentalizzata all’occorrenza. Per tali ragioni, ci è sembrato necessario, e doveroso, scrivere a Lei, Sindaco Sala e al team editoriale di Style (Corriere della Sera) in riferimento alla foto pubblicata il 24 aprile scorso che ritrae proprio Lei, Sindaco, seduto, in compagnia di un bambino, bianco, posizionato alle Sue spalle ed una Bambina, Nera, collocata ai Suoi piedi. Partendo da quella che è la prospettiva di noi Donne Italiane e Nere, ma anche di tutte e tutti coloro che sono coinvolte/i nella vita, la crescita e l’educazione di bambine/i nere/i, scriviamo per esporvi in maniera sincera e sentita la nostra criticità in merito all’immagine, per fornirvi un’analisi di chi, a suo tempo, è stata quella Bambina ed è oggi madre di una bambina simile, ed infine, per avanzare delle proposte volte ad attivare un reale dialogo inclusivo e multiculturale, evitando di ritrarre determinate categorie in modo offensivo e deleterio.

L’immagine pubblicata raffigura un uomo bianco e potente, Lei Sindaco Sala, seduto su una sedia. Alle Sue spalle si vede un bambino bianco, in posizione eretta, mentre ai Suoi piedi, seduta a terra che Le abbraccia teneramente la caviglia, si vede una Bambina Nera, rappresentata quasi fosse un docile cagnolino. Se per una determinata fascia di Milano e dell’Italia, l’immagine rispecchia il messaggio di una “Milano aperta”, Noi, Bambine, Ragazze, Donne Nere abbiamo colto un simbolismo molto diverso, che fa riferimento a codici visivi e culturali propri di una tradizione coloniale e patriarcale che, storicamente, ha collocato il soggetto Femminile Nero ai gradini più bassi della scala gerarchica sociale. Guardando questa foto, noi, le dirette interessate, Donne Nere, Afrodiscendenti e Italiane, non abbiamo potuto fraintendere: questo posizionamento della Bambina Nera ai piedi di un uomo bianco non è un’immagine neutra, ha un significato storico fortemente connotato, un significato ed una storia, purtroppo, non conosciuta da Paolo di Paolo, il team editoriale di Style e da Lei Sindaco. Fin dai tempi della schiavitù nelle Americhe, per arrivare al più recente colonialismo italiano, le donne nere non sono state considerate donne bensì “femmine”, adatte a relazioni sessuali ma sprovviste dell’essenza femminile attribuita esclusivamente alle donne bianche. A tal proposito, per esempio, è bene ricordare che molti casi di violenze sessuali commessi da uomini italiani ai danni di bambine (e bambini) in Africa Orientale, anche se denunciati e portati in tribunali, spesso tali crimini non venivano puniti poiché il corpo di una donna, o bambina nera, non aveva lo stesso valore del corpo di una donna bianca e, dunque, non meritava la stessa considerazione né rispetto. Questo è stato confermato, seraficamente, anche dal celeberrimo giornalista e storico Indro Montanelli, che per rispondere ad accuse di pedofilia, data la natura sessuale della relazione intrattenuta per diverso tempo con una bambina abissina di dodici anni, disse, a tal riguardo: “Scusate ma in Africa è differente”.

La foto in questione, inoltre, si accompagna al seguente messaggio: “Milano città aperta, tollerante ma attenta alle regole”. Coloro che non vedono il torto in questa foto e nella didascalia, partendo dall’ autore stesso dello scatto, il fotografo Paolo di Paolo, Lei, Sindaco, e il team editoriale di Style hanno effettivamente ragione di non vederlo, perché non sono i soggetti in questione. Essere ciechi di fronte a situazioni razziste capita poiché, talvolta, certi dettagli molto chiari agli occhi dei soggetti razzializzati, sfuggono a chi, anche tra i più volenterosi è sprovvisto di “lenti adeguate”, per così dire, in grado di vedere, o cogliere, certe informazioni. Anche se la razza in sé, come fenomeno biologico non esiste, ed è dunque insensato classificare gli esseri umani in base ad un’idea scientificamente non veritiera, le micro aggressioni quotidiane di matrice “razziale” subite dai soggetti razzializzati, esistono e sono reali. Tali dinamiche, che si basano su un significato storicamente attribuito a certi tratti fisici, come il colore della pelle ed alcuni tratti somatici, in grado di definire un certo gruppo di persone, si manifesta in gesti apparentemente neutri, o addirittura pensati come positivi, come la foto in questione. Tuttavia, la presunta neutralità o “buona intenzione” di tali gesti o parole producono risultati controproducenti, in quanto contribuiscono a ricalcare la cosiddetta “linea del colore”, quella linea tra bianco e nero, in grado di stigmatizzare, umiliare, ed escludere una certa parte della popolazione da alcuni diritti fondamentali, tra cui il diritto alla rappresentazione. In ultima battuta, ci preme ribadire che la scelta dell’aggettivo “tollerante” corrobora la linea di pensiero e d’azione secondo la quale un determinato gruppo di persone, aventi diritto ai benefici della cittadinanza, si trova a dover sopportare una presenza scomoda di persone considerate “diverse” e prive di voce nello spazio sociale e politico. Riteniamo che se l’obiettivo di Milano sia davvero quello di proporre un’apertura su vari fronti, la scelta del vocabolario di riferimento dovrebbe essere accurata. In tal senso proponiamo “multiculturale” per veicolare il messaggio di una Milano multietnica ed entusiasta della ricchezza derivante dalle molteplici culture che la compongono, e per incoraggiare un rapporto paritario di scambio reciproco di conoscenze teso alla convivenza armonica.

Conclusione e proposte:
Poiché crediamo realmente nella multicuralità e crediamo di doverci implicare attivamente nella costruzione del dialogo e dell’inclusione, abbiamo pensato delle proposte concrete volte a decostruire i pregiudizi che ledono al nostro vivere in comune. È opportuno che il gabinetto di una delle città più importanti d’Italia, e la redazione di una delle testate più diffuse del paese, si dotino di persone competenti in materia di diversity & inclusion, chiedano consulenza ad esperte/i di studi di genere, razza e sessualità, e che nel veicolare le immagini pongano estrema attenzione alle conseguenze di un determinato linguaggio visivo. Noi siamo pronte ad offrire il nostro contributo e la disponibilità ad incontrarci ogni qualvolta lo si ritenga necessario, sperando di prevenire situazioni spiacevoli, come questa, e lavorare insieme per costruire un’immagine della città e del paese in linea con l’assetto sempre più demograficamente multiculturale. Inoltre vorremmo essere ascoltate quando si affronta il tema del razzismo, in quanto, benché chi non è vittimizzato possa provare empatia, riteniamo che l’autorità e l’autorevolezza di esprimersi sulla sofferenza fisica e psicologica spetti a coloro che il razzismo lo vivono in prima persona, tutti i giorni, e in vari modi. Riteniamo che questo discorso valga per tutte le cosiddette “minoranze” e categorie non dominanti che rispondono al genere, alla sessualità, allo stato di salute, alle condizioni fisiche o alla classe sociale. Siamo convinte che dall’ascolto si possano costruire le basi per formulare soluzioni finalizzate al miglioramento della società. È importante capire (e ripetere all’infinito) che quando un gruppo di soggetti che condividono una specifica identità è coinvolta in quella che ritiene essere un’offesa, non esiste voce esterna che possa negare tale sentire. Non si può parlare per altri e non ci si può rifiutare di ascoltare, non se si vuole essere realmente inclusivi, se si punta all’integrazione, se si vuole una Milano, e un’Italia, multiculturali. Altrimenti si può fingere, mostrando sulla copertina di un giornale una piccola ne*retta (ma non troppo) accucciata alla caviglia di un uomo il quale, guardando dritto l’obiettivo sorride, pensando di aver vinto una sfida che non ha nemmeno ancora compreso.

Un cordiale saluto,

Le autrici:

Eden Embafrash, Donna Nera
Alesa Herero, Donna Nera
Kwanza Musi Dos Santos, Donna Nera
Kiasi Sandrine Mputu, Donna Nera
Leaticia Ouedraogo, Donna Nera
Susanna Owusu Twumwah, Donna Nera
Angelica Pesarini, Donna Nera
Loredane Tshilombo, Donna Nera

 

 

 

Tags: Alesa HereroAngelica PesariniBeppe SalaBlack Italian Womendenialdiscrimination of girlsdisenfranchisementEden EmbafrashEurocentrismhierarchyinclusionItalian colonialismItalyKiasi Sandrine MputuKwanza Musi Dos SantosLeaticia OuedraogoMilan MayorOpen letterracismrepresentationSusanna Owusu Twumwahwhite privilegewhite supremacy

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