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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

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    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

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    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

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    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

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    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

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    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

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    But for plants there is no delegating: Seven Poems by Achille Pignatelli

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

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    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

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    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

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    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

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  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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Home Poetry

“Pat the Meek Donkey” Seven Poems by El Habib Louai

December 3, 2018
in Poetry, The dreaming machine n 3
“Flow back into the veins, History” three poems by Lucia Cupertino
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Hayat Belkacem

(20/11/1998- 25/09/2018)

 

She went swimming to Europe

but she felt tired ,

She chose that way

to flee homie oppressors

 

It is better to drown in the sea

eaten by peaceful fish

than die in the stifling air

She’ll have her nation in imagination!

 

 

 

 

The Consular Officer Won’t Take That Away

 

 Mercilessly,

years are plucked from my life

like a beige feather

from an old lady’s hat

Yet, I still laugh with the children

pick carobs,

pat the meek donkey,

plant seeds

& weed the garden of life

I cannot promise you very much,

But I promise you love

The consular officer

will not take that away

 

 

 

 

 

Da  Brik Meets Matisse

 

Dada Brik is a native potter,

Who sits comfortably in his woolen jellaba

He does not mind the flies bathing in his mint tea

His life on the periphery has gone untaxed

His sole preoccupation is making

jars for thirsty harvesters

he sits still and shapes pottery on a wheel

& bakes it in a kiln

Next week, he is scheduled to have cardamom coffee

with Henri Matisse at the Salon des Independents

the main topics of discussion will be

clay interiors, breastfeeding and still lifes

 

 

 

 

 

The Day the Nazarenes Arrived

 

When I was a child

I remember

Blonde travelers ( we call them Irumayn)

(survivors of spaghettios and fries)

they came to my native Amazigh village

In Land Rovers

Covered in red dust

& bottled water

They gave me

stylos,

chocolat,

bonbon français

& a pat on the head for free

 

I trusted them until

I heard them speak in a different tongue

 

 

 

 

 

Summer’s Ex Dreams

 

A summer of extremes cancels everything

Your idea about eternal return

Your disillusionment with the proliferating breweries

Your unattended garden in a Southern rain forest

 

Late in the afternoon, we observe

women, skirts tied in knots to their waists

squatting, digging for mussels and seashells…

& I say these beaches are mere flat waters which consume

quiet anger crushing against empty horizons.

 

A dog barking up the crowded beach

has found shelter under a camels belly, its legs

and face of the beggar worn

with the weight of long years gone hungry

he refuses to eat beautiful roses the bathers offer.

 

The complicit Moroccan immigrant plays beach tennis

while the horse is digging his grave,

while the camel has dreams about another desert

do not serve  the ponies cardamom coffee or mint tea

they had enough of Molotov cocktails in the backyard of a moveable feast

 

stop talking about man’s survival

biosphere survival

social engagement

political disengagement

 

Let us go for a walk

we are losing light

 

 

 

 

The End as I Imagine It

 

They break you into small pieces

they say emphasis must be

on accessibility

not artistic expression

but what about silence

and the thing that follows
the unexpected arrest

numerous elements get lost

easily inside in such a closed setting

as institution, as class, as prison

as a cell within a cell

can you signify in the void?

visions become ephemerae

dreams are beads strewn in space

the guard becomes a prisoner

& nothing matters after that

 

 

 

 

Nation Is What?

the flag saluted

by students

in the schoolyard

 

the flag hanging

Unnoticed

on the public buildings

 

the flag waved

fervently

when the commander of the

faithful passes

 

is not an expression

of loyalty

is not an expression

of identification

 

i belong where home is of clay

i belong where goats climb trees

i belong where trees are holy

i belong where children sing for rain

i belong where looms are sacred

i belong where solidarity is currency

i belong where memory is history

this is not a manifesto

& i don’t want you to use it

to conceive of me

 

 

El Habib Louai is an Amazigh poet, translator, musician and a teacher of English from Taroudant, Morocco. My articles, translations, and poems have appeared in different magazines and reviews such as Big Bridge Magazine, Sagarana, Al Doha Magazine, Xenophile, The Fifth Estate, Illanot Review, Lumina, Big Scream, Istanbul Literary Review and many others. His first collection of poems is called Mrs. Jones Will Now Know: Poems of a Desperate Rebel. He is currently working on his second collection of poems. He is a recipient of a Fulbright grant to do research on the Beats at Chapell Hill University.

 

 

 

 

 

 

 

 

Cover image: Collage by Basseck Mankabu.

 

Tags: Amazighartartistic freedomBeat PoetsBerberscountrysidecraftsmendisillusionmentEl Habib LouaifreedomloveMorocconationalism

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