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    A medley of artwork from Le braccianti di Euripide collective

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

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    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

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    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

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    M’aidez, May Day – Pina Piccolo

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    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

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    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
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    • Intersections
    • Interviews and reviews
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    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

November 30, 2021
in Interviews and reviews, The dreaming machine n 9
Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques
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The gallery of images I prepared for the December 1, 2021 issue of The Dreaming Machine contains photos from my most recent forays into conceptual photography, combining realistic images with Surrealist techniques to create a mood, evoke a concept or situation. I draw inspiration from iconic paintings such as those of  Dali, Magritte, Picasso and Van Gogh and recreate their settings in India today, creating new works that both challenge the imagination by  stirring a sort of cognitive dissonance.

Example of my street and travel photography as well as a version of this interview can be found in the March 2021 issue 79 of  Italian literature journal Le Voci della Luna (The Voices of the Moon), an Italian language, print literary journal. For that publication, I prepared a gallery containing 15 images taken in different locations in Kolkata and villages in India, on different occasions and times, with a special focus on women, their bodies in motion and stillness, in various positions,  in places where they gather. Kolkata is called the City of Joy and is also the heritage and cultural center of the state of West Bengal. Like any city, Kolkata has its own characteristics that make it very colorful and unique in its own way. A very specific  rhythm of life always pulses through the veins of the city. In each season it appears different from the previous one. Bengalis are said to hold 13 festivals in 12 months, which means people don’t miss the chance to celebrate life.  I try to portray the moods, expressions, body languages ​​of different people, their dances and their rituals during any festival. In doing so I try to illustrate the essence of the city as I believe in capturing the decisive moments.

 

When you go to photograph in the street, the photographer is not able to arrange either the bodies or the situations, you have to adapt to the flow, keep an eye on the developments of the scene. Sometimes I am attracted to a person who exhibits a very strong body language and with the lens I capture the whole scene that surrounds her or him, or it could also be a simple movement, a symmetry, a contrast, a balance. It depends on the situation and mood. For example, in the photos of tribal dances published in the magazine and which I took in Puruliya, an area of ​​West Bengal, it is a performance of ‘chhau’ an internationally renowned dance form developed by the tribal population and which reflects their culture and religion. It is part of a ritual and is linked to a particular period of the year. I found myself there at the festival by chance and was struck by the dance, the vibrant

expressions of the dancers, the color of their clothes and their body language. I hadn’t planned the photos at all, I took them to fix the celebration, the strength, the body language and the movement. It was not a theatrical performance but the moment in which members of that tribal population worship the goddess Durga by telling the story of the abolition of iniquitous power and the victory of Good over Evil.

As far as my positioning is concerned, there is a trick, it is called the ‘observation point’ and that is where the photographer is placed to make the most of the field of view. Identifying this point is not spontaneous, it requires a long exercise, but once you get your eye on it you can easily select the point from which you will have the maximum effect.

 


For example, in the shot of the woman threading beads, I noticed that those clay jugs framed her perfectly, it was spontaneously a portrait within a frame so I also included them in the shot creating a technique called ‘double frame’,  a rule of composition.

 

The same is true in the case of the woman seen from behind a cracked wooden window. I was struck by her face that expressed great loneliness and her standing at the window suggested that she had been there for a long time and the person or thing had not arrived. Yet she continued to wait with a thread of hope, an endless wait. In short, I tell a story, I use the photographic medium to fix ephemeral moments that we do not notice in ordinary life. I fix emotions such as pain, joy, hatred, cruelty, anguish. And it’s not just about human emotions but also about shapes, patterns, textures, contrasts in the natural settings that surround us.

 

 

In my nature photography I always put nature first and second the expression of the human being, their way of perceiving nature, how it affects their life and their relationship with it. Do those who live in rural contexts have the same relationship with nature as those who live in an urban situation like those that we have in the city? These are questions I ask myself. So photography as a mixture of technique, technology and thought. I am currently very interested in surrealism applied to photography and I will always continue in the search for new forms of expression.

 

Sumana Mitra was born the 1 ° September 1991 in a village in West Bengal state, three hours from Kolkata. She currently works as an assistant professor of visual communication at a college in the state capital. Her interest in photography was born while attending courses in multimedia and animation, and it led her to specialize by earning a diploma in photography from the International Institute of Photography, as well as an advanced diploma from Light & Shadow, a photography institute in India.  She also holds a Masters in Mass Communication and Journalism. Her photographic works have been included in the photography salon “Digifocus National Salon” and “The Wall Mag”. Her shots have been shown in an annual National Academy of Photography exhibition. The art of photography attracted her at an early age after seeing the works of Henri Cartier-Bresson in a specialized magazine.  They moved, intrigued and stimulated her to learn about the aesthetics and techniques that underlie good photography, so she started reading, watching and learning the techniques. In this learning period she  also became acquainted  with the works of Kevin Carter, Steve McCurry, Ansel Adams, Sebastiao Salgado, Moriyama Daido, Raghu Rai, Raghuveer Sing etc., which had a great impact on her way of conceiving art.  Additional influences were the works of the great painters of all time such as Vincent Van Gogh and Pablo Picasso.  She eventually focused on the street & travel photography genre as she always intended to tell a story through her works.  

 

 

Tags: body languagecity lifeconceptual photographydouble framingfestivalsframingmovementNature photographyobservation pointpaintingsphotographypoint of observationRené MagritteSalvador Dalistreet phographySumana MitraSurrealist techniquesvillage lifeWest Bengal

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