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  • Poetry
    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)

    from AFROWOMEN POETRY – Three Poets from Tanzania: Langa Sarakikya, Gladness Mayenga, Miriam Lucas

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    What Was Heart Is Now A Scorched Branch – Three Poems by Elina Sventsytska

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Water: The Longest Tunnel Where the Color Blue Is Born — Four Poems by SHANKAR LAHIRI

    Message to Forough Farrokhzad and other poems – Samira Albouzedi

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    A Very Different Story (Part II)- Nandini Sahu

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    The Aunt: An Exhilarating Story by Francesca Gargallo

    THE PROGENITOR – Zakir Talukder (trans. from Bengali by Masrufa Ayesha Nusrat)

    Stalks of Lotus – Indrani Datta

    Love in Africa and the Variety of its Declinations:  Short-story Tasting from Disco Matanga by Alex Nderitu

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

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    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” – Massimo Ceresa

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

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    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

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    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

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    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

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    From Euromaidan: Three Ukrainian poets to spoil Westsplaining fest in Italy – Zarina Zabrisky

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    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

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    Phoenix: Part I – YIN Xiaoyuan

    Surrender to Our Explosive Democracy – Five Poems by Serena Piccoli from “gulp/gasp” (Moria Poetry 2022)

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Me and French, or What I Did During the Pandemic (Moi et le français, ou Ce que j’ai fais pendant la pandémie) – Carolyn Miller

    Becoming-animal as a Mirror – Ten Animals from Gabriele Galloni’s Bestiary

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

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    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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Poets and peddlers and other poems by Eleni Tzatzimaki

Poems translated by David Connolly. "If I shot the moon" is originally written in English language.

November 29, 2019
in Poetry, The dreaming machine n 5
Poets and peddlers and other poems by Eleni Tzatzimaki
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Poets and peddlers

Heroes proceed in the dark
GEORGE SEFERIS

 

How much poetry was written about the Nazis?
The survivors of the holocaust
Might not have survived
If they had given themselves up to poetry

And if they had trusted
The treacherous poets
And their even more treacherous craft ?

Probably, the gathering in concentration camps would have been staged,
(Just imagine Auschwitz in parentheses),
The cries would have been measured by metre.
The horror would have been carved somewhat more discretely
In keeping with the aesthetics of the writer,
And lovely and rare words
Would wash away the blood of the suffering
And all that would remain for us
Would be words and figures of speech.

Let poetry remain the intertext.
First we have to talk of the art of life.

History was blamed for the past, poetry the present.
The future will come from elsewhere
with verses not yet written.

 

When you say that you want to change the world

When you say that you want to change the world.
You have to suckle the sea from the start
to choose its every drop in the mouth
to spit out the old water,
The putrid blood,
To partake of the dish of god and the devil
Forgetting the age-old hunger.
And to safeguard the mind with carbines
But, above all,
To hold your heart in your hand as a kerchief
To wave to the sun everyday
And in name to be consonant with the ‘moon’
– war will only be the beginning between us
and life the end.
This land needs clean air
Love
And well-wrought hands.

On love and war

Our heartbeats will explode like crackers
My bones will bear your body
In my womb a child will be born
fetus in fetu

And the dog will unearth us from the rocks
Heard ever deeper, for centuries now
Is Persephone’s laughter
T e hum of the universe
The plaintive strumming of man
Our tiny seismic mankind.

And,

At such times what am I to say of love?
That coffin in which we all fit
It lures you into secret sleep
Takes you by the hand, leads you

To sheer cliff s, arid landscapes
For you to water from your body’s fluid
your longing is blind, and night sows
by deceit another love for you to reap.

Where might this blind longing fit?
And if somewhere, you love me, but who knows it?
Life is a raft in the infinite
And if you’re a corsair, it will bear you.

 

Prior to the rally

He was sitting on the stone step.
One of those in Omonia Square.
People all around and brand new faces
Voices of men and women
Loudspeakers, microphones, flags and ideas alternately
While he, for years now sitting on the stone step
In the same spot
Was counting out his worry beads
And the hours that were slow in coming
For the days that were to come.
– About these he was quite certain as,
every time he counted them
he came up with the same number,
equal,
to the days that saw him there on the step,
amidst the loudspeakers, microphones, flags and ideas.
Getting older, you learn to count in reverse:
from the end to the beginning.

I watched him sitting on the step,
There, always in the same spot, his back against
the tier above
his head lowered
looking
now at the worry beads,
now at the flags,
now at the new faces
and now
at his endless ideals.

The hedgehog’s dilemma

The hedgehog’s dilemma (or porcupine dilemma)
Refers to the inevitable friction
Caused by human contact.
We can’t love each other without pricking each other
And hurting.
Hence, not even hurt is possible without love.
We participate in this experiment of nature
Sometimes less victorious and sometimes less vanquished
But pain doesn’t await the victor
And the one who loves more
Is more hesitant in love
and retracts at the point of impact
begging that his defeat be declared
so that at last,
he may be free to hurt.

 

If I shot the moon

Thousand little balls of baby moons
Would fall from the sky
Besmearing
Our heads
With honey made of stars and dust

If I shot  the moon
Persefone would be released
And spent her free days maybe  in Europe
Searching  for a job
An airbnb
And a real love

If I shot the moon
A new glossary would be made
With no words for poets in the night
With no tasteless literary schemes
And spelling rules
For lovers’ vow(el)s

If I shot the moon
No one would ever ask again what beauty is

from The twin paradox: a poetic transcription to Yiorgos Cheimonas, Melani Publications, 2018. 

 

 


 Eleni Tzatzimaki was born in 1986, in Athens, Greece. She is a professional musician (jazz vocalist) and a graduate of the Department of Modern Greek Literature of the School of Philosophy of the University of Athens. She holds a Master’s degree in Modern Greek Literature from the Institute of Contemporary Greek Studies of the University of Paris-Sorbonne (Sorbonne 4). In 2009 her first poetry collection entitled “I mageia tis anwsis” (The Magic of Upthrust”) was nominated for the “Diavazo”magazine Literature Awards.Her poems have been translated into English and French. “Twin Paradox-a poetic transcription to Yiorgos Cheimonas” is her fourth poetry collection.

 

 

 

Cover image: Artwork by Irene De Matteis.

 

 

Tags: Eleni TzatzimakiGreecehistoryintertextloveparadoxPoetrywar

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