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    A medley of artwork from Le braccianti di Euripide collective

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

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    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

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    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

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    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

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    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

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    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

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    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

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    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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Home Poetry

RECIPROCAL ARCHEOLOGIES – 6 Poems by David Gullette

November 27, 2017
in Poetry, The dreaming machine n 1
RECIPROCAL ARCHEOLOGIES –  6 Poems by David Gullette
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DISAFFILIATION

Even before she is dead your mother comes toward you
from the shadow of the seawall
her eyes blank as a sleepwalker’s.
Even now, as her other self is somewhere

filling a glass of water or breaking an egg
you stretch out your arms and wait for her to know you
and you close your embrace but she passes through
like smoke through a screen door.

At this very moment as you hold the black cradle to your ear
and hear her voice a thousand miles away at your side
going on about weather and when to fly,
even at such a time you pace the rim of the wall

gazing out over the flat sea
for a boat that will not come home.

 

MAGNAVOX

    Finding a voice means that you get your own feelings
into your own words and that your words have
the feel of you about them.

                                                                    —Seamus Heaney

 

Precociously picaresque the poet sets out
in search of a journey. He is every soul
he meets and fights and kisses.
He is no more himself than a bird is
an egg. He borrows words but eats them
without remorse. His song is all the Top 40
played at once. His words have the hand-me-down feel
of his alias brother crying farewell from the field
where Gramps and Granny clasp in the gene pool
stitching the sails of light.

And whenever he finds his voice he flips the page,
looks both ways, and opens the door of its cage.

 

 

AUBADE

It’s September below the minimalist moon the year is running down
and the second-rate poets are drifting in from the provinces
you can hear the clump of their cheap boots in the darkness
the clatter of old tropes in their gunnysacks dragged behind them

They are trooping into the city claiming to worship the dawn
but we know we know it’s really the night they love they never sleep
they stop to surround the house
I can hear their unanimous breathing out in the garden

And whispers: they are planning some final confusion some terrible crime
I turn off the light and take down the gun from its rack
crawl on my belly up to the window stick out the barrel and open fire
round after round the room fills up with smoke and spent shells

Weeks later the sun comes up and finds me with eyes still closed
blasting away at these and similar dreams

 

EVICTION NOTICE

We’ve trashed our crib    the Old Lady wants us gone.
She’ll scratch us from her hide
Pick these ungrateful vermin from her hair
Crack us between bloody nails
Burn  blow     twist   drown   sinkhole us one by one.

Below the decapitated mountain the creek runs red
Through the clearcut forest drifts the sucked-up gas
The smudgy sun the super-heated wind blowing from Eden
And we roaring inexhaustibly round and round
Not a care in the fossilized world.

What on earth did we think,
That she’d let us hang out here forever?

She’ll give the place back to the sanity of the beetle
Industrious     humble   methodical
He rolls the dung of others into tidy piles
Pauses on the shore of the oilslick sea
And raises a feeler in simple thanks.

 

LEONID SHOWER

High on the hill and out in the chilly park
a shout goes up as random stones blaze down:
bright self-consuming wanderers scar the dark:
the sky is falling and we cheer it on.

 

 

HISTORIOGRAPHY

    … historical discourse is less a matching of an image or a model with
         some extrinsic “reality” than a
making of a verbal image, a
        discursive “thing”….
                                                                              —Hayden White

 

We don’t know the past, we conjure it
out of almost nothing, sing outside its window:
not that it isn’t there in some unknowable sense
but our desire gives it body, awakes its own
willingness to mold its curves to our wishes,
as when yes you pass your fingers down my thigh
you know by touching what it is you touch
(thin film of taut sweat) and relearn what fingers
exiled in air can never seem to remember:
what touching feels like (thus every stroker
is in stroking counterstroked) or your palm
rounding my lifted knee and so upward, flattened,
delving, knows that even a hand can kiss
and knows that being known awakes in me
reciprocal archeologies so that two subjects
make of each other objects of research: the seer seen,
more light! more light! and so onward toward breakthrough
when for you to know my lips is for me to know myself,
and for you to know yourself in knowing me
is for no film at all to block
knower from known: just so
memory lies in the adjacent chamber
neither asleep nor alive, just
leaning back, complacent odalisque or stone-white god,
waiting to be invented by your kiss,
and history whispers in your ear,
ready to happen.

 

Poems selected from David Gullette’s latest collection of poetry Questionable Shapes,  Červená Barva Press, Somerville, Massachusetts, 2017.

 


David Gullette was educated at the universities of Harvard, California (Berkeley), North Carolina (Chapel Hill) and Roma. He was one of the founding editors of the respected literary journal Ploughshares and has been Literary Director of The Poets’ Theatre for many years. His translations include (from the Italian) work by Ugo Betti and Emanuele Tesauro and (from the Spanish) revolutionary Nicaraguan poetry by the campesino poets of Solentiname, and the first bilingual edition of the poems of the revolutionary Spanish priest Gaspar Garcia Laviana. He is founding editor of the publishing house Fenway Press. His novel about Nicaragua, Dreaming Nicaragua, was published in 2011, and his book of poems, Questionable Shapes appeared in 2017. He is Professor Emeritus of English Literature at Simmons College, Boston, and Vice President of the Newton (Massachusetts)/San Juan del Sur (Nicaragua) SIster City Project.

 

 

 

Featured image: Photo by Paola Favoino.

Tags: climate changeDavid GullettedeathenvironmentHayden WhitehistoriographymetahistorymotherNorth AmericaPoetryQuestionable ShapesUSAvoice

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