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  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

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    M’aidez, May Day – Pina Piccolo

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

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    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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The map of the world furrowed across the windswept field – Selected poems from “Lockdown” by Aritra Sanyal

Cover image: Photo by Aritra Sanyal.

May 1, 2020
in Poetry, The dreaming machine n 6
The map of the world furrowed across the windswept field –  Selected poems from “Lockdown” by Aritra Sanyal
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The Poem

 

My inside is locked in a sea

A fish-market where everyone is helplessly dead.

A few people- fallen from the sky –

With their bluish minds

Sink

 

No matter how strange it may sound, the structure of this poem is round shaped. And it is like a planet seen from another, having a silent city in between, of stars

Of fallen stars

 

 

 

 

A Call

 

My call to myself

Is the sound of a gong

In a foggy rugged landscape

Where

Prayer utters obscurity

And a man

Going down his wrinkles

Into the chasm

Where

Darkness is not darkness anymore

Light goes off in the monastery

And then a loneliness

A dry loneliness

Sounds like a bell.

In the fog

Where fog lifts

Rises the chasm

To make a man

Less visible

 

 

 

 

Mirror Mothers You

 

Light caught me unguarded,

Left me in splinters

In an empty street

Shadow is the mark of its bruises

 

When the brief scenes eyes shed

Are heaped up at my feet; dry.

Oh! How sick I am!

How dearly

 

I keep my face immersed

In the very mirror you come from

 

 

 

 

Vine

 

If we could see music

Sedimented in absentmindedness

 

A shadow comes forward wading through light –

Show it

The lattice on the house is covered with entreaty

It’s a vine

 

Time stands still – time

Perhaps comes to rest on the lap

On its thin ribs – show

The incessant rhythm of the breathing

How blueness of the world lends it company

A slice of blue – lacking wave; still –

An entreaty

Suspended from the earlobe as an ornament –

That vine

Miraculously rises spiraling up to the green

 

 

 

I

 

I wash the knife with daylight.

And then, hiding it in a faint breeze,

Disappear among the dead.

Nature, rubbing its eyes

Amidst a clear sky buzzing with insects,

Wonders at the year’s harvest of reflections

And the map of the world furrowed across

The windswept field

 

Everything seems so quiet

The bicycle leaning against the sycamore

Is about to be grafted into the tree

 

Everything is so quiet.

I belong to death

 

 

 

 

 

Aritra Sanyal: is a poet, translator, researcher, and an ex-sports journalist who presently works as a teacher of English language in a school in West Bengal, India. Earlier he worked as a research fellow in University of Calcutta in a major research project: The impact of France on the 19th an early 20th Century Bengali Literature. He is the author five books of poetry. The latest one, Bhanga Manuser Bhumikay (In the Role of a Broken Man) was published in 2020 from Saptarshi Publication, Kolkata.

 

 

Tags: Aritra SanyalCovid-19deathlockdownlonelinessPoetrytimeworld politics

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