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    In Memoriam Lawrence Ferlinghetti – Three poems: Pity the Nation, Cries of Animals Dying, The History of the Airplane

    In Memoriam Lawrence Ferlinghetti – Three poems: Pity the Nation, Cries of Animals Dying, The History of the Airplane

    Like a shadow on an expanse of water –  Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

    Like a shadow on an expanse of water – Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. Part II by Encyclopedic Poetry School

    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. Part II by Encyclopedic Poetry School

    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. PART I, by  Encyclopedic Poetry School

    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. PART I, by Encyclopedic Poetry School

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    On the tip of her voice a library alive – Six Poems by Gonca Özmen, trans. from Turkish by Neil P. Doherty

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

  • Fiction
    POEMS FOR PEACE, by Hamid Barole Abdu

    from The Widows Series – “Claude”, “Cargo”, “Etc.” – Three Unpublished Short-Stories by Lynne Knight

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    I Want to Be Loved, a New Story by Mia Funk

    Man Ray’s Lips, a new story by Mia Funk

    Man Ray’s Lips, a new story by Mia Funk

    POEMS FOR PEACE, by Hamid Barole Abdu

    A Child of Snow, a new story by Mia Funk

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    The Vulture- by Hasan Azizul Huq, trans. by Bhaskar Chattopadhyay

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

    “Sofía, qué soñaste?” – Vignette from Sonia Gutiérrez’s “Dreaming with Mariposas”

    “Sofía, qué soñaste?” – Vignette from Sonia Gutiérrez’s “Dreaming with Mariposas”

    DIARY OF A DANCING DREAMER IN THE STREETS OF BERLIN – Giulia Marchetti

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    WAITING FOR THE DARK, by Mia Funk

    WAITING FOR THE DARK, by Mia Funk

  • Non Fiction
    Brigada Dignidad: A Health Team Healing the Wounded by the Police in Santiago, Chile – Ximena Soza

    Brigada Dignidad: A Health Team Healing the Wounded by the Police in Santiago, Chile – Ximena Soza

    Time to Transition: Essay by Clarissa Clò,  Image and Document Galleries from the Grassroots Movements, by Barbara Ofosu-Soumah and Marina Romani

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    Days in Kolkata: a Photo Gallery by Sumana Mitra

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    People Die, Not From Old Age or War or Disease – But from Disappointment, by séamas carraher

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    Writing “Andolo, the Talented Albino” –  An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

    Writing “Andolo, the Talented Albino” – An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

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    “Pretending to Be Healthy” Gin Angri’s Photo- Essay from Como (Italy)

    Prima il Punto – Christine Maigne interviewed by Camilla Boemio

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    Mia Funk Interviews Photographer Mark Seliger

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    Photographer Marilyn Minter Interviewed by Mia Funk

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    Mia Funk Interviews Novelist Viet Thanh Nguyen

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    POEMS FOR PEACE, by Hamid Barole Abdu

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    POEMS FOR PEACE, by Hamid Barole Abdu

    Embraces on hold till a magic clock-strike twelve – Five Poems by Michael D. Amitin

    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

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    “Through the Fluid Mosaic” – Following Maica Gugolati though the Permeable Borders of the Art Exhibition

    Ghayath Almadhoun’s “Evian” Wins the 2020 Poetry Film Zebra Award

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    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    POEMS FOR PEACE, by Hamid Barole Abdu

    The thankless parables – Poems by Sudip Chattopadhyay

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

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    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

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    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    In Memoriam Lawrence Ferlinghetti – Three poems: Pity the Nation, Cries of Animals Dying, The History of the Airplane

    In Memoriam Lawrence Ferlinghetti – Three poems: Pity the Nation, Cries of Animals Dying, The History of the Airplane

    Like a shadow on an expanse of water –  Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

    Like a shadow on an expanse of water – Five Russian Nature and Philosophical Poems from “Natura d’altri mondi” (Giraldi 2020), ed. by Vasily Biserov

    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. Part II by Encyclopedic Poetry School

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    FEATURED PROJECT: From a Menu of Distinctively Flavored Tea Poems. PART I, by Encyclopedic Poetry School

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    On the tip of her voice a library alive – Six Poems by Gonca Özmen, trans. from Turkish by Neil P. Doherty

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

    I have gone too far inside a dream – Poems by Animikh Patra for Villa Romana

  • Fiction
    POEMS FOR PEACE, by Hamid Barole Abdu

    from The Widows Series – “Claude”, “Cargo”, “Etc.” – Three Unpublished Short-Stories by Lynne Knight

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    I Want to Be Loved, a New Story by Mia Funk

    Man Ray’s Lips, a new story by Mia Funk

    Man Ray’s Lips, a new story by Mia Funk

    POEMS FOR PEACE, by Hamid Barole Abdu

    A Child of Snow, a new story by Mia Funk

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    The Vulture- by Hasan Azizul Huq, trans. by Bhaskar Chattopadhyay

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

    “War and Peace”, Short Story by Mario Benedetti, with Introduction by Clark Bouwman

    “Sofía, qué soñaste?” – Vignette from Sonia Gutiérrez’s “Dreaming with Mariposas”

    “Sofía, qué soñaste?” – Vignette from Sonia Gutiérrez’s “Dreaming with Mariposas”

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    DIARY OF A DANCING DREAMER IN THE STREETS OF BERLIN – Giulia Marchetti

    WAITING FOR THE DARK, by Mia Funk

    WAITING FOR THE DARK, by Mia Funk

  • Non Fiction
    Brigada Dignidad: A Health Team Healing the Wounded by the Police in Santiago, Chile – Ximena Soza

    Brigada Dignidad: A Health Team Healing the Wounded by the Police in Santiago, Chile – Ximena Soza

    Time to Transition: Essay by Clarissa Clò,  Image and Document Galleries from the Grassroots Movements, by Barbara Ofosu-Soumah and Marina Romani

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    All About EY – Musings about Literature, the Short Story and the Current State of Literary Affairs – by Shajil Anthru

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    Days in Kolkata: a Photo Gallery by Sumana Mitra

    People Die, Not From Old Age or War or Disease – But from Disappointment, by séamas carraher

  • Interviews & reviews
    Writing “Andolo, the Talented Albino” –  An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

    Writing “Andolo, the Talented Albino” – An Interview with Cameroonian Author Nsah Mala, by Pina Piccolo

    POEMS FOR PEACE, by Hamid Barole Abdu

    “Pretending to Be Healthy” Gin Angri’s Photo- Essay from Como (Italy)

    Prima il Punto – Christine Maigne interviewed by Camilla Boemio

    Prima il Punto – Christine Maigne interviewed by Camilla Boemio

    POEMS FOR PEACE, by Hamid Barole Abdu

    Mia Funk Interviews Photographer Mark Seliger

    POEMS FOR PEACE, by Hamid Barole Abdu

    Photographer Marilyn Minter Interviewed by Mia Funk

    Mia Funk Interviews Novelist Viet Thanh Nguyen

    Mia Funk Interviews Novelist Viet Thanh Nguyen

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    POEMS FOR PEACE, by Hamid Barole Abdu

    Here comes the voice – Poems by Antonio Merola

    POEMS FOR PEACE, by Hamid Barole Abdu

    Many Disoriented Small Migrations- Poems by Jean-Charles Vegliante

    POEMS FOR PEACE, by Hamid Barole Abdu

    Embraces on hold till a magic clock-strike twelve – Five Poems by Michael D. Amitin

    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

    A GLOBAL ART PROJECT PROSPECTUS / DESCRIPTION / HISTORY: toward international collaborative activity, by Carl Heyward

    “Through the Fluid Mosaic” – Following Maica Gugolati though the Permeable Borders of the  Art Exhibition

    “Through the Fluid Mosaic” – Following Maica Gugolati though the Permeable Borders of the Art Exhibition

    Ghayath Almadhoun’s “Evian” Wins the 2020 Poetry Film Zebra Award

    Ghayath Almadhoun’s “Evian” Wins the 2020 Poetry Film Zebra Award

    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    “Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

    POEMS FOR PEACE, by Hamid Barole Abdu

    The thankless parables – Poems by Sudip Chattopadhyay

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

    Curator Hans-Ulrich Obrist Interviewed by Mia Funk

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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The Poet – Anna Fresu

May 1, 2019
in Fiction, The dreaming machine n 4
The Poet – Anna Fresu
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To José Craveirinha,

Mozambican. Poet.

 

The poet was looking at the walls of his cell which were once white. With the handle of the spoon he inscribed words, giving vent to his agony.

Sometimes his gaze was veiled by a trickle of blood running down his face from a reopened wound at his corrugated eyebrow.

He had repeated only his name, a so-called Zé Ninguém, of a paternal memory nobody. But in his veins ran the rivers of his homeland, Maputo, Limpopo, Zambezi, Rovuma … of his mother, a southern girl that love had brought into the arms of his father, a poor immigrant.

He still heard in his head the poignant sound of a fado his father used to sing with the guitar.

In the heart, the beating of drums echoing in “bitter silence” of his neighborhood made of wood and zinc.

He hadn’t said anything else. Not the names of those who he wanted to reach on that slow train crossing the border, not the places where they met or the actions they were preparing.

To forget the shots, the pain, he repeated his verses the ones that had incriminated him.

Almost a smile on his broken lips.

So even tyrants, stupid dumb people, knew the power of poetry, knew how a poem, read or repeated mouth to mouth, could comfort, lift the spirits, shout justice, freedom!

Now he had no paper to write on, small pieces of paper that his wife would take outside hidden in her neckline.

The poems became short, incisive, scathing so she could memorize them on the rare occasions that she was allowed to see him.

His incriminated books, his “dangerous”, authors his wife had hidden them carefully from the police raids, not even he knew where they were. He knew that one day he would find them, he would read them to his grandchildren so that they would breathe in beauty and freedom.

He would have wanted to dye the walls with the colors of the painter in the next cell, a dangerous subversive too, and also black, who painted dancers and faces screaming oppression, colors of their land, the green of the savannah after the rain, the red of the sand and of the lion, the brown of the skin and of the baobab, the geometries of the capulanas that the women wrapped to their waists.

They would have restored memory and impetus to his dulled senses when they brought him back to his cell after interrogations.

It  would have wanted the prison walls to spread  out into a football field where he could run and throw a ball so that his numb and painful limbs would reacquire strength.

Of his wife there was now only the trace of a plate of upshwa that the jailer stirred as if trying to find out who knows what secret. And the vision of her in the kitchen, her precious silky hair wrapped in a handkerchief, her skillful hands chopping leaves and onion, pounding peanuts. And him sitting at the very small table – how many times they had said that – writing in a notebook just to be close to her and occasionally stealing her a smile.

Maria. Where would that smile be now, the no longer responded smile, not with the neighbors who look away or the friends who no longer say hello.

Certainly you keep it inside, while waiting every day at the prison’s gate. You release in a challenge to the cops who would like to turn you away.

Maria. Bride sister companion of every day and of those to come.

You know, Maria, that they will not break me, that you will still wrap me in the” brown and blonde caress of your love” and that the “certainty of peace” of our love will no longer be just a hope.

 

(in Anna Fresu, Looking at the other, 2016, translated by Diana Nanoos)

Anna Fresu was born in la Maddalena, off of the island of Sardinia and has a literature degree from the university of Rome. . She is a theater director, actress, translator and scholar of African literatures. In 1975 she worked in Portugal as cultural mediator. From 1977 to 1988 she lived in Mozambique where she taught and directed the National Theatre School  as well as created and co-directed the “Department of Cinema for Children and Young Adults” and made several films that received international awards.  In 2013 she published the short story collection Sguardi Altrove, Vertigo Edizioni and in 2018 she published the poetry collection Ponti di corda, Temperino Rosso Edizioni. Her poems, short stories, and articles are included in many anthologies  and online literary journals. In Argentina she taught Italian language and Culture and the University of Mendoza and put on several plays. She currently lives in Forlì, Italy.

 

 

 

 

The image featured in the post cover is  a drawing by  José Craveirinha’s cell mate, Mozambican painter Malangatana, courtesy of Anna Fresu.

Tags: Anna Fresu Jose Craverinhaartliberation movementmemoryMozambiquepoetprisonresistance

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