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  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

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    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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Home Poetry

THE POET IN PRISON: CRACKS IN THE SKIN – Ashraf Fayadh

November 29, 2017
in Poetry, The dreaming machine n 1
THE POET IN PRISON: CRACKS IN THE SKIN – Ashraf Fayadh
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Translated  from  Arabic into Italian by Sana Darghmouni, from Italian into English by Pina Piccolo and approved by the author.

 

Cracks in the Skin

 

My country passed by here,

wearing the shoe of freedom….

Then off it went, leaving its shoe behind

It ran at a belabored pace… like the rhythm of my heartbeat.

my heart, which was running in a different direction… without a convincing justification.

The shoe of liberty was worn out, old and fake

like the rest of human values, at all levels.

Everything has left and abandoned me… including you.

The shoe is a disconcerting invention

it demonstrates our ineligibility to live on this planet.

it reveals our belonging to another place with no great need for walking

or a place with a floor that has cheap tiles… slippery ones!

The problem is not the slipping… but rather the water,

the heat… the broken glass… the thorns… the dry branches and the sharp rocks.

Shoes are not the perfect solution

but in some way they fulfill the intended goal

just like reason

and like passion.

My passion has become extinguished since last time you left

I can no longer reach you

since I have been detained in a cement box supported by cold metal bars,

since everyone has forgotten me… starting from my freedom…

and ending with my shoe, affected by an identity crisis.

 

 

Cracks in the skin, is a poem written by Palestinian poet  Ashraf Fayadh from a Saudi Arabia jail, where he has been detained for the past four years on charges of apostasy, with a court sentence issued in February 2016 eight years imprisonment, 800 lashes and the demand that he publicly renounce his work.  Since 2016 La Macchina Sognante has joined the international campaign demanding his release and has published one of his poems in translation in every issue.  We will follow the same approach in The Dreaming Machine, the English language version of La Macchina Sognante. The artist’s family has called for renewed monetary support to help pay for the expenses incurred by his legal defense team as it prepares the appeal. We will provide more information as that international effort becomes more structured.

On October  20, 2017 the poet was awarded the prestigious PEN Canada One Humanity award which, in the words of the press release issued by the Canadian organization, is given “to a writer whose work transcends the boundaries of national divides and inspires connections across cultures. Valued at $5,000 CAD, the award honours PEN’s commitment to literature as a common currency between nations, and as a catalyst for mutual understanding and respect.

The 2017 winner, Ashraf Fayadh, is a Palestinian refugee living in Saudi Arabia and the author of Instructions Within (2008), a poetry collection that comments on social issues in the Arab world. He is a key member of the Edge of Arabia, a British-Saudi arts community and digital platform that promotes dialogue and cultural exchange between the Middle East and western world.

“Behind Fayadh’s poems, there are stories that show the painful loss of freedom,” said Ashraf Zaghal, editor for Arabic poetry magazine, Laghoo. “His stories about freedom do not necessarily relate to the poet’s homeland but, rather, reach out to the human public sphere and the strife for the essential right to free speech and action.”

In the summer of 2014, Fayadh stood trial in Saudi Arabia on blasphemy related charges related to his poetry collection, which has since been banned from circulation. Saudi courts sentenced him to death in 2015 for the crime of being an infidel, but after international outcry, authorities commuted his sentence to eight years and 800 lashes. Fayadh remains in prison in Abha while he appeals his sentence.

“This award reminds Fayadh, his family, his supporters, and most importantly, his jailers, that his colleagues will continue to advocate for his right to freedom of expression until he is released,” said PEN Canada president, Richard Stursberg.

PEN Canada will present the award Friday, October 20, at their annual event at the International Festival of Authors. Entitled, Glorious and Free? Canada in 2017, the panel features Jesse Wente, Rachel Giese, Desmond Cole and moderator Jesse Brown in a discussion on Canadian freedoms.

The International Festival of Authors will also feature an empty chair on each stage to honour imprisoned Azeri writer and blogger, Rashad Ramazanov.”

 

 

 

 

Featured image by Ashraf Fayadh courtesy of the artist, from his in-progress project “Spiderscarf” (Shashaboon)

 

 

 

 

Tags: abandonmentart curatorartworkAshraf FayadhcensorshipEdge of ArabiaforgettingfreedomInstructions WithinPalestinianPEN Canadapoet in prisonPoetrySaudi ArabiaspiderscarfVenice Biennalevisual artist

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