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    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

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    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

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    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

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    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

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    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

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  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

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    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

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    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

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This Implacable Stillness- Poems While Locked Down in Venice, by Fabia Ghenzovich

Translated by Pina Piccolo. Cover art: Detail from Hassan Vahedi's series "Strani Giorni (Strange Days)

May 1, 2020
in Poetry, The dreaming machine n 6
John Austin Byrne Waxes Poetic about Basil, Pineapples, Wars, Sweatshops and Mosquito Invasions
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Published in Italian in Peripli website, with the title “Futuro prossimo”

318 // Futuro Prossimo (6) // Quattro poesie di Fabia Ghenzovich

*

Like in a period movie
we, then, are the aliens
exterminated by the virus. We
the parasite infesting
the planet on fire
as we wave about our ranks
in an Apocalypse
that fits us to a T.

 

Come in un film d’epoca
gli alieni dunque siamo noi
sterminati dal virus. Noi
i parassiti che infestano
il pianeta in fiamme
le stellette sventolando
dell’apocalisse
che ci sta a pennello addosso.

 

This implacable
stillness sucks us into
messy rooms
of pandering syllables
exploring the void’s new
carnal meaning, it obviously
has at least a little shine to it

 

Questa implacabile
immobilità a risucchiarci
nel disordine
delle stanze in sillabe
ruffiane che del vuoto
esplorano un nuovo senso
carnale insomma evidente
che almeno un poco brilli

 

 

Life that is not only
pre-recorded to its usual refrain
like a donkey lowering its gaze and shaking it off
as it mutters to itself:

It’s always better than nothing

 

la vita non soltanto
differita al solito refrain
di un somaro occhi bassi e spallucce
che tra sé e sé bofonchia

è sempre meglio di niente.

*****************************************

 

Summer shall come
after capitulations and implosions
and shall find us unprepared for the sun’s invitation.
A sinister thud the refrain

it will never be like before!

 

Da rese e implosioni verrà
l’estate e impreparati ci troverà
all’invito del sole. Un tonfo
sinistro il replay

mai sarà come prima!

 

A twine
of fossils from the lower depths
fish glowing in the dark
Lighting up like
ethereal streetlights.

 

Un intreccio
di fossili dai fondali
pesci che nel buio
si accendono come diafani
lampioni.

 

We on the mainland
are now saints and heroes
killers and usurers
processing –an animal-like
terror still stamped
on our pupils

 

Sulla terraferma
ci siamo noi ora santi ed eroi
assassini usurai
in processione – il terrore
animale ancora impresso
nelle pupille

 

a lingering smell of death
from the days that are over, it’s not
from that pathogen,
even the silence of the Epochs
couldn’t disturb that

 

della morte nei giorni
finiti rimane
l’odore non per quel
patogeno che nemmeno
il silenzio delle Ere
potrebbe turbare

 

 

here instead in an unreal
limbo we are doomed to sort things out
and run laps around the condominium’s terrace-
setting records of stillness as we dig

 

qui invece in un limbo
irreale votati a far ordine e giri
da podisti sulla terrazza
condominiale – un record
per l’immobilità scavare

 

in this uncertainty our frail
lair, which, at the end of the day

saves us

 

nell’incerto la fragile
tana in fin dei conti

ci salva.

*********************************

 

All that has been
lives in a silence of its own
well deployed
in  its wings

 

Tutto quello che è stato
vive nel suo silenzio
ben dispiegato
con le ali

 

a blade
as sharp as the word
Love digging on the side
of a containment corset

 

una lama
affilata come la parola
Amore spinta nel fianco
di un corpetto di contenimento

 

so tight oh, yes, so tight
that we’ll have to struggle a long time
to take it off.

 

così stretto oh sì così stretto
che dovremo batterci a lungo
per togliercelo di dosso.

 

*************************************

 

It really has happened
all of a sudden, light
slipped away from me. I have no idea
where it went, just as happened to Peter Pan,
only that for him it was the shadow
from under his feet: A heads or tails
with the invisible.

 

E’ accaduto davvero
mi si è sfilata di punto in bianco
la luce. Non so dove si sia
cacciata come a Peter Pan
da sotto i piedi ma al contrario
l’ombra. Un testa e croce
con l’invisibile.

 

 

Declaring my love to light
was of no use, not even
a drop took a step forward
even a tiny glimmer to let me take a peek
at it, instead, on purpose

 

Dichiararle il mio amore
è stato inutile nemmeno
una stilla si è fatta avanti un minimo
spiraglio per poterla sbirciare
la luce invece a farlo apposta

 

it is shadow that is alight
and in turn with its twin accomplice teases
my little EGOS
as though it were a mouse

 

mi si illumina
l’ombra che a turno con l’altra
complice gemella i miei
piccoli IO stuzzica come col topo

 

in the paws of a cat
that  is said to hide in the slit
of its almond shaped eyes

an Infinity no one can reach.

 

un gatto che dicono
nella fessura a mandorla
degli occhi nasconda

l’infinito dove nessuno giunge.

 

 

Fabia Ghenzovich is an Italian poet from Venice who is  interested in poetry and its potential interactions and contaminations  with different artistic codes, especially music, as in her collection “Metropoli” poems set to rap music. She participated in the first Poetry Biennale “Officina della percezione” held in Verona in 2004. Her poetry collections include  “Giro di boa” (Joker edizioni 2007), “Il cielo aperto del corpo” (Kolibris 2011 and in 2016, an  ebook on La Recherche), “Totem”( Puntoacapo Editrice 2015 ), “Se ti la vardi contro luse” (Supernova 2018), her first book in Venetian dialect ,and her most recent collection Nudità, (Libreria editrice Il Leggio, 2020). She has won many prizes in poetry competitions and is included in several anthologies including “Blanc de ta Nuque” – uno sguardo dalla rete sulla poesia italiana contemporanea – edited by Stefano Guglielmin (edizioni Le Voci della luna 2016), and in volume II of ° Il Fiore della poesia contemporanea” (Puntoacapo editrice 2016). Her poems are published both in print and digital journals including  Il Segnale, Le Voci della luna, La Mosca di Milano, Carte nel vento (Anterem),  Rumanian journal of Italian poetry Tribuna magazine, as well as many others.

 

Tags: Covid-19Fabia GhenzovichItalylockdownloss of freedomsheltersilenceuncertaintyxconfinement

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