Privacy Policy Cookie Policy
  • TABLE OF CONTENT
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • THE DREAMING MACHINE
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • CONTACT
No Result
View All Result

The Dreaming Machine

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

No Result
View All Result
The Dreaming Machine
No Result
View All Result
Home Poetry

Three poems from the forthcoming book “A Son of the Stars” – Carmelo Militano

Painters and poets- Modigliani, Lautréamont and Akhmatova

May 1, 2019
in Poetry, The dreaming machine n 4
Three poems from the forthcoming book “A Son of the Stars”  – Carmelo Militano
Share on FacebookShare on Twitter

October, 1909, Brancusi studio, 54 rue du Montparnasse

Or a short history of Modi’s career as a sculptor

 

The new Modi is actually the old Modi

Returned to Paris in sartorial splendor

Loose grey shirt, broad silk knotted scarf

Dark leather boots and pants

One bent leg on the bench leans forward

In the photo he looks defiant and posed, cigarette in left hand,

Other hand is on his right hip, eyes wounded and vague

Affair with Elvira is new

The vogue in Montmartre: cocaine, ether, lesbianism and Cubism

-2-

Between 1909 and 1912 Modi and I work together

Reject Rodin’s method of first constructing the work

Using clay shaped over and over again

On an armature then a plaster cast, next a metal mold

Filled with red hot bronze and left to cool

I tell Modi: ‘What good is the practice of modeling?

It leads to sculptured cadavers.’

Only what has been cut from stone beginning to end is true sculpture

Stone waits for the sculpture to release image already there

The same way paper waits for the poem

Both emerge from the will to shape desire

Create and organize surprise with each cut, each word.

-3-

Modi moves between Montmartre and Montparnasse

Between painting and sculpture

Between two groups of artists who often hate each other

Steals wood and stone from Metro construction sites

We sometimes carve together

From my cuts face emerges round as a pear

Curved stone refined like a scalloped shell

Modi carves mysterious posed masks

 

Nose cut sharp as a knife, slanted olive-eyes

Pressed small thin lips, chorographic hair like tiny rivers

Compressed serene sorrow surges into and out of stone

-4-

Augustus John the Welsh Painter visits Modigliani’s studio in Montmartre

Buys two sculptures: ‘For some days afterwards I found myself

Under the hallucination of meeting people in the street who might

Have posed for them… Can Modi have discovered a new secret aspect of reality?’

-5-

Meanwhile near Place Saint Michel, the cut poem:

 

In a station of the Metro

The apparition of these faces in the crowd;

Petals on a wet, black bough

Ezra Pound

-6-

Nina Hamnett, artist, writer, bisexual Queen of Bohemia (Paris)

Visits Modigliani’s messy and dirty studio on rue St. Gothard

Admires full figured sensual caryatid drawings on the wall

For an unfinished ‘temple of pleasure’,

Carved heads, ‘pillars of tenderness,’ are under the window

Near the end of the bed is a large spider web and a large black spider

He has grown attached to it he says

Calls the spider his only painting companion

Does not wish to disturb

Flattered, she can ignore poverty

But the spider makes her nervous and refuses him

Nina then dance naked for me again, he says

The way you did at the Café Rotonde

Let me delight in your slender legs and body

Large tear-drop tits, neatly trimmed and scented red pubic hair.

 

 

Anna Akhmatova, Paris, April, 1910 & May, 1911

 

After three years of pursuit, declarations of love

I married a famous poet, literary critic, traveler

I do not know whether or not I love Nicolay Gumilyov

It seems it is my fate to be his wife

We are here on our honeymoon

He gives lectures, attends meetings

I sit in the same café everyday and drink my morning coffee

Dryly read the newspaper, write in my journal

-2-

Modigliani’s beautiful classical French fell on me

Like an unexpected shadow from a Baudelaire poem

I cannot forget his voice, in his eyes a golden gleam

Accompanied by exquisite manners

No friend, no past lover, never mundane things

Only a quiet ring of solitude and a love of sculpture

‘He was that rarity, a painter who knew and loved poetry.’

Recited by the hour Laforge, Mallarme, Lautréamont

-3-

A year later waits for me in the Salon des Independants

He does not approach when I finally appear

Instead we visit the Egyptian department at the Louvre

He dreams only of Egypt ‘the rest is of no importance.’

Rejects Cubism, anything fashionable,

Makes little money, winter in Paris is harsh

He is thinner, eyes sunk deeper

Proud aristocrat heart and soul

How does he survive?

Still handsome next to the Venus di Milo, he says:

‘Women of beauty worthy of painting or sculpting

seem heavily dressed in their clothes.’

 

 

-4-

Firm right hand moves forward and back again like a wave

He draws a quick thin charcoal line

Then an unexpected curve

Slanted eyeless head rests on my slender shoulder

Arm on an angle

Singular small round tit captured

So is the gentle bump of my stomach

I emerge a sleeping nude Venus on cushions

Fresh from the blank white sea.

He squints to study each line, lips pressed concentrating

Satisfied he kisses my toes

Considers the inside of my knee

I let him travel up the length of my thigh

Inhale my scent

Pauses to ask about the little prisoner

Trapped at the top of my moist hill

I blush pink, red, and white like a cherry blossom.

Slow sly shy grin emerges

He says my face shows divine progress.

-5-

On a bench in the Jardins du Luxembourg

Recited Verlaine under his old black umbrella

Delighted we remembered the same verses

Soft tap of summer rain kept the beat

At night it was his footsteps under my window.

-6-

His door locked

I toss a surprise bouquet of roses

One by one through an open window

He returned to find a formed charmed pattern

Convinced I somehow entered.

–

 

-7-

 

You say I ignite you

Through poems

Your gypsy soul flares

I am your female Cesare:

   I found, I saw, I know

Your sad eyed mystery opens and closes

Shadow on the claire de lune streets of the Latin Quartier

-8-

Our destiny began when I did not return to Paris

Melancholy and poems followed

Both were there already under our skin, our eyes

Tarnish already there inside the dream, on the silver streets

Never in my heart.

 

 

 

Multiples of Me

 

I am a handsome elegant Italian young man

So lordly, so cultivated, so exquisite, so kind-hearted

Lover, artist, even-tempered, distinguished

Corrupted by Paris, corrupted by Lautréamont

 

I am an unbearable buffoon,

I cannot stand nor keep away from alcohol

The weak author of my own downfall

Ruined by drugs, by La Vie Boheme, by poetry

By women and song, by youth, by poverty

By an indulgent mother, by artists, by masks

 

I am the most literate painter in all of Montparnasse

I memorize Dante, Leopardi, Villon, Baudelaire, Nietzsche

I am psychic and follower of Nostradamus

I am the one who believes the artist is an aristocrat of feeling

 

 

I reject in no particular order: Renoir’s aesthetic (nudes) caressing buttocks,

Rodin, Picasso & the Cubist crowd, Futurists, bourgeois domesticity,

Systems of power, narrative paintings, background, the light in Nice

 

I am the painter everyone remembers after the world made famous

I am the painter made famous by disaster, failure, and Garsin irony.

 

Carmelo Militano is an award winning poet & writer.Hi smost recent novel Lost Aria, Ekstasis Edition 2018 has been shortlisted for the Margaret Laurence Award for fiction.He won the F.G. Bressani award for poetry in 2004 for his chapbook Ariadne’s Thread. His poetry includes the collections Morning After You and The Stone Mason’s Notebook. Militano’s novel Sebastiano’s Vine was short-listed for the Margaret Laurence fiction prize and his non-fiction work The Fate of Olives was also short-listed.  His reviews, essays, and literary interviews have appeared in journals across Canada. Militano currently hosts and produces the P.I. New Poetry show, CKUW 95.9 FM, University of Winnipeg. Lost Aria is his fifth book.

 

 

 

Tags: Amedeo ModiglianiAnna AkhmatovabeautyBrancusiCarmelo MilitanoironylovemodelingpaintingParisPoetry

Related Posts

The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio
Interviews and reviews

The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

May 4, 2022
A medley of artwork from Le braccianti di Euripide collective
Poetry

The dolls have pronounced it – Poems by Mohamed Kheder

April 30, 2022
FLORAL PRINT FLAT SHOES – Lucia Cupertino
Fiction

FLORAL PRINT FLAT SHOES – Lucia Cupertino

April 29, 2022
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Poetry

Three Poems from “The Bastard and the Bishop” – Gerald Fleming

April 28, 2022
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Out of bounds

But for plants there is no delegating: Seven Poems by Achille Pignatelli

April 28, 2022
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Poetry

God appeared at midnight: Three poems by Bitasta Ghoshal

April 28, 2022
Next Post
We inhabit these times like a pouting bird –  Five poems by Pina Piccolo

We inhabit these times like a pouting bird - Five poems by Pina Piccolo

The Dreaming Machine

Writing and visual arts from the world.

Interviews and reviews

PREVIEW OF HASSAN VAHEDI’S SERIES “STRANI GIORNI” (STRANGE DAYS)

Strani giorni (Strange days): A series of Works Produced by Hassan Vahedi in the Weeks of the Lockdown   The ...

May 2, 2020
Interviews and reviews

Matilde Sciarrino interviews Candelaria Romero: A storyteller who does theater

  I have chosen to introduce Candelaria Romero as a ' storyteller who does theater ' because this seems to be the most suitable ...

April 26, 2021
Interviews and reviews

“SCIAME” (SWARM) A SPOKEN WORD SHOW ON VIOLENCE AGAINST WOMEN – edited by Serena Piccoli and Giorgia Monti

“SCIAME” (SWARM) A SPOKEN WORD SHOW ON VIOLENCE AGAINST WOMEN   Directed and performed by poets Giorgia Monti and Serena Piccoli ...

May 1, 2019
Poetry

Kodak and other short poems from “Epicrisis” by Ashraf Fayadh

Kodak Old photos no longer represent us haven't aged like us haven't dried out like our bodies or gradually vanished ...

November 15, 2019
Interviews and reviews

“The South as Destiny”, poet Gëzim Hajdari interviewed by Matilde Sciarrino

Sciarrino. In your poetry collection ‘La Peligòrga’ (2007) you underline the fact that you feel marked by your Destiny of ...

April 19, 2018

Latest

The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

May 4, 2022
M’aidez, May Day – Pina Piccolo

M’aidez, May Day – Pina Piccolo

May 1, 2022
A medley of artwork from Le braccianti di Euripide collective

The dolls have pronounced it – Poems by Mohamed Kheder

April 30, 2022
A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

April 30, 2022

Follow Us

news

RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT
News

RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

by Dreaming Machine
2 years ago
0

3 SEPTEMBER 2020 – DEADLINE FOR RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT   Rucksack, at Global Poetry Patchwork is an...

Read more
  • TABLE OF CONTENT
  • THE DREAMING MACHINE
  • CONTACT

© 2019 thedreamingmachine.com

No Result
View All Result
  • Home
  • Poetry
  • Fiction
  • Non Fiction
  • Interviews and reviews
  • Out of bounds
    • Poetry
    • Fiction
    • Intersections
  • THE DREAMING MACHINE
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • TABLE OF CONTENTS
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • News
  • Contacts

© 2019 thedreamingmachine.com

Login to your account below

Forgotten Password?

Fill the forms bellow to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In