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    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

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  • Home
  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

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    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

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    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

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    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

  • Out of bounds
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    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

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    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

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    Crowdfunding for [DI]SCORDARE project

    Crowdfunding for [DI]SCORDARE project

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Home Out of bounds

TRAVELLERS – Poems by Aritra Sanyal

November 30, 2017
in Out of bounds, Poetry, The dreaming machine n 1
THE POSITION – Julio Monteiro Martins
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It was still in the making
And no deliverance from memory ever since.
Even if the whole crumbles
A disturbing sense
Of having lived here, brick by brick,
Will survive

Such an acquaintance with you
Is a life – almost sentenced.
No mystery down there,
Controlling my experience
Makes me a threat falling prey to myself, endangered.

I always see a man wriggle in pain
Striving to forget something the way a sun sets

I think a light breeze is blowing now on earth, blue

2

The wheezing wind for someone who is not taking part
Seeing a no-moon silence sticking to a subtle chord
As if, on a string stretched from the current state of heart
To
The state of heart
There in sun soak an ecstasy, a melancholy, both white, equally
And a distant gush of your smile like clean wind swells them up
Discovery is nothing but finding a circle
Or at least a point to start a journey back
A circle is the most generous geometric figure
It reminds me of the couple of your shaggy, weary minds
My cave’s name is Silence
There is a planet called Endurance
And I checked in Heartbreak
I checked out Existence
There is a planet called Myself

3

Knowing the shadows that make the water restless, I drown myself in
Something essentially missing,
To feel the fluency of life in a fish.
Deliverance, my friend, hurry up,
From a distant spot
Your emotions are visible, bent over
People who know human want
Who know how nausea becomes an offering from within,
Who have never failed to understand the line of thoughts so far,
Know that the pebbles and the stones – are actually rivers
Frozen during the time
A poet hibernates in helplessness.
Deliverance, once you’re back,
In roots and in ores
The shadows bristle at loneliness

 

4.

From afar, a faint music resembles a beautiful ruin. As if Relationship is like an old city, it has rolled a sunset down carelessly to the underbelly and shadows, we all know, are your tangibilities shorn of bodies

Now I imagine something about a Famine. Something very homely, patient. Like, siring the horizon, he has turned to his right sleeping, free like birds in light colored indifference and Life, who is not up yet, looks like a leftover of something like life, seen from a speeding train,
Believe me I can feel the wings of a yellow landscape, a light river, a girl’s half-happiness

Travel essentials like- childhood memories, a piece of glass, and the exclamatory arch of your eye brows- should include a certain detachment so that even after seeing our children being born to search a good, a bad and an ugly in the debris of a fairytale, we, like the trueborn aliens can keep our hearts air-conditioned.

An old man who holds a torch in broad daylight was seen looking for some cracks in logic some centuries ago, right here. From the airport of flies covered with floral scent the earth takes off for somewhere love has not yet weighed on life.

 


 

Aritra Sanyal is a poet, translator, researcher, and an ex-sports journalist who presently works as a teacher of English language in a school in West Bengal, India. He is a doctoral candidate at Assam University focusing on the novels of Amitav Ghosh. Earlier he worked as a research fellow in University of Calcutta under the supervision of Prof Chinmoy Guha in a major research project: Impact of France on the 19th an early 20th Century Bengali Literature. He is the author three books of poetry. Forthcoming is Ekta Bahu Purano Nei (An Old Absence) from Pathak Press, Calcutta.

 

 

 

 

Featured image: photo by Simbala Désilles.

Tags: Aritra SanyalAsiabordersEarthfamineidentityIndiaPhilip K. DickPoetryrelationshipscience fictionspacespace traveltravelWest Bengal

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