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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

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    Message to Forough Farrokhzad and other poems – Samira Albouzedi

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    THE TIME HAS COME – Gaius Tsaamo

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” –  Massimo Ceresa

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Me and French, or What I Did During the Pandemic (Moi et le français, ou Ce que j’ai fais pendant la pandémie) – Carolyn Miller

    Becoming-animal as a Mirror – Ten Animals from Gabriele Galloni’s Bestiary

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    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

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    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

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    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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  • Poetry
    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)

    from AFROWOMEN POETRY – Three Poets from Tanzania: Langa Sarakikya, Gladness Mayenga, Miriam Lucas

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    What Was Heart Is Now A Scorched Branch – Three Poems by Elina Sventsytska

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Water: The Longest Tunnel Where the Color Blue Is Born — Four Poems by SHANKAR LAHIRI

    Message to Forough Farrokhzad and other poems – Samira Albouzedi

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    A Very Different Story (Part II)- Nandini Sahu

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    The Aunt: An Exhilarating Story by Francesca Gargallo

    THE PROGENITOR – Zakir Talukder (trans. from Bengali by Masrufa Ayesha Nusrat)

    Stalks of Lotus – Indrani Datta

    Love in Africa and the Variety of its Declinations:  Short-story Tasting from Disco Matanga by Alex Nderitu

    Love in Africa and the Variety of its Declinations: Short-story Tasting from Disco Matanga by Alex Nderitu

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

  • Non Fiction
    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE TIME HAS COME – Gaius Tsaamo

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” –  Massimo Ceresa

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” – Massimo Ceresa

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

  • Interviews & reviews
    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    From Euromaidan: Three Ukrainian poets to spoil Westsplaining fest in Italy – Zarina Zabrisky

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    • All
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    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE MATERICIST MANIFESTO by AVANGUARDIE VERDI

    Artwork by Mubeen Kishany – Contamination and Distancing

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

    The Shipwreck Saga – Lynne Knight

    Phoenix: Part I – YIN Xiaoyuan

    Surrender to Our Explosive Democracy – Five Poems by Serena Piccoli from “gulp/gasp” (Moria Poetry 2022)

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Me and French, or What I Did During the Pandemic (Moi et le français, ou Ce que j’ai fais pendant la pandémie) – Carolyn Miller

    Becoming-animal as a Mirror – Ten Animals from Gabriele Galloni’s Bestiary

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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“While we eat away at the remains of the future” – Poems by Nenad Šaponja

Translated from the Serbian by Persida Bošković

November 29, 2019
in Poetry, The dreaming machine n 5
“In Terms of You, Homeland” and other poems by Mohamed Chouchane
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We Are Where We Are

In the depths of sleep,
I dreamt of somebody else’s unspoken words.
I emerged from a tear.
Surfaced from deficiency.
I resided in dearth,
in the general deficit of the world,
in the false firmness of the body.

I peeled the skin but there I was not.

 

 

A Dream I Could Not Emerge From

 

I am completely spellbound within today.
Death is winnowing. And favor towards the visible,
deception does weave. I follow the predictable.
I move from a place where I am not.
I pass through fervor, through a wall of disbelief.
Horror howls. I try to collect myself.
I try to occupy closeness,
to determine the measure of the place I am at.
Envisioning within another feels good.
I measure the perishable through illusion.

 

 

Occupation:
Levitation

 

A fortress is a place
where time accelerates.
While I was building it, I’d go outside.
I’d descend to the bottom
perchance to recognize and gather splendor.
Delusion hid silence.

I marched under the constraint of confusion.
Put off all logic.
Walked off the faintness.
I saw and forgot reliability.

 

 

Does the Touch of Your Soul Exist?

 

The clever cartography of pain
folds together like an intentional image
of things unsettled. I fiddle with
discoveries of the unusual, the futile
truth of the probable. A certain
habitude tries on costumes
already stained, tarnished
in the performance about finally
forgetting eternity.

Spellbound by ensuing insentience,
purposive and submissive, I find myself
where I am not. In distress I am,
a rowboat is all I have.
The displaced soul ties
images of existence to an illusion of the sea.

Illusion is masked by borrowed images.
I sinks into deliberateness, mire
which cannot be crossed, where
one cannot be and where one is not. The extent
of the invisible follows the trail of sinkage.
Cunningness leads even the shadow itself
to the other side of nothing. And I is still bathing
in the illusion of itself.
Through a block of ice I sail.

 

 

We Disguise Ourselves in Ordinariness

 

Ceremonies of the body are canceled.
We cover ourselves with summer, fall and winter.
Golden smoke, it’s clearing,
and time accumulates, often as if someone else’s.

Once we were far, now we are close,
we were here, and already we are there.
We were never inside enough,
and allowed our soul to go outside too often.

From different sides of time balance,
recognized in the differences, we observe the same thing.
The upside-down world is flowing out of us,
while we eat away at the remains of the future.

We persistently search for that place within us
where the experience of existence transpires,
a notion of presence, but live in a matrix
which reveals it outside us.

And so, the world expands, then shrinks,
as time marks the spot
where our nowhere and nothing
make perfect contact.
We are already clothing ourselves
in the hour of deception.

 

I Slipped into Uneventful Time

In a secret place, dreamt-up,
in an equation which proves the existence of the world,
I protect you from daily records of change.

As I stretch presence,
to the point of breaking,
silence echoes.

On both sides of the visible,
at the very bottom of my being,
I persistently harbor futility.

Exceedingly immeasurable, the fervor subsides,
the sum disregards arithmetic,
certainty uncertainty.
Darkness is ringing, smells of decay.

Irreducible faces, from one world,
slide into another.
The visible and the invisible soul
alternate, in a space of decay.

Infinitely scattered,
in daily routine,
nothing surprises us anymore.

 

A Flash

 

One thing is visible,
they are invisibly layering our souls.
Some of the layers, form a fortress.
We are protected by the wound, not the armor.

Predictability of day, melts away the opulence of dream.
We walk, most often, down the inexpressible.
We find aid, in breathing through words.

Our beings are floating,
always slightly above the visible,
outside short shadows,
the showy and empty.
Presence is the thing, that is merely discerned.

The surreal warms us, the tangible restrains.
Retribution for meaning,
is revealed in the acceleration of time,
and a flash of awareness is what it is.

from the collection  SLATKA SMRT (Sweet Death)

 

Nenad Šaponja (Novi Sad, 1964) is a poet, essayist  and literary critic. Among his most recent poetry collections: Slatka smrt (Sweet Death, 2012), Postoji li dodir tvoje duše? (Does the Touch of Your Soul Exist?, 2014), Izgledam, dakle nisam (I Seem, Therefore I Am Not, 2017), Silazim u tišinu tega bačene kocke (I Descend, in the Silent Weight of the Cast Die, 2019). He has been translated into Macedonian, Rumanian, Albanian, English, Spanish and Polish. He is the author of many critical essays including Bedeker sumnje (Baedeker for Doubt, 1997), Autobiografija čitanja (Autobiography of Reading, 1999), Iskustvo pisanja (Writing, an Experience, 2000, 2002). Also, a travelog entitled A Brisel se da prehodati lako (Bruxelles Is Easy to Walk Through, 2018). He has received the Brankova nagrada prize for poetry, he Prosveta nagrada prize for criticism and the  Milan Bogdanović prize for journalism and criticism.

 

Cover image: Photo by Veronica Vannini.

 

Tags: absenceappearancedisplacementexistencemysteryNenad Šaponjanon rationalPoetrySerbiasurreal

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