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    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Color of Courage and Other Poems – Marzia Rahman

    Pretty Power. Camilla Boemio interviews Ron Laboray

    A dot and other poems – Zulfiqar Parvez

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    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

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    Pretty Power. Camilla Boemio interviews Ron Laboray

    The Box – Jan Phelps

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    SHADHIN – Sabreena Ahmed

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    An Unveiling – Kazi Rafi, translation by Ashraf-ul Alam Shikder

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    “Malizia Christi”, an excerpt from Davide Cortese’s novel, with Foreword by Renzo Paris

    American Canyon Ruins: The Past and the Future of Concrete, History and Graffiti – Melina Piccolo

    The Aunt, by Francesca Gargallo

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    The language of life and the languages of memory – Julio Monteiro Martins

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    GOLD-MELTING CEREMONY – Appadurai Muttulingam

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    What is lotted cannot be blotted – Jackie Kabir

    Belice Earthquake, 1968 – Gia Marie Amella

    Belice Earthquake, 1968 – Gia Marie Amella

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    An introduction to omni-sensual, antinomial defamiliarization in Razu Alauddin’s erotic poems -Munzer Talukder

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs –  Pina Piccolo and Yuliya Chernyshova

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs – Pina Piccolo and Yuliya Chernyshova

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    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

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    Belice Earthquake, 1968 – Gia Marie Amella

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    Pretty Power. Camilla Boemio interviews Ron Laboray

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    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

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    I and EUCALYPTUS   – Susan M. Schultz

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    Pain Is Always Served Hot and Other Poems – Wesam Almadani

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Belice Earthquake, 1968 – Gia Marie Amella

    Poems from “The Stony Guests” project: Ohannes Sessizoğlu and Anayiz Papazyan, imagined poets – Neil P. Doherty

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Tasting independence in a distant land  – Naive Cringe

    Tasting independence in a distant land – Naive Cringe

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Belice Earthquake, 1968 – Gia Marie Amella

    Your Time Starts Now – Appadurai Muttulingam

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    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

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    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

  • Home
  • Poetry
    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    You’re Dead – Mohammad Shafiqul Islam

    Four poems from “un incesante caer de estrellas en la nada” –  josé eugenio sánchez

    Four poems from “un incesante caer de estrellas en la nada” – josé eugenio sánchez

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Color of Courage and Other Poems – Marzia Rahman

    Pretty Power. Camilla Boemio interviews Ron Laboray

    A dot and other poems – Zulfiqar Parvez

  • Fiction
    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    HOW CAN YOU TELL WHAT’S NORMAL? – Božidar Stanišić

    Pretty Power. Camilla Boemio interviews Ron Laboray

    The Box – Jan Phelps

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    SHADHIN – Sabreena Ahmed

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    An Unveiling – Kazi Rafi, translation by Ashraf-ul Alam Shikder

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    “Malizia Christi”, an excerpt from Davide Cortese’s novel, with Foreword by Renzo Paris

    American Canyon Ruins: The Past and the Future of Concrete, History and Graffiti – Melina Piccolo

    The Aunt, by Francesca Gargallo

  • Non Fiction
    The language of life and the languages of memory – Julio Monteiro Martins

    The language of life and the languages of memory – Julio Monteiro Martins

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    GOLD-MELTING CEREMONY – Appadurai Muttulingam

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    What is lotted cannot be blotted – Jackie Kabir

    Belice Earthquake, 1968 – Gia Marie Amella

    Belice Earthquake, 1968 – Gia Marie Amella

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    An introduction to omni-sensual, antinomial defamiliarization in Razu Alauddin’s erotic poems -Munzer Talukder

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs –  Pina Piccolo and Yuliya Chernyshova

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs – Pina Piccolo and Yuliya Chernyshova

  • Interviews & reviews
    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Belice Earthquake, 1968 – Gia Marie Amella

    Ludovico Corrao, Earthquake Mayor – Gia Marie Amella

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pretty Power. Camilla Boemio interviews Ron Laboray

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

  • Out of bounds
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    • Non fiction
    • Poetry
    I and EUCALYPTUS   – Susan M. Schultz

    I and EUCALYPTUS – Susan M. Schultz

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pain Is Always Served Hot and Other Poems – Wesam Almadani

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Belice Earthquake, 1968 – Gia Marie Amella

    Poems from “The Stony Guests” project: Ohannes Sessizoğlu and Anayiz Papazyan, imagined poets – Neil P. Doherty

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Tasting independence in a distant land  – Naive Cringe

    Tasting independence in a distant land – Naive Cringe

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Belice Earthquake, 1968 – Gia Marie Amella

    Your Time Starts Now – Appadurai Muttulingam

  • News
    PER/FORMATIVE CITIES

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    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

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Home Poetry

Advice Concerning Politicians – séamas carraher

November 29, 2020
in Poetry, The dreaming machine n 7
Advice Concerning Politicians – séamas carraher
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Advice Concerning Politicians

 

Police your politicians

police them

with the eyes of a hawk, (no less)

with your heart on fire and mind

enraged.

 

Police their lies and their promises

(those broken and soon to be broken),

observe their expense accounts and their pensions

their privileges, pettiness

and loud rhetoric.

 

Keep vigil

with an unarmed militia

from the world of truth

(a world no one dares believe in)

this world not-yet-born,

…always struggling to be born,

to be, to breathe…

 

Guard them with angels

with their righteous and furious wings,

police them with books and old bibles and poems

and the loving words of dead comrades.

 

Watch carefully,

these shameless salesmen of sleaze

and pornography,

watch them

– before it is too late.

 

Police your politicians.

Listen deeply to our sinking world

dying in their two-faced words,

their business-as-usual, cut-price, deals,

their forked-tongues twisted

always smiling like celebrities

their mild and melodious deceit.

 

Shelter us, from their delusions,

these gravediggers of the dark!

 

Listen to them howl

in the emptiest part of the universe,

listen to them cry

like wild cats in the dead of night,

listen to their shrill voices

like words strangled on a gallows,

these preachers of lies and Armageddon

these psychiatrists of so-called sanity,

both friend and foe in their crafted facelessness,

paid prophets of power and

death.

 

Watch now

in this graveyard of language,

in this toilet of money and politics,

watch now a world

where words drown daily

like refugees from a boat

sinking in a sea of our silence,

murdered each day

by the noise of microphones

and news and sirens.

 

Keep a sharp eye on your politicians.

 

Take note of their expensive suits

and their hidden friends in high places.

Be wary of their rotten deals and their deceit,

their secret meetings in expensive hotels,

make no mistake about their power

and the rise and fall of

their arrogance.

 

Make no mistake,

before it is too late.

 

 

Police them,

in a world with dark clouds now on the horizon

in their subterfuge for our sad sick world.

Police their lies and their greed and their illusions,

take note of their bank accounts

and the rumours they spread

 

safeguard against the harm they do your children,

face the fact some of them never did a hard day’s work

in their lives,

never got their hands dirty

never washed their hands clean of dirty deals

never shook hands with the righteous

never refused a down payment for the future

 

police them and police them well,

…before is too late.

 

Be watchful

the length of this long night.

 

And when you have done all that

You can tell them to just go home.

Tell them their time has come.

Tell them justice has learnt how to speak on its own.

That the truth was never for sale.

Now words no longer need whisper

but can sing and dance

out loud.

 

We who were nobody

are waking from our long sleep…

Then tell them

in their delusions of grandeur

in this darkest of their dark ages

(“…because maybe hate is what we need…” Donald Trump)

the day is coming

– like a light at the end of the tunnel

– like a light at the sharp edge of a lost horizon

– like a promise that could not be betrayed

 

tell them

their

unbearable

outrageous

and immeasurable

catastrophe

 

is coming to an end.

 

 

séamas carraher

2 july 2020 – 31 july 2020

 

 


Notes

 

Image of well-connected and wealthy ‘tyrants’ courtesy of (“fair-use”)  the film Active Measures https://en.wikipedia.org/wiki/Active_Measures_(film)#Critical_reception

 

Donald Trump quote from 1989, in reference to the Central Park 5 (https://edition.cnn.com/2016/10/07/politics/trump-larry-king-central-park-five/index.html) quoted in Michael Moore’s film, Fahrenheit 11/9

 

bty

Séamas Carraher was born in Dublin, Ireland in 1956. He lives on the Ballyogan estate, in south County Dublin, Ireland, at present. Recent publications include poems in Bone Orchard Poetry, Istanbul Literary Review and Pemmican. Previously his work has been published in Left Curve (No. 13, 14 & 20), Compages, Poetry Ireland Review, and the Anthology of Irish Poetry.

 

 

Tags: corruptiondictatorshipDonald TrumpfascismliesPoetrypoliticianspowerSéamas CarraherUSAvigilance
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    • the dreaming machine – issue number 15
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