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    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

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    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

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  • Poetry
    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

  • Fiction
    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

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    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

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    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

  • Interviews & reviews
    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

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    Sagar Kumar Sharma in a Literary Conversation with Sarita Jenamani

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    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

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    M’aidez, May Day – Pina Piccolo

    M’aidez, May Day – Pina Piccolo

    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

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    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

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    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

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    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

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Home Interviews and reviews

On the thread of hope- Sana Darghmouni reviews Abdellatif Laâbi’s latest poetry collection

April 22, 2021
in Interviews and reviews, The dreaming machine n 8
On the thread of hope- Sana Darghmouni reviews Abdellatif Laâbi’s latest poetry collection
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I declare that there is no other Human Being

Except the One who fights Hatred relentlessly

In him and around him

The one who just as he opens his eyes in the morning

Raises the question:

What I will do today to preserve

my quality and my pride

as a Human?

(I declare)

 

L’espoir à l’arranché (“On the thread of hope”) 2018, is Francophone Moroccan poet Abdellatif Laâbi’s  latest poetry collection to be recently translated into Italian, with the title Sul filo della speranza by Carolina Paolicchi and published by Astarte edizioni in 2021. Divided into five harmonious sections, in this collection, the author’s maturity as a poet is revealed by verse that is highly textured, constantly renewed and open to human, universal questions. All sections of the collection show his active participation in contemporary society and the gaze of the militant intellectual who embraces a keen interest for current affairs. The gaze is that of an observer, but rather than a passive one, it is that of a poet who trembles in the face of injustice and in a calm tone, almost a whisper, refuses to give up exposing evil and denouncing it. The gaze is directed towards contemporaneity and towards the era in which we live. The Syrian tragedy, for example, is present in many poems, such as “Aleppo”:

 

 

 

not a word about Aleppo

you can not

you are but a spectator

helpless

embarrassed to death

trapped in this sordid brothel

that language has become

Witnessing

Denouncing

Will we keep filling our mouths?

I tell you

not a word about Aleppo

You can not

 

or again, “Aylan of Syria”:

 

I didn’t write anything

when it was necessary

on Aylan

I confess that even today

This omission

Haunts me

As if I were Cain

 

The collection does not lack for  challenges to fanaticism and manipulated religious ideologies. Just as there is no lack of condemnation against intellectual oppression and freedom of thought.

In the lines cited above (“I declare”) we perceive immediately the poet’s need to define himself within the scope of  the human and to proudly proclaim his belonging to the human race. Abdellatif Laabi declares and certifies that he identifies with humans and their tragedies, and this is a deeply felt theme in all his socially committed work.

This universal dimension is harmoniously intertwined with a second level that allows for the emergence of the individual experience of the poet, whose ego is very present throughout the work. In fact, some of the poems evoke the poet’s own history and his  experience of imprisonment. Laabi was arrested in 1972 with the charge of subversion and plotting against the regime and in 1973 he was sentenced to 10 years in prison. He was then released after 8 and a half years thanks to an international campaign on his behalf. This painful experience did not make him lose his concern for humanity and his continuous raising of existential questions. For him prison becomes a lesson in transparency and awareness of one’s abilities and limitations. The jailkeeper will never be able to humiliate him or extinguish his capacity for revolt and freedom, as he writes in the poem “I remember”, speaking of his torturer:

and despite the madness of pain

into which he had sunk me

I kept reading

in his wide open eyes

the same astonishment

 

that said

never

at no time

did he humiliate me

 

the role of poetry is also central to the collection. Poetry acts as witness, it becomes the spokesperson for the phenomena that surround us. Poetry lends words to things that have no voice, evokes the details of everyday life and petty affairs. Poetry is totality, is the only thing that counts, as the poet declares in the following lines of “I belong to her”:

And now

Only poetry matters

…

I belong to her

And to her

return

 

Thus making On the thread of hope a hymn to poetry as well.

 

Cover image: Photo of Gaza beach at sunset taken by Ahmed Masoud in April 2021.

 

 

Tags: Abdellatif LaâbiCarolina PaolicchiFrenchItalian translationMiddle eastmigrantsMoroccopoets in prisonSana Darghmounisocially engaged poetrySyria

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