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    A medley of artwork from Le braccianti di Euripide collective

    The dolls have pronounced it – Poems by Mohamed Kheder

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Ukrainian Poetry in La Macchina Sognante – In Solidarity with the People of Ukraine

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Three Poems from “The Bastard and the Bishop” – Gerald Fleming

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    God appeared at midnight: Three poems by Bitasta Ghoshal

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    I dream of the tree of silence: Poems by Rafael Romero

    Always another curtain  to draw open: Five poems by Helen Wickes

    Always another curtain to draw open: Five poems by Helen Wickes

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    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    A very different story (Part I) – Nandini Sahu

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    After Breaking News – Mojaffor Hossain

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE THEATER OF MEMORY – Julio Monteiro Martins

    Let the Rivers Speak! – Lucia Cupertino and the Poetry of the Global Souths, by  Pina Piccolo

    Fanta Blackcurrant – Makena Onjerika

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    All the Sadeqs are getting killed – Mojaffor Hossain, translated by Noora Shamsi Bahar

    Photographer Sumana Mitra on her street photography and recent explorations of Surrealist techniques

    Here, Where We Keep on Meeting – Giuseppe Ferrara

  • Non Fiction
    Figures of Pathos  (Part I)- Salvatore Piermarini

    Figures of Pathos (Part I)- Salvatore Piermarini

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Farewell, Silver Girl – Carolyn Miller

    Farewell, Silver Girl – Carolyn Miller

    Lino-printing fairy tales over Constitutions- The artwork of Mihaela Šuman

    Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed

    Architectures of Delusion –  Steve Salaita

    Architectures of Delusion – Steve Salaita

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    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    The Power of the Female Gaze: On Maria Antonietta Scarpari’s Artistic Practice – Camilla Boemio

    A new reality needed –  A conversation with Mathew Emmett, by Camilla Boemio

    A new reality needed – A conversation with Mathew Emmett, by Camilla Boemio

    Farewell, Silver Girl – Carolyn Miller

    A medley of artwork from Le braccianti di Euripide collective

    Sagar Kumar Sharma in Conversation with Santosh Bakaya

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    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

    That’s how war left me alive – Wesam Almadani interviewed by Le Ortique

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    M’aidez, May Day – Pina Piccolo

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    Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

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    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    Tim Ingold’s “Correspondences” – Giuseppe Ferrara

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    But for plants there is no delegating: Seven Poems by Achille Pignatelli

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? –  Transnational Solidarity Project (Odveig Klyve)

    Skjelv Du På Handa, Vladimir? / Does Your Hand Shake, Vladimir? – Transnational Solidarity Project (Odveig Klyve)

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    Alahor in Granata: A Forgotten Opera by Donizetti – Fawzi Karim

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

    EARTH ANTHEM : A eulogy of the Earth, its beauty, its biodiversity – Abhay K.

  • News
    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

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    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN LETTER BY A GROUP OF BLACK ITALIAN WOMEN

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“The Ghosts of Sea Salt Corpses” Isa Borgeson

December 2, 2018
in Poetry, The dreaming machine n 3
Photogallery of Hassan Vahedi’s Paintings; Introduction to “Eclairements (Luminanze)” Catalog – Claudio Strinati
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The ghosts of sea salt corpses wander barangai coloco

do not stop to pick up strangers of barnacle flesh

soaking from the sea that drowned them

their skin blistered and fish scale grey

ghost breath heavy as the mountains of cadavers we buried

in this traffic triangle

 

the lolo petty cab driver shakes when his midnight passengers disappear

leaving only a pool of salt water on his tricycle seat

the smell of gutted fish stalking him home

seaweed arms crawling up his sprinting legs

beneath moonlight their wrinkled fingers comb the rice fields flooded in salt

skip through brown hills of dried tiegbow grass

climb decapitated coconut trees and sing to the families they left behind

their gasping voices pierce like heavy rains into zinc roofs

where else did you think our spirits would float?

 

in our town every corner is a white cross memorial and we are still finding bodies

skeletons trapped beneath debris demanding proper burial

in San Jose a family hears baby boy crying “buligya ako“, help me mama

the singing rains in his voice stalk them sleepless until seventh night

find a four or five year old body wedged beneath septic tank

wrapped in the mosquito net he slept in before

storm surge swallowed his morning bedroom

or what about the 56 children of Baranga y Santa Cruz

their legs strangled by thick roots of water lilies

floating in the river, nine year old limbs trapped in the crumbling

of their own elementary school

at night their spirits dance in the splashing sabang,

their laughter sweet as the stems of santa nectar

listen to the fifth grade chismosas gossip

chanting to the rhythm of jump rope

tong tong tong baki tong ki tong

ali mango sadagat balaki amasarab

mahi rapulihin sapagat ngagagat

mama teaches me iday

do not fear these yolanda spirits, speak to them

like you speak to your lola

ask them to watch over your brother back home

ask them to calm the winds

beg them to keep our island above ocean

until heavy rains and gusts of wind

no longer smell sour like decaying bodies

 

these spirits sing a warning:

andagat gugutun lagihap

the sea that feeds us will one day grow hungry

again

 

Isabella Borgeson – Ghosts of Sea Salt Corpses

While you're getting ready for one of today's D12 protests or waiting in vigil for the final draft Paris Agreement to come out, check this out: Another incredible poem from our friend Isa.This is real talk about real climate impacts and the real people on the front lines of this crisis from Filipino-American poet Isabella Borgeson of Spoken Word for the World.Isa has dedicated this poem to the city of Tanauan. She also wishes to give credit to Merlie Alunan, whose poem inspired this writing. Film credit: Benj Brooking | www.benjaminbrooking.com

Pubblicato da Fast For The Climate su Sabato 12 dicembre 2015

 

Isabella “Isa” Borgeson is a queer, multiracial Filipina American artist, international slam poet, and educator from Oakland, California who views her poetry as an artistic extension of her activism and community organizing. In 2012 she won “Best Poem” of the College Union Poetry Slam Invitational (CUPSI), where she represented UC Berkeley’s CalSLAM team for three years. Isa is a 2015 fellow for the Voices of Our Nation Art Foundation (VONA) – an international poetry workshop for writers of color at the University of Miami. In December 2015, she was selected as one of four poets in the world to perform at the United Nations Climate Change negotiations in Paris for COP21, where she spoke to global leaders about the impact of climate change on her Philippines homeland. Her poetry is influenced by the two years she spent organizing rehabilitation projects after super typhoon Haiyan/Yolanda devastated her mother’s hometown. She has been featured on CNN, the Inquirer, Guardian, and Berkeley News, and has shared the stage with influential figures including Dr. Cornel West. Her passion and commitment toward social justice issues and teaching poetry as a tool for resistance, empowerment, and healing keeps her grounded in her communities across the Pacific Ocean – a homeland from Oakland to Tanauan.

 

For more information see her website

 

Cover image: painting by Hassan Vahedi.

Tags: climate changecollective traumacorpsesdeathdestructionghostsIsa BorgesonmemoryPhilippinestyphoonsYolanda

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