• TABLE OF CONTENT
    • the dreaming machine – issue number 16
    • the dreaming machine – issue number 15
    • the dreaming machine – issue number 14
    • the dreaming machine – issue number 13
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
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    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

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    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

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    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

  • Home
  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

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    • Non fiction
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    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

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Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

All artwork in the photogallery is by Alvaro Sánchez

April 30, 2022
in Interviews and reviews, Out of bounds, The dreaming machine n 10
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
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Interview conducted by e-mail on April 27, 2022. We are very indebted and grateful to Alvaro Sánchez for his words and amazing artwork, which figure prominently in issue n.10 of The Dreaming Machine.

 

Pina Piccolo (P.P.) Please introduce yourself, choosing 5 words that describe your life and artistic pursuits.

Alvaro Sánchez (A.S.) My name is Alvaro Sánchez, I was born, raised and am currently living in Guatemala City. If I need to choose 5 words to describe myself they would be:

curious, persistent, ambitious, humanist, survivor, music lover.

 

P.P.: In some of your biographic materials you describe yourself as an artist of Guatemala City and its streets. Can you please expand on that? Could you please give us an example of the genesis of one of your works of art from an encounter on the streets?

A.S.: Living in a place like Guatemala could be beautiful,  san and wild all at the same time. It is a very surreal place to live in. Here you can witness things that you probably didn’t think you would ever see in your entire life. It is a constant flow of ideas and visuals punching you hard in the brain. So, it is impossible not to be inspired by all the things happening around you. With that in my mind I become like a hunter for those images, and with time I became like a magnet for weird things. They come to me lie they want me to embrace them. So I do that by translating all that information into my artwork as soon the brush or pencil touches the white space on the paper. And from that point, the artwork just takes a life of its own and I just obey, hoping for something that speaks to me and hopefully to other people too.

 

P.P: The transience of life, death figure prominently in your work and they occupy a large space both in pre-Columbian art and current Center and South American art.  How would you describe the evolution of these tropes in your art and in the general artistic trends among your contemporaries?

A.S.: Life, memory and of course death are the biggest subjects in my work. I guess everything that has to do with or relates to being a human is part pf my artistic interests as well. Maybe because I’m always wondering about many things, that in a way is like a path where I look for answers through my artwork. I see my work as a long, long question waiting to be answered. Among my contemporaries it is pretty much the same. I guess, it’s a normal thing among  us, or maybe I get that perception because I often create an artistic conversation among artists who search for the same things that I do. It’s like an AA meeting but for art.

 

P.P.: One of the first things that strikes people who look at your art is your use of color. Could you give us some insights into how you relate to it as a medium of expression?

A.S.: Color came a little bit late in my life. I was very afraid of it. People usually think that it’s the easiest thing to do, but it’s not. My first body of work is very monochromatic. But then I realized that I needed something else. That something was color. Art Brut and Outsider art has a lot to do with that change of direction. I was amazed by the free associations of colors, the gestures, the violence of the strokes. I knew that I needed that. And from that point I just followed my gut feeling. But I wanted to do it like a little child, trying to avoid rules. But I find that in order to do that, you have to reset from all the previous things that you learn. I’m still trying to do it. It is the hardest thing to do, maybe it is impossible.

 

P.P:  Human bodies (and sometimes those of animals), viewed both externally and internally are really important in your art. Can you expand on your distinctive vision and some of the challenges you may encounter in a setting like today’s where the body is everywhere from advertising to selfies, is center stage in sociology and human movements like feminism and transfeminism.

A.S.: Nowadays it’s very difficult and a challenge to talk about the body, like you say, because it has turned into something trivial, it is not what I’m looking for. I always start from the premise that the human body is a miraculous thing. Like the most perfect architecture ever made. For me to even move your little finger is a miracle. And that goes beyond what advertising and social media will ever capture. That is impossible. That is the reason why the human body is so important for me. In my work I mostly express the things I understand. For example, the sense of aging in my body is something that is amazing, it’s beautiful and its scary. I address that in my work because I understand that every ache and pain in my bones, whenever  I feel them,  is part of a process that ultimately will end in my own death. And addressing  that, I guess, goes beyond a social or  political posture or stand. For me, it’s just a part of being human, and it will be like that as long humanity exists.

P.P: Do you see a connection between your work in the visual arts and your engagement with music?

A.S.: As far as I remember, I first understood art through music. Since I didn’t have any formal art education, it was through the covers of the bands I liked, especially rock n’ roll bands. The aesthetics of the illustrations or maybe the band logo inspired me a lot back in the day. I can say for sure that without music my work probably would not exist. Somehow music dictates a very large part of the painting, how it will develop or even how it ends. To this day, I’m a person who can’t work without music. I think music can touch in so many ways that it is impossible for me not to be influenced. So that’s why I think music has a lot to do with my visual art more than even I myself could have imagined years ago. Or maybe I’m just another frustrated guy who wishes he could play a musical instrument and create cool tunes.

 

 

Alvaro Sánchez (Guatemala City, December 25, 1975)

Visual artist and writer born in Guatemala City. He has collaborated and published with art, literature and design magazines from Guatemala and other nations of the world. His work has been exhibited in countries in Europe, Asia and America. Much of his work is based on mixed media. His taste for period and organic elements are of great relevance to create his body of work. Most of his works are inspired by literature, painting, music and cinema, but his main inspiration is Guatemala City and its streets. He has published the book Mañana Muerta de Domingo 1st edition (Editorial X). He maintains a fortnightly column in print media where he writes about music called Reducto Sonico. He received the award for best international Spanish-speaking short story at the San Miguel de Allende Writers’ Festival, Mexico. Some of his texts have appeared in USAC Magazine (Universidad de San Carlos de Guatemala) and in the anthology of short stories entitled Microterrores VI published by Editorial Diversidad Literaria (Spain), Territorios Olvidados: Quince cuentos del triángulo norte y uno más al sur publicada por Editorial X (Guatemala & Honduras)

Statement

My perspective and my personal way of looking at art always separate from the things that have intrigued me all my life. One of them has been the fragility of the human being, that is to say, I consider that what I seek with my work is to reflect on the human condition, to celebrate it along with our mistakes and tragedies. I think that our true nature is found in the less luminous spaces, those that we rarely visit, because they surely remind us of the imperfect and finite being that we are. When I apply that to my work, it leads me to a process where there are no rules or academics. That doesn’t mean that I don’t know where everything that has generally inspired me comes from. But for it to work for me, it has to start from my natural process, which is: Destroy everything first and then rebuild it from my artistic point of view or what I think fits into that way of seeing things. Finally, what I want is that the person who sees and stops at my work experiences something similar to that feeling that stays in your ears when you finish listening to a punk song at full volume.

Tags: aestheticsAlvaro SánchezcollagecolordeathGuatemalaGuatemala Cityhuman bodylifemusicpaintingrock'n'rollsensestransiencevisual arts
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Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

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  • TABLE OF CONTENTS
    • the dreaming machine – issue number 16
    • the dreaming machine – issue number 15
    • the dreaming machine – issue number 14
    • the dreaming machine – issue number 13
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
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