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  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

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    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

  • Home
  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

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    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

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Home Non Fiction

What if it isn’t simply a matter of identity? – Gaius Tsaamo

May 1, 2024
in Non Fiction, The dreaming machine n 14
American Canyon Ruins: The Past and the Future of Concrete, History and Graffiti – Melina Piccolo
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Cover art by anonymous graffiti artist active in American Canyon Ruins.

More than once, in the course of my day, I come across someone uttering the classic expression, “Yes, but he/she will never really be Italian”; which, in most cases, leads to a conversation that, though interesting, is often difficult to follow and, most importantly, does not have as its outcome the ability to establish with a minimum of objectivity who among the different parties might or might not be right. Whenever I hear this kind of discussion, I am always struck by the thought, ” What if it isn’t simply a matter of identity?”

While it is true that our identity defines who we are and perhaps even what we want out of life, it is also accurate to say that today the issue, or if prefer to say simply the notion of ‘identity’ has evolved considerably from the different considerations we might have applied in the 1990s or even earlier.

In Greece, engraved on the pediment of the temple of Apollo at Delphi was the expression, “know thyself.” While it is difficult to trace or know its origin, we know that Socrates made it his favorite maxim, interpreting it as an invitation to:

  • Recognize one’s limitations
  • Undertake a path of personal growth 
  • Act with wisdom and moderation

Again building on these considerations suggested by Socrates, we can see knowing oneself as an invitation to explore one’s inner self, which implies:

  • Examining one’s own thoughts, emotions and behaviors,
  • Understanding one’s own motivations and desires,
  • Accepting one’s own uniqueness and complexity.

 Thus, starting from these considerations of Socrates, we can try to address in an objective way what the notion of knowing oneself might mean today, and especially how to better define the question of identity.

I would first like to begin with a term that is increasingly used today and has great importance for our current societies, and that is “inclusion.”

Inclusion can be defined as including elements of a different nature or not. Speaking of society, social inclusion is the action of ensuring the inclusion of each individual within society, regardless of the presence of elements that differentiate one from another and that may appear limiting. Therefore, it is not and should not be the fact of trying to make similar (as nature and characteristic) the elements that make up society but the ability to find a model that can work beyond the individual’s characteristics. Characteristics that may be the same or different.

Inclusion in general is characterized by certain elements:

  • Belonging: inclusion involves a sense of belonging to a group, community or larger society. It is about feeling welcomed and valued for one’s individual characteristics, regardless of differences of any kind.
  • Equal opportunity: inclusion is based on the principle of equal opportunity for all. All individuals, regardless of their characteristics, should have access to the same resources, opportunities and services.
  • Removal of barriers: inclusion requires the identification and removal of any barriers that may limit the participation of some individuals in social life. This includes physical, cognitive, language, cultural and other barriers.
  • Valuing diversity: inclusion recognizes and values diversity as an asset to society. Individual differences, in terms of abilities, experiences, cultures, and opinions, are considered a valuable resource for collective growth and development.
  • Welcoming and mutual respect: Inclusion is based on acceptance and mutual respect. All individuals should be treated with dignity and respect, regardless of their individual characteristics.

As anticipated earlier, the notion of identity has evolved greatly over time and today can be divided into: Biological Identity, Sexual Identity, Social Identity, Gender Identity.

  • Biological identity is a complex concept that refers to the physical and genetic characteristics that define an individual’s sex; these factors include: chromosome (most people have XX (female) or XY (male) chromosomes. However, there are chromosomal variations such as XXY or Klinefelter syndrome that can affect biological identity), anatomy (internal and external genitalia, such as ovaries and uterus for females and testes and penis for males are key factors in biological identity. Secondary sexual characteristics such as fat distribution, muscle growth, and voice can also be influenced by anatomy). It is important to note that biological identity is not always binary (male/female) and that some people may have biological characteristics that do not clearly align with one sex or the other. This may be due to chromosomal, anatomical, or hormonal variations.
  • Sexual identity is a complex and multifaceted concept that describes how an individual perceives himself, herself or themselves as a sexed being. It is not simply biological sex, which is assigned at birth based on physical characteristics, but also includes gender identity, sexual orientation (is the emotional, affective, and sexual attraction to people of the same sex, opposite sex, or both sexes. The most common labels are heterosexual, homosexual, bisexual, pansexual and asexual) and gender expression (is the way a person presents his or her gender to the world through behavior, clothing, hairstyle and other outward aspects. It does not always conform to the gender norms associated with biological sex).
  • Gender identity is the inner sense of being a man, a woman, neither, both or another gender identity. It is a subjective experience, is not necessarily the same as biological sex, and can vary over time.
  • Social identity: this is this one that I would like to dwell on later because, from my point of view and that of the topic discussed here, it can be personal (meaning individual and subjective) but one can also address it from the objective and social point of view, as it may involve different people or different social groups.

But before we continue, it is important to point out that these terms, as a whole, concern the individual and subjective dimension of perceiving oneself as sexed and are the outcome a complex interaction between bio-psycho-socio-cultural aspects of an individual. In addition, they are not always rigidly defined and can have different shades of meaning. Finally, different identities can intersect and influence each other.

Social identity is, thus, the part of an individual’s self-concept that results from his, her or their membership in a social group. It is a sense of belonging to and identifying with a group, which can be based on various factors, such as nationality, ethnicity, religion, profession, sexual orientation, hobby or any other characteristic that people share.

The different characteristics we can assign to social identity are:

  • Influence: can influence a person’s behavior, thoughts and emotions. It can lead to feeling part of something bigger than oneself, developing a sense of loyalty to the group and conforming to group norms.
  • Types of social identity : There are different types of social identity, such as national identity, ethnic identity, religious identity, gender identity, political identity, and professional identity.
  • Salience : The importance of social identity can vary from person to person and according to context. In some situations, social identity may be very salient and influence behavior significantly. In others, it may be less important.
  • Change: Social identity can change over time. People may join new groups or leave old ones, and their opinions and values may change.

In conclusion, as we have seen so far, the issue of ‘identity’ is extremely complex and also difficult to address; it becomes even more so when it is compared to that of inclusion and integration.

And speaking of integration, the famous phrase, “yes, but he will never be truly Italian or Italian” with which I began this article turns out to be particularly harsh for those born and raised in Italy. For these people, Italy is the only reality they have ever known; their culture and identity are deeply tied to the country. Being told that they will never “really” be Italian can be very painful and disorienting, especially if one has not been prepared to deal with the question of one’s identity.

On the other hand, for those who arrived in Italy as teenagers or adults, the situation is different. Having already lived in another country, these people have a dual identity and a broader understanding of the world. While they may still feel displeasure at such a statement, they are in a better position to understand and contextualize it.

It is crucial for society to commit itself to providing support for people born and raised in Italy to better understand the question of their identity. This means:

  • Promoting Inclusion and Tolerance: Italian society must be more inclusive and tolerant of people of all backgrounds. This means fighting against racism, discrimination and intolerance.
  • Educating people about diversity: It is important to educate people, from a young age, about diversity and the value of inclusion. This can be done through schools, the media, and civil society organizations.
  • Support organizations that provide support to people with migration backgrounds: There are many organizations that provide support to people with migration backgrounds. It is important to support these organizations and their work.
  • Giving voice to people with migrant backgrounds: It is important to give voice to people with migrant backgrounds and listen to their experiences. This can help break down stereotypes and build a more inclusive society.
  • Promoting intercultural dialogue: It is important to promote intercultural dialogue between people of different backgrounds. This can help build bridges between different cultures and create a more cohesive society.

Gaius Tsaamo was born in 1986 in Douala, Cameroon. He arrived in Italy in 2008 to study medicine. He is passionate about literature and poetry; his first book was released in 2013 with the title: “L’école de la vie” by the publishing house (On demand) Lulu. He collaborated with “Multiversi” and participated in the creation of “Under the sky of Lampedusa 2- No man is an island”. His first novel in Italian “Maya, the world of spirits” was released in 2015 by qudulibri.

Tags: belongingEssayGaius Tsaamogender identityidentityinclusionmigrationsexual identitysocial identity
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