• TABLE OF CONTENT
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • THE DREAMING MACHINE
    • The dreaming machine n 12
    • The dreaming machine n 11
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • CONTACT
No Result
View All Result
The Dreaming Machine
  • Home
  • Poetry
    …so I turned on the light: Poems by Antonio Merola

    …so I turned on the light: Poems by Antonio Merola

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    …andromeda whispers breathe as you go – Four poems by Michael Amitin

    The Wait – Bitasta Ghoshal

    The woman doesn’t want to wake up crazy: Selected poems by Mariya Grabovska

    WRITTEN ON THE TONGUE – Andrew Joron

    Three Poems from The Stony Guests – Neil P. Doherty

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    WRITTEN ON THE TONGUE – Andrew Joron

    PHOENIX (Part III) – YIN Xiaoyuan

  • Fiction
    OCTOPUS – Nandini Sahu

    OCTOPUS – Nandini Sahu

    WRITTEN ON THE TONGUE – Andrew Joron

    THE SOUL AND THE BODY / DEHATMATATWA – Abhijit Sen

    Roble Negro – Lucia Cupertino

    Roble Negro – Lucia Cupertino

    The Wait – Bitasta Ghoshal

    The Wait – Bitasta Ghoshal

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Door to My Inner Self: Four Prose Pieces by Abdallah Zrika

    Chapter ten, from”Come What May” by Ahmed Masoud

    Chapter ten, from”Come What May” by Ahmed Masoud

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    The Naked Shell of Aloneness – Kazi Rafi

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    The Shadow of a Shadow – Nandini Sahu

  • Non Fiction
    The Wait – Bitasta Ghoshal

    Listening to Our Listening – Gary Whithed

    WRITTEN ON THE TONGUE – Andrew Joron

    SOME CONSIDERATIONS ON METHOD (Part I) – Gaius Tsaamo

    WRITTEN ON THE TONGUE – Andrew Joron

    “My family is gone,” she wrote, her voice silenced by the weight of her words – Hedaya Saleh Shamun

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Mathematics As Poetic Thought; Sans Barbarian Evidence – Will Alexander

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Lingual Mesmerism That Rises From Haunting Evidence – Will Alexander

    FUTURE PERFECT – IYA KIVA

    FUTURE PERFECT – IYA KIVA

  • Interviews & reviews
    WRITTEN ON THE TONGUE – Andrew Joron

    Coordinates for a poetic debut. On “Allora ho acceso la luce” by Antonio Merola – Iuri Lombardi

    WRITTEN ON THE TONGUE – Andrew Joron

    BEING AS TRANSMUTATION: THE LIGHTNING PATHS OF WILL ALEXANDER – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Understanding the Mathematical Metaphysics of Nandini Sahu’s Zero Point – Bhaskar Bhushan

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    The Wait – Bitasta Ghoshal

    That Elusive Orgasm – Nandini Sahu

    The Wait – Bitasta Ghoshal

    BOUNDARY/GONDI – Abhijit Sen

    WRITTEN ON THE TONGUE – Andrew Joron

    The Stony Guests: THE STORY – Neil P. Doherty

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    WRITTEN ON THE TONGUE – Andrew Joron

    In Exile, War is Bitter – Hedaya Saleh Shamun

    My Annan’s Photo – Appadurai Muttulingam

    My Annan’s Photo – Appadurai Muttulingam

    WRITTEN ON THE TONGUE – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Films From Palestine: A Poem – Farah Ahamed

    Films From Palestine: A Poem – Farah Ahamed

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

  • Home
  • Poetry
    …so I turned on the light: Poems by Antonio Merola

    …so I turned on the light: Poems by Antonio Merola

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    …andromeda whispers breathe as you go – Four poems by Michael Amitin

    The Wait – Bitasta Ghoshal

    The woman doesn’t want to wake up crazy: Selected poems by Mariya Grabovska

    WRITTEN ON THE TONGUE – Andrew Joron

    Three Poems from The Stony Guests – Neil P. Doherty

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    WRITTEN ON THE TONGUE – Andrew Joron

    PHOENIX (Part III) – YIN Xiaoyuan

  • Fiction
    OCTOPUS – Nandini Sahu

    OCTOPUS – Nandini Sahu

    WRITTEN ON THE TONGUE – Andrew Joron

    THE SOUL AND THE BODY / DEHATMATATWA – Abhijit Sen

    Roble Negro – Lucia Cupertino

    Roble Negro – Lucia Cupertino

    The Wait – Bitasta Ghoshal

    The Wait – Bitasta Ghoshal

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Door to My Inner Self: Four Prose Pieces by Abdallah Zrika

    Chapter ten, from”Come What May” by Ahmed Masoud

    Chapter ten, from”Come What May” by Ahmed Masoud

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    The Naked Shell of Aloneness – Kazi Rafi

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    The Shadow of a Shadow – Nandini Sahu

  • Non Fiction
    The Wait – Bitasta Ghoshal

    Listening to Our Listening – Gary Whithed

    WRITTEN ON THE TONGUE – Andrew Joron

    SOME CONSIDERATIONS ON METHOD (Part I) – Gaius Tsaamo

    WRITTEN ON THE TONGUE – Andrew Joron

    “My family is gone,” she wrote, her voice silenced by the weight of her words – Hedaya Saleh Shamun

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Mathematics As Poetic Thought; Sans Barbarian Evidence – Will Alexander

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Lingual Mesmerism That Rises From Haunting Evidence – Will Alexander

    FUTURE PERFECT – IYA KIVA

    FUTURE PERFECT – IYA KIVA

  • Interviews & reviews
    WRITTEN ON THE TONGUE – Andrew Joron

    Coordinates for a poetic debut. On “Allora ho acceso la luce” by Antonio Merola – Iuri Lombardi

    WRITTEN ON THE TONGUE – Andrew Joron

    BEING AS TRANSMUTATION: THE LIGHTNING PATHS OF WILL ALEXANDER – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Understanding the Mathematical Metaphysics of Nandini Sahu’s Zero Point – Bhaskar Bhushan

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    The Wait – Bitasta Ghoshal

    That Elusive Orgasm – Nandini Sahu

    The Wait – Bitasta Ghoshal

    BOUNDARY/GONDI – Abhijit Sen

    WRITTEN ON THE TONGUE – Andrew Joron

    The Stony Guests: THE STORY – Neil P. Doherty

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    WRITTEN ON THE TONGUE – Andrew Joron

    In Exile, War is Bitter – Hedaya Saleh Shamun

    My Annan’s Photo – Appadurai Muttulingam

    My Annan’s Photo – Appadurai Muttulingam

    WRITTEN ON THE TONGUE – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Films From Palestine: A Poem – Farah Ahamed

    Films From Palestine: A Poem – Farah Ahamed

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

No Result
View All Result
The Dreaming Machine
No Result
View All Result
Home Non Fiction

THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” – Massimo Ceresa

From the forthcoming book by Massimo Ceresa, materials from the book translated from Italian by Pina Piccolo

April 15, 2023
in Non Fiction, The dreaming machine n 11
THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” –  Massimo Ceresa
Share on FacebookShare on Twitter

From the Introduction by Art Historian and Critic Antonella Uliana

 

[…]If the artist’s task is to embody her era and to represent collective consciousness, Oksana Šačko’ has fought her own battle and achieved her goal.

Her nonchalance and skill in using ancient and well-established tools of iconography, combined with her ability to create hybrids containing seemingly irreverent elements, turns the meaning of the traditional objects upside down. From works of art whose aim is to make Revelation manifest, they are converted into means of social denunciation.

Her  icons bear the indelible imprint of her artistic training, including the great emotions stirred by art  early on as well as the burning disappointments she experienced later.

If a traditional icon evokes hymns, praise, and prayer, Oksana’s works embody experiment, reflection and revolution.

They become the meeting place and the clashing point between the rules and regulations of orthodox iconographic art and a violent plummeting into reality.

The direction Oksana Šačko’ takes undergoes drastic changes, no longer indicating the path of beauty and asceticism leading towards the Creator but rather she plunges viewers into the pain of humanity.  Once she disassembles its age-old mechanisms through her creative work, traditional iconography becomes an opportunity for a renewed pondering on the phenomenology of the sacred itself and its ability to produce meaning for the contemporary world.

From a manifestation of the Divine icons turn into a window to the world. From a place of abstraction and timelessness, to reality and history.[…]

 

THE AMAZONS OF THE APOCALYPSE

There is a strange analogy between Oksana Šačko’s life and that of the author of the Apocalypse. Indeed, many scholars believe that John, the author of the last book of the New Testament, found inspiration for his writings during a period of confinement in a prison on the island of Patmos, just like our artist seems to have found her way to painting icons during her French exile.

The word Apocalypse etymologically means revelation, from verb apokalyptein, the act of removing what covers or hides, i.e., discover, reveal.  Hence, a powerful word of encouragement and hope.

In a time of difficulty for the evangelist and his community, the Apocalypse represented an invitation to resist against the soft and decadent style of Roman consumerism. And, to reach his goal, John pursued a threefold strategy: demolishing his opponent, constructing an alternate universe and offering a knowledge- based moral imperative.[i]

Like John, Šačko depicts her opponent with grotesque pictures, while presenting to her audience her own humanist manifesto. Just like John who aims to instill hope in the middle of persecution, Šačko, who had to find refuge in Paris because of her activism, asks the viewer to avoid the pitfalls of capitalism or the commodification of bodies: “I am not prepared to accept society as it is and the rules it imposes on us. I’m ready to fight to the end, even though I know it won’t bring about big changes in my generation. But it is a beginning and we are part of a long tradition of people who struggled and protested. I want to sound an alarm bell for the people. I want to wake up all the people who are asleep in their houses, content with their little piece of land and their usual old job. I want to give them a wake-up call, to make them rise and help change the world order. There have been many great ideas that aimed to free people and help them fulfill their ambitions, but capitalism ended up corrupting many of these ideas and so now we see them in a distorted light, not as they truly are. But I think that our ideas, our vision of the world, will not fall apart.”

 

 

The four canvases painted by Oksana Šačko, are inspired by the image of the four horsemen of the Apocalypse  But, upon closer inspection, the four horsemen have become four amazons and, in the installation at the Parisian Gallery, under each of the canvases, the passages of the Apocalypse are dripping black blood, describing the sense of death,  along with the subjugation of men and, most of all, of women, which, according to the artist, is intrinsic to all transcendental beliefs revolving around the worship of masters. In the apocalyptic picture, the horses evoke the great forces that dominate history, that is, the dynamics that most profoundly mark human affairs. Unlike the steeds, whose dressing is depicted with an abundance of details that clearly reflect traditional Ukrainian embroidery, the Amazons are shown fully naked, except for a cloak that dances over them.

The red horse draws blood and fire and the Amazon bears a great sword that she uses to do away with the falsehoods of patriarchal society while spurring humanity to seek the truth through a dialogic battle.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The black horse: its color evokes darkness and death. The horsewoman holds the scales in her hand, a sign of measurement. Thus, the scene represents the dearth of ideas and ideals that, the artist believes, characterizes contemporary society (a theme that we will find again in two of his icons of the trinity).

The green horse evokes the livid color of a corpse. The amazon riding it is Death symbolizing the demise of will and moral strength that plunge humanity into the abyss of sloth.

 

.

 

Finally, the white Amazon rides a mare bearing even more evident references to Ukrainian traditions. The animal’s dressing almost turns into a vyshyvanka, the traditionally embroidered shirt considered one of the most important symbols of Ukrainian identity. The design of the embroidery, the color of the silk threads, the cut of the shirt vary from region to region and are often arranged in such a way as to suggest the idea of protection, like an amulet, a kind of protective armor, also worn by soldiers under the uniform. Embroidering a shirt for someone is the equivalent of embroidering his/her destiny, so the embroiderer, just like the writer of icons must have only beautiful thoughts to convey through needle and thread. And always just like icons, vyshyvankas are kept in the family and passed down from generation to generation.  However, this is not where the reference to the Ukrainian tradition ends. In the image, the white Amazon draws a bow while wearing a crown of flowers on her head as a sign of victory. “The crown – Oksana Šačko says – is a Ukrainian symbol and represents the condition of unmarried girls: they are free, young and strong. For us, the flowers represent freedom, independence, peaceful protest. And, in addition, they are beautiful.”[ii]

 

 

[i] Claudio Doglio, la testimonianza del discepolo, Torino, 2018

[ii] Femen, In the beginning was the body, Malpaso.

 

 

[…] Oksana Šačko was born on January 31, 1987 in Khmel’nyt’kyj in Ukraine, three hundred kilometers from Kyïv . In 1995, still a child, she joined an art school in Nikoš, renowned for teaching Orthodox icon painting and normally reserved for adults.

In 2000, after graduating from the Nikoš school, she enrolled in the Khmelnytskyi Free University. Her philosophy studies caused her to undergo a  serious crisis of conscience as she discovered the corruption in religion as well as the power of the patriarchy. This led her to abandoning her religious fervor for feminist activism.

“At thirteen I wanted to take my vows, because I adored the Orthodox icons which I passionately copied, but as I deepened this discipline, I realized that it was a big business and that priests were more merchants than people of God. I continued attending the iconography school to earn a living, but I gave up the idea of becoming a nun [1].”

In 2003 she participated in the political activities of the New Ethics group. In 2008, together with Hanna Hucol and Oleksandra Ševčenko  she founded the group FEMEN to raise awareness and encourage Ukrainian women to fight for their rights. In 2008 she moved to Kyiv where she rented a small workshop used to make and  paint Femen’s “weapons”, i.e., costumes, masks, body drawings. In 2010, she came up with the idea of demonstrating topless in Kyïv, holding signs that read Ukraine is not a brothel. Three years later, in 2013, as a result of some of the group’s demonstrations, together with some of her associates she was forced to seek asylum in France. In 2014 Oksana Šačko left Femen and her activism took a new form: “I still have my beliefs, but I have chosen to act using other means, to explain my ideas using these paintings which are not on my breasts. It would be so boring to paint the whole of life on my breasts!”. So Oksana Šačko returned to devote himself to painting and, in particular, to icons. […]

Oksana Šačko passed away in Paris, at the age of 31, on July 23, 2018, with a life full of struggles and experiences behind her. This book wants to celebrate his courage, his unwavering determination and her work always aimed at dialogue and against any form of indoctrination. […]

 

Massimo Ceresa (Rome, 1974) was the head of Mondo in Cammino Veneto and one of the founders of AnnaViva, two associations dealing with the situation in Eastern Europe and Caucasus countries, supporting and promoting solidarity and cooperation projects. He contributed to IAMNESTY, Amnesty International’s human rights quarterly. With Infinito Edizioni he published the novels Dania e la neve (Dania and the snow, 2009) and Sopravvivere nella Russia di Stalin e Putin (Surviving in Stalin’s and Putin’s Russia) (2013). With Carlo Spera Editore he published in 2014 Pussy Riot  – Le ragazze che hanno osato sfidare Putin (Pussy Riot – The girls who dared to challenge Putin). His latest book is an investigative work titled FEMEN – Inna e le altre streghe senza Dio (FEMEN – Inna and the other godless witches, Tra le righe libri 2016)

 

Antonella Uliana is an art historian and art critic, with a degree in Art History of the Venetian Renaissance from the University of Padua; former professor of Art History at the Liceo Artistico Bruno Munari in Vittorio Veneto. She has promoted numerous artists, curating their exhibitions and catalogues, both in Italy and in galleries and museums abroad.

 

Tags: Antonella UlianaApocalypseBook of RevelationFemenfeminismfeminist articonographyIkonoklastMassimo Ceresamodern iconographyOksana Šačko'religious iconssocial criticismUkraine
Next Post
Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

In Wartime - Carolyn Miller

The Dreaming Machine

Writing and visual arts from the world.

This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)
Poetry

This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)

This is not a feminist poem This is not a feminist poem This is not contorted metaphors with neither punch ...

May 1, 2019
… this is east, this is west, this is called an adjacent angle – Poems by Prabir Roy
Poetry

… this is east, this is west, this is called an adjacent angle – Poems by Prabir Roy

    COMPASS My parents took birth in India I took birth in India Still their motherland is not mine ...

May 1, 2019
from The Ornithological Atlas: Jacobin pigeon and Ramphastos sulfuratus  –  Yin Xiaoyuan
Out of bounds

from The Ornithological Atlas: Jacobin pigeon and Ramphastos sulfuratus – Yin Xiaoyuan

Jacobin 雅各宾鸽 Objection!   As Executive Director of the State Animal Protection, I object to your calla-lily-shaped raccoon fur collar, ...

December 4, 2021
Glory to the Heroes! Poems by Volodymyr Tymchuk
Out of bounds

Glory to the Heroes! Poems by Volodymyr Tymchuk

* * * when there is no longer haste and desire to count report and summarize for seventy-two mornings days ...

April 15, 2023
Days in Kolkata: a Photo Gallery by Sumana Mitra
Poetry

Stifle for ever my organs of speech – Poems by Sanghamitra Halder for Villa Romana

Poems by Sanghamitra Halder for Villa Romana   Grimace   You are not remembered wholly, are you in the muscle, ...

December 1, 2020

Latest

…so I turned on the light: Poems by Antonio Merola

…so I turned on the light: Poems by Antonio Merola

December 2, 2023
The Wait – Bitasta Ghoshal

That Elusive Orgasm – Nandini Sahu

December 2, 2023
The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

…andromeda whispers breathe as you go – Four poems by Michael Amitin

December 2, 2023
OCTOPUS – Nandini Sahu

OCTOPUS – Nandini Sahu

December 2, 2023

Follow Us

news

HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran
News

HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

by Dreaming Machine
12 months ago
0

HAIR IN THE WIND we  invite all poets from all countries to be part of the artistic-poetic performance HAIR IN...

Read more
  • TABLE OF CONTENT
  • THE DREAMING MACHINE
  • CONTACT

© 2023 thedreamingmachine.com - Privacy policy - Cookie policy

No Result
View All Result
  • Home
  • Poetry
  • Fiction
  • Non Fiction
  • Interviews and reviews
  • Out of bounds
    • Poetry
    • Fiction
    • Intersections
  • THE DREAMING MACHINE
    • The dreaming machine n 12
    • The dreaming machine n 11
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • TABLE OF CONTENTS
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • News
  • Contacts

© 2023 thedreamingmachine.com - Privacy policy - Cookie policy