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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)

    from AFROWOMEN POETRY – Three Poets from Tanzania: Langa Sarakikya, Gladness Mayenga, Miriam Lucas

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    What Was Heart Is Now A Scorched Branch – Three Poems by Elina Sventsytska

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Water: The Longest Tunnel Where the Color Blue Is Born — Four Poems by SHANKAR LAHIRI

    Message to Forough Farrokhzad and other poems – Samira Albouzedi

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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    A Very Different Story (Part II)- Nandini Sahu

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    The Aunt: An Exhilarating Story by Francesca Gargallo

    THE PROGENITOR – Zakir Talukder (trans. from Bengali by Masrufa Ayesha Nusrat)

    Stalks of Lotus – Indrani Datta

    Love in Africa and the Variety of its Declinations:  Short-story Tasting from Disco Matanga by Alex Nderitu

    Love in Africa and the Variety of its Declinations: Short-story Tasting from Disco Matanga by Alex Nderitu

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

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    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE TIME HAS COME – Gaius Tsaamo

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” –  Massimo Ceresa

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” – Massimo Ceresa

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

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    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

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    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

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    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

    The Shipwreck Saga – Lynne Knight

    Phoenix: Part I – YIN Xiaoyuan

    Surrender to Our Explosive Democracy – Five Poems by Serena Piccoli from “gulp/gasp” (Moria Poetry 2022)

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Me and French, or What I Did During the Pandemic (Moi et le français, ou Ce que j’ai fais pendant la pandémie) – Carolyn Miller

    Becoming-animal as a Mirror – Ten Animals from Gabriele Galloni’s Bestiary

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    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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  • Poetry
    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    This Is Not A Feminist Poem – Wana Udobang (a.k.a. Wana Wana)

    from AFROWOMEN POETRY – Three Poets from Tanzania: Langa Sarakikya, Gladness Mayenga, Miriam Lucas

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    The Bitter Bulbs of Trees Growing by the Roadsides of History – Three Poems by Iya Kiva

    What Was Heart Is Now A Scorched Branch – Three Poems by Elina Sventsytska

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Water: The Longest Tunnel Where the Color Blue Is Born — Four Poems by SHANKAR LAHIRI

    Message to Forough Farrokhzad and other poems – Samira Albouzedi

  • Fiction
    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    A Very Different Story (Part II)- Nandini Sahu

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    The Aunt: An Exhilarating Story by Francesca Gargallo

    THE PROGENITOR – Zakir Talukder (trans. from Bengali by Masrufa Ayesha Nusrat)

    Stalks of Lotus – Indrani Datta

    Love in Africa and the Variety of its Declinations:  Short-story Tasting from Disco Matanga by Alex Nderitu

    Love in Africa and the Variety of its Declinations: Short-story Tasting from Disco Matanga by Alex Nderitu

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    FLORAL PRINT FLAT SHOES – Lucia Cupertino

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    The Red Bananas – N. Annadurai

    Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

    THE CULPRIT – Gourahari Das

  • Non Fiction
    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Menstruation in Fiction: The Authorial Gaze – Farah Ahamed

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Aadya Shakti, or Primal Energy – Lyla Freechild

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE TIME HAS COME – Gaius Tsaamo

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” –  Massimo Ceresa

    THE AMAZONS OF THE APOCALYPSE from “Ikonoklast – Oksana Šačko’: arte e rivoluzione” – Massimo Ceresa

    Plowing the publishing world  – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Plowing the publishing world – Tribute to Brazilian writer Itamar Vieira, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

    Jaider Esbell – Specialist in Provocations, by Loretta Emiri

  • Interviews & reviews
    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The mushroom at the end of the world. Camilla Boemio interviews Silia Ka Tung

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

    The Excruciating Beauty of Ukrainian Bravery: Camilla Boemio Interviews Zarina Zabrisky on Her Photography Series

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Everything Moves and Everything Is About Relationships. Susan Aberg Interviews Painter Louise Victor

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Videos from worldwide readings in support of Ukrainian writers, September 7, 2022 – Zoom Readings Italy

    Reportage of War and Emotions, the Tour of Three Ukrainian Poets in Italy

    From Euromaidan: Three Ukrainian poets to spoil Westsplaining fest in Italy – Zarina Zabrisky

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    • Intersections
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    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    THE MATERICIST MANIFESTO by AVANGUARDIE VERDI

    Artwork by Mubeen Kishany – Contamination and Distancing

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Glory to the Heroes! Poems by Volodymyr Tymchuk

    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

    Materials from Worldwide Readings in Solidarity with Salman Rushdie – Bologna Event

    The Shipwreck Saga – Lynne Knight

    Phoenix: Part I – YIN Xiaoyuan

    Surrender to Our Explosive Democracy – Five Poems by Serena Piccoli from “gulp/gasp” (Moria Poetry 2022)

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    Me and French, or What I Did During the Pandemic (Moi et le français, ou Ce que j’ai fais pendant la pandémie) – Carolyn Miller

    Becoming-animal as a Mirror – Ten Animals from Gabriele Galloni’s Bestiary

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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Home Out of bounds Interviews and reviews

“Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection

November 23, 2020
in Interviews and reviews, The dreaming machine n 7
“Ladri di denti” (Tooth Thieves) – Candice Whitney Reviews Djarah Kan’s Latest Short-Story Collection
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In Italy, conversations surrounding race are left to the past due to their negative connotation and connections to fascism, colonialism, contributing to “evaporations of race” in language. However, race, racisms, and silencing exist on macro-and micro-levels. Italian laws on citizenship and immigration racialize and institutionalize bodies as others, describing them as a “threat” to the “security” of a nation. Youth who seek citizenship still must wait years to become eligible, and the Italian government decided to continue financing corrupt, colonial relations with Libya to “manage” people traversing the Mediterranean sea. The Mediterranean continues to be a space of genocide, echoing the transatlantic slave trade, where human lives transform into numbers and media headlines. Willy Monteiro Duarte, Idi Diene, Abdul “Abba” Salam Giubre, Loveth Edward are among the many humans murdered, assaulted and disregarded by white supremacist impunity. These examples of macro-level violences exist along with daily wounds like microaggressions.

 

The seven fiction stories and essays of Djarah Kan’s Ladri di Denti address how people are silenced through everyday racisms, ultimately infecting their psyche and intimate relationships. Kan’s stories address the entanglements of race, gender, class and sexuality in Italy through daily, everyday racisms and microaggressions. Like in many of Kan’s essays and stories in Futurel, the localities are in Campania, specifically Naples and Castel Volturno. Elena Ferrante’s novels have catapulted a romantic vision of Naples internationally, whereas within Italy, many writers of African descent are either from or based in northern Italian cities. Kan’s perspective shows aspects of  life in Campania that aren’t typically represented in media storytelling. Some protagonists are able to begin to resist the pain from the wounds of racism and white supremacy. Others are at the beginning of their journey. In this article, I focus on how the stories unearth pains of morphing oneself to fit within the white gaze, sexualization of the Black bodies, and the power of speaking back.

 

In “Gli ultimi giorni dell’agosto”, the unnamed protagonist, an adopted mixed race young woman in Naples, pieces together the learnings of a tragedy of someone important to her. The protagonist’s family, who lived in Veneto for decades before moving back to Naples, have their own histories of violence that shaped their patterns of abuse and racism. When the father learns about the sinking of a ship carrying people traversing the Mediterranean sea, he reacts, “And so what? All of this will never end. Do they all really want to come here?”(«E che dobbiamo fare? Tanto ’sta storia non finirà mai. Tutti qui vogliono venire?» p14). These everyday racisms impact the protagonist and shape her own internalized racisms. As a child, she dreamed of straight, blond hair and blue eyes, and as an adult, she describes Black women who seem like a threat to her as whores. In this layered story, Kan demonstrates the trauma of being forced to identify with whiteness and how that strips multiple characters of their humanity. 

 

Comparatively, in “Santa and Jess”, the protagonist, Jamilah, struggles to maintain relations with her white partner and classmate, Santa. Jamilah’s dedication to Santa raises questions about the lengths people will go through to disregard how their humanity is denied. Whether silently witnessing a white woman touch a Black baby on the mother’s back, or being told “she’s smart and not like “them” (in regard to media depictions of immigrants on tv), Jamilah deals with numerous episodes that silence her reality and force her to fit within the white gaze. As Jamilah makes sense of the series of events, she begins to pursue her own journey to resist and claim her narrative. 

 

In “La storia di Topo”, we are told Topo’s story through the eyes of the young protagonist and her mother. Italian immigration laws that leave him in a constant cycle of dependency on the Italian state, including centri di accoglienza. Kan questions the “good deeds” of the white people who manage these state-run centers, and the opacity of violence and silencing that occur in these spaces.

 

In “Cacciatrici di negre”, the narrator reflects on the sexualization of her own woman-identified body. She tries to make sense of the vicious attacks of her masculine classmates calling her a whore, assuming she’s one of the African women working the street at night, and the girl next to her in class looks at her as if “she is guilty of something”. These violent acts recall Italy’s colonial past of madamismo in the late 1930s during the period of racial laws. Kan investigates the timelessness of exoticising the Black body, and how Black women see themselves as a group and individually in Italy.

 

Compared to the narratives in the collection, two essays unpack the colonial visions of Africa and Blackness in Italy, “Conosci la tua storia” e “Il re leone”. The former critiques white folks who have read one or two books related to the African diaspora, and believe that they can educate other Black people about history. Whereas the latter challenges readers to think beyond colonial depictions of the continent. These essays speak to processes of de-colonizing the self and piecing together the fragments of trauma.

 

Speaking back is not limited to those that are physically present on the planet. The Mediterranean sea has become a space of genocide, recalling the transatlantic slave trade. “Spiriti” reminds us that any being that has lived can still communicate with the living, even if they were stripped of their humanity when they were alive. 

Kan exposes the fragility of whiteness in everyday relationships in Italy, and how it thrives and persists on dehumanization of Black people. Kan’s stories and essays push her readers to ask: When will people deemed as “other” be recognized for their humanity?

 

Candice Whitney is a researcher, writer and international education professional based in New York City.  In 2016-17 as a Fulbright Scholar, she conducted research on how the historical and political processes that shape Italy’s contemporary relationship with African countries impact the promotion of products and business relations amongst African women entrepreneurs in Italy.  Candice received her Bachelors of Art in Anthropology and Italian from Mount Holyoke College. More about Candice’s work can be found on her blog.

Tags: Blacki Italian writerCandice WhitneycolonialismDjarah Kaneveryday racismhypersexualization of Black womenimmigrationinternational adoptionsLadri di dentimicro-aggressionsNaplesracial evaporationracismshort storiessilencingviolencewhite privilegewhite supremacist practices

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HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran
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HAIR IN THE WIND we  invite all poets from all countries to be part of the artistic-poetic performance HAIR IN...

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