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    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

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    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

  • Home
  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

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    • Non fiction
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    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

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Home Non Fiction

Goodbye, Baffo! From France, poet Jessy Simonini reflects on his grandfather’s death due to Covid-19 in Italy

From Jessy Simonini's blog entry of March 20, 2020, translated from French by Marvin Collins.

May 3, 2020
in Non Fiction, The dreaming machine n 6
Goodbye, Baffo! From France, poet Jessy Simonini reflects on his grandfather’s death due to Covid-19 in Italy
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My grandfather just died, alone, in the intensive care unit of the Bologna University Hospital, in Italy. He was eighty years old. The consequences of the COVID-19 virus were fatal. But the personal is always political.

 

My grandfather, Giuseppe (Baffo or “Moustache”, as some people called him) has just died, alone, in intensive care at the “Sant’Orsola” university-affiliated hospital in Bologna, in the North of Italy. He was eighty years old. The consequences of the COVID-19 virus were fatal.

He lived, like all my family, in Medicina, a small town on the eastern border of the province of Bologna, in the heart of the Po Valley. It was there that I grew up and lived until I was 22 years old. In these dark hours, the municipality of ​​Medicina is a restricted “red zone” due to the cluster of cases and the many deaths. Currently my whole family is in isolation at home. My grandmother is in the hospital. My mother and aunt are at home and will not be able to go out for the next two weeks.

 

I would like to speak at length about my grandfather, how we worked “collaboratively” on crossword puzzles, our evenings as volunteers at the Festa dell’Unità (since at the time, we still believed a little in the “Party “!), of all our trips, the last one last May, in Apulia. We had plans to go together to Sicily, his native land, next June. In 1949, his entire family left Alcamo, in the western part of the island, to move to Emilia-Romagna. They were poor, already condemned to a marginal life of immigrants.

 

They were called maruchèn, “Moroccans”: it was the insult Northerners addressed to Sicilians as well as to other terroni, people from the South. My grandfather was a manual laborer and then a taxi driver in Bologna. It was part of what Engels calls the “working aristocracy”, a social stratum closely associated with the economic and cultural model set up by the Communist Party in this rich region based on solidarity.

The great lesson that the 1970s bequeathed to me is that “the personal is political”. Always. In this sad hour, I would like to transform my deep sadness and mourning into a more “political” feeling, a reflection on what is happening now in Italy and the rest of Europe.

For several decades, the northern regions of Italy, including mine, have advocated a gradual transformation of what was once a non-profit, public, national health system, into one which opened to the interests of the private, for profit, health sector. This is the case of Lombardy, Veneto as well as Emilia Romagna which, for several years, have chosen to set up “integrated” models between public and private systems.

But health has not only been commodified. The hospital in my small municipality was closed down at the beginning of the 1990s. And the same happened in several other areas in the region, in Lagosanto as in Borgo Val di Taro, in Novafeltria as in Porretta. All of these are outlying areas where due to the closure of local clinics and hospitals citizens have now restricted access to medical care. Policy makers have always underscored the need to make our system “more efficient” and build centralized “poles of excellence”. At the same time,  what had been open admission to medical schools was restricted, to defend the interests of upper classes’ and corporations.

Before the COVID-19 crisis exploded, the three regions most affected by the spread of the virus, i.e., Lombardy, Veneto and Emilia Romagna, were negotiating with the Italian government an expansion of autonomy in political and administrative decision-making, including public health. This would have resulted in the more privileged areas of the north cutting off the less wealthy regions, with dramatic consequences on the rest of the country, in particular on regions with already damaged health systems, such as Calabria or Sicily. This planned expansion of  regional autonomy will probably be abandoned since the current health crisis has shown political decision makers that the presence and coordination of the State are absolutely necessary.

 

When COVID-19 had not yet spread to severe proportions, industrialists as well as neoliberal politicians like the secretary of the Democratic Party, Nicola Zingaretti, or the head of the Lega, Matteo Salvini, were worried about the state of our economic and productive system.  Luca Zaia, the Governor of the Veneto region, also declared that production could not be halted in his region. Some politicians made public appearances at happy hours, the fashionable early evening ‘aperitif’ time to encourage business as usual, “against fear” (sic!). Milan, a city ruled by a neoliberal elite, was not supposed to “stop” either. Because capitalism and exploitation can never stop.

We have to face the facts, we are ruled by assholes, as Frédéric Lordon writes in Le Monde diplomatique, of March 19, 2020, “Les connards qui nous gouverment.”

Now it is the workers, the nurses, personnel involved in logistics and transportation who are suffering the brunt of these political decisions. We are still told that the world cannot stop. That the factories must not close. That we must not stop producing. Tonight I think of my working class grandfather, but I can’t help thinking of those who are working in risky situations: the logistics workers who went on strike on March 16 at the Amazon distribution center in Castel San Giovanni; nurses and caregivers such as my step-mother Carolina or my friend Caterina; the cashiers of the supermarket in my Nantes district … and all the others.

Fortunately, we know the first and last names of those responsible.

These are the heads of Confindustria (the association of Heads of Industry) who do not wish to interrupt production in the factories. It was, of course, Mme. Christine Lagarde, her predecessors and many other opaque EU bureaucrats: inhuman austerity policy enforcers who brought our public health and that of our brothers and sisters in Greece to their knees.

It is also all the EU supporters who applauded these choices, within the Parliaments, the parties, the Economics and Political Sciences Departments at the universities.

It is the central government and the various Departments, Senators and Representatives in the Parliament, Senior officials. It is the leaders of the regional administration, regional and general advisers, mayors, such as that of Nantes. The project for the new University Hospitals proposed by the socialist, communist and environmentalist majority provides for 200 fewer beds. But this is just one example among many.

I also place responsibility for what happened on all the ideologues of neoliberalism as well as the new watchdogs who every night, on TV, continue to give them the floor. In 2015, Carlo Cottarelli, High Commissioner for Public Accounts for the Italian government, said that we could have cut “another 3 or 4 billion in the public health sector”. More recently, economists M. Alesina and M. Giavazzi, in several articles published in Il Corriere della Sera, have often proposed adopting an American-style health system in Italy.

This brings to mind the title of Maurizio Lazzarato’s book, which I just finished reading, “Capital hates everyone.”

I wish that when this period is over, everyone will start to hate capitalism. One can aspire to deep revolutionary processes to subvert a sick society. But even if our ambitions are along the more moderate lines of “social democracy”, we can still be happy to fiercely defend, all together, our public services.

When we get over our sadness, then will come the time of cherries* and that of struggle: I am sure of it.

For now: goodbye, Baffo!

*Le temps des cerises, a song written in France in 1866, with words by Jean Baptiste Clément, later strongly associated with the Paris Commune, meaning metaphorically what life will be like after the revolution.  It was popularized by Yves Montand.- Ed.

 

 

 

Tags: "Baffo"#milanononsifermaCovid-19Covid-19 clustersdeathEmilia Romagnaindustrial productionJessy Simoninineoliberal econmiespole of excellenceprivatized health systemred zoneregional autonomythe personal is political
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