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  • Poetry
    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    The delicate hour of the birds among the branches – Poems by Melih Cevdet Anday (trans. Neil P. Doherty)

    Afro Women Poetry- SUDAN: Reem Yasir, Rajaa Bushara, Fatma Latif

    Afro Women Poetry- SUDAN: Reem Yasir, Rajaa Bushara, Fatma Latif

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    A flock of cardinals melted in the scarlet sky: Poems by Daryna Gladun

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    The wolf hour and other poems by Ella Yevtushenko

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Testing the worth of poetic bombshells – Four poems by Abdul Karim Al-Ahmad

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

  • Fiction
    Chapter ten, from”Come What May” by Ahmed Masoud

    Chapter ten, from”Come What May” by Ahmed Masoud

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    The Naked Shell of Aloneness – Kazi Rafi

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    The Shadow of a Shadow – Nandini Sahu

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Football is Life – Mojaffor Hossein

    Datura – Paulami Sengupta

    Datura – Paulami Sengupta

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Origin – 1. The House, at night, by Predrag Finci

    HOT MANGO CHUTNEY SAUCE – Farah Ahamed (from Period Matters)

    HOT MANGO CHUTNEY SAUCE – Farah Ahamed (from Period Matters)

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

  • Non Fiction
    My Lover, My Body – Gonca Özmen, trans. by Neil P. Doherty

    My Lover, My Body – Gonca Özmen, trans. by Neil P. Doherty

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    A tribute to Carla Macoggi – An invitation to reading her novels, by Jessy Simonini

    A tribute to Carla Macoggi – An invitation to reading her novels, by Jessy Simonini

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    What Gets Read: How the Beats Caught on in Italy – Clark Bouwman

    What Gets Read: How the Beats Caught on in Italy – Clark Bouwman

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Of romantic love and its perils: The lyrics of the enigmatic Barbara Strozzi – Luciana Messina

  • Interviews & reviews
    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    Paradoxes of misfits and wanderers: Modhura Bandyopadhyay reviews Stalks of Lotus

    Beauty and Defiance: Ukrainian contemporary paintings in Padua- Show organizer Liudmila Vladova Olenovych in conversation with Camilla Boemio

    Beauty and Defiance: Ukrainian contemporary paintings in Padua- Show organizer Liudmila Vladova Olenovych in conversation with Camilla Boemio

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    A preview of Greek poet Tsabika Hatzinikola’s second collection “Without Presence, Dreams Do Not Emerge”, by Georg Schaaf

    Ascension: A conversation with Matthew Smith

    Ascension: A conversation with Matthew Smith

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Of Concentric Storytelling, Footballs and the Shifting World

    Lexically Sugared Circuits of R/elation: A Conversation with Adeena Karasick

    Lexically Sugared Circuits of R/elation: A Conversation with Adeena Karasick

  • Out of bounds
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    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Camilla Boemio interviews Malaysian artist Kim Ng

    Poetic bridges and conversations: Icelandic, Kiswahili and English through three poems by Hlín Leifsdóttir

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Human Bestiary Series – Five Poems by Pina Piccolo

    Bear encounters in Italy:  Jj4, anthropomorphized nature and the dialectics of generations – Post by Maurizio Vitale (a.k.a. Jack Daniel)

    Bear encounters in Italy: Jj4, anthropomorphized nature and the dialectics of generations – Post by Maurizio Vitale (a.k.a. Jack Daniel)

    Chapter four from “La cena- Avanzi dell’ex Jugoslavia”, by Božidar Stanišić

    Chapter four from “La cena- Avanzi dell’ex Jugoslavia”, by Božidar Stanišić

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    A song of peace and other poems by Julio Monteiro Martins

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    I am the storm rattling iron door handles (Part I)- Poems by Michael D. Amitin

    Datura – Paulami Sengupta

    Datura – Paulami Sengupta

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Spirited away by the northern winds (Part I) – Poems by Marcello Tagliente

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    Like a geological specimen in a darkened room: Two poems by Neil Davidson

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

  • Home
  • Poetry
    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    The delicate hour of the birds among the branches – Poems by Melih Cevdet Anday (trans. Neil P. Doherty)

    Afro Women Poetry- SUDAN: Reem Yasir, Rajaa Bushara, Fatma Latif

    Afro Women Poetry- SUDAN: Reem Yasir, Rajaa Bushara, Fatma Latif

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    A flock of cardinals melted in the scarlet sky: Poems by Daryna Gladun

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    The wolf hour and other poems by Ella Yevtushenko

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Testing the worth of poetic bombshells – Four poems by Abdul Karim Al-Ahmad

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

  • Fiction
    Chapter ten, from”Come What May” by Ahmed Masoud

    Chapter ten, from”Come What May” by Ahmed Masoud

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    The Naked Shell of Aloneness – Kazi Rafi

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    The Shadow of a Shadow – Nandini Sahu

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Football is Life – Mojaffor Hossein

    Datura – Paulami Sengupta

    Datura – Paulami Sengupta

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Origin – 1. The House, at night, by Predrag Finci

    HOT MANGO CHUTNEY SAUCE – Farah Ahamed (from Period Matters)

    HOT MANGO CHUTNEY SAUCE – Farah Ahamed (from Period Matters)

    Take Note of the Sun Shining Within Twilight – Four Poems by Natalia Beltchenko

    BOW / BHUK – Parimal Bhattacharya

  • Non Fiction
    My Lover, My Body – Gonca Özmen, trans. by Neil P. Doherty

    My Lover, My Body – Gonca Özmen, trans. by Neil P. Doherty

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    A tribute to Carla Macoggi – An invitation to reading her novels, by Jessy Simonini

    A tribute to Carla Macoggi – An invitation to reading her novels, by Jessy Simonini

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    What Gets Read: How the Beats Caught on in Italy – Clark Bouwman

    What Gets Read: How the Beats Caught on in Italy – Clark Bouwman

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Of romantic love and its perils: The lyrics of the enigmatic Barbara Strozzi – Luciana Messina

  • Interviews & reviews
    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    Paradoxes of misfits and wanderers: Modhura Bandyopadhyay reviews Stalks of Lotus

    Beauty and Defiance: Ukrainian contemporary paintings in Padua- Show organizer Liudmila Vladova Olenovych in conversation with Camilla Boemio

    Beauty and Defiance: Ukrainian contemporary paintings in Padua- Show organizer Liudmila Vladova Olenovych in conversation with Camilla Boemio

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    A preview of Greek poet Tsabika Hatzinikola’s second collection “Without Presence, Dreams Do Not Emerge”, by Georg Schaaf

    Ascension: A conversation with Matthew Smith

    Ascension: A conversation with Matthew Smith

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Of Concentric Storytelling, Footballs and the Shifting World

    Lexically Sugared Circuits of R/elation: A Conversation with Adeena Karasick

    Lexically Sugared Circuits of R/elation: A Conversation with Adeena Karasick

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Camilla Boemio interviews Malaysian artist Kim Ng

    Poetic bridges and conversations: Icelandic, Kiswahili and English through three poems by Hlín Leifsdóttir

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Human Bestiary Series – Five Poems by Pina Piccolo

    Bear encounters in Italy:  Jj4, anthropomorphized nature and the dialectics of generations – Post by Maurizio Vitale (a.k.a. Jack Daniel)

    Bear encounters in Italy: Jj4, anthropomorphized nature and the dialectics of generations – Post by Maurizio Vitale (a.k.a. Jack Daniel)

    Chapter four from “La cena- Avanzi dell’ex Jugoslavia”, by Božidar Stanišić

    Chapter four from “La cena- Avanzi dell’ex Jugoslavia”, by Božidar Stanišić

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    A song of peace and other poems by Julio Monteiro Martins

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    I am the storm rattling iron door handles (Part I)- Poems by Michael D. Amitin

    Datura – Paulami Sengupta

    Datura – Paulami Sengupta

    Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

    Spirited away by the northern winds (Part I) – Poems by Marcello Tagliente

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    Like a geological specimen in a darkened room: Two poems by Neil Davidson

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija

May 3, 2019
in Intersections, Out of bounds, The dreaming machine n 4
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
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ABOUT MY TECHNIQUES AND CONCEPT

 

I usually use textures as base on canvas, I feel that sometimes when you have a painting which is flat but also like 3D it gives you another approach for the artwork. However, I like to experiment a lot with my painting techniques, I’m always searching for ways of painting which would add ‘spices’ to my identity in painting. Artistic growth is an endless road. You never know enough, you never discover enough. It’s like the universe, as much as you know, you know how little you know.
Generally saying, I must say that woman is my muse. And it doesn’t have to do with feminism. I just think we haven’t got the place we deserve in the world and society. My mother is my muse, my sister, my friends. What can be more mesmerizing and beautiful, and fragile and strong and inspiring than a woman?
My paintings inspire and are not to be defined. They determine nothing. They place us, as does music, in the ambiguous world of the undetermined. They are a kind of metaphor and always leave place for different perspectives, regarding the individual point of view.

The colors I use are generally automatic, I combine them intuitively. I use them as tools of my emotions or experience. As a result they should fit the mood on the painting.

 

 

“illuminating”- oil on canvas 2018

This piece of art is so personal to me.
I painted it through realization of the process of the “divine manifestation”.
The light is revealed. It’s synonym of spiritual and intellectual enlightenment.

 

“wishful thinking”- I see better with my eyes closed. Oil and mixed media 2018
You hear more when you listen. You see more when you observe. The style is surreal including the daylight which the subject is wishing to be all stars and fishes without sea.

 

 

“I daydream and night-dream”. Oil on canvas 2018
I’m just like a sunflower. I grow through strength even when there is no sun and it’s dark. I have the right to shine out. I am my own muse.
Motifs from Has, Prizren.

 

 

“beauty is in the depth’ acrylic and mixed media on canvas 2017
“What are heavy? sea- sand and sorrow What are brief? today and tomorrow.
What are frail? spring blossoms and youth. What are deep? the ocean and truth.”

 

 

“ I paint what I dream, and I dream what I paint” oil and mixed media on canvas 2018

I could relate this painting more to surrealism, and automatism specifically.
It’s a subconscious artwork. Sometimes I don’t like to think while I’m painting, and that gives the painting the freedom to become “something” unintentionally. There are times I dream a painting, and the very next thing I do when I wake up is try to figure it out what it was. Sometimes it’s clear. Sometimes not. However. I add other items myself.

 

 

“midnight marauder”2014

My sister was having her doubts about her that time  instrument “piano”.
She had been playing it for 15 years, she seemed unhappy about it most of the times, somewhat it was consuming her.
One day she woke up and said she doesn’t want to play it any longer. She chose double bass. She changed as a person and was blossoming all the way. I got inspired by her for this painting.

 

 

“Goddess is every Albanian woman” This  draws from Kosovo’s rich cultural heritage and reflects the image of “Hyjnesha ne Fron” (the Goddess on a Throne), celebrating the cult of the great mother idol, a terracotta artifact unearthed in Pristina in 1956. The idea of putting Goddess of the throne as a subject came from the fact that indeed every Albanian woman reflects the cult of the great mother idol as the Goddess herself.

 

 

“vivid dream”  Acrylic and oil and mixed textures on canvas.  80 x 60 cm . 2017
I dream in such vivid colours that I struggle to recapture them when I’m awake; but in principle this is a dream that I haven’t managed to remember it all.
The subjects are this lady and the old man leaving the night club where she works as a dancer. Lucid colors testify to a metaphor of the “unreal” since the lucid drugs themselves makes the reality surreal.

 

 

“ the dance of Love” 2017/ mixed media on canvas

The tree of love and life, life itself. Between the lovers. Beside the moon and the sun, there is no stronger bind and foundation of love, than that of true love. It is free like dancing in the clouds.

“Hiraeth door” there is place in my mind, with a garden of flowers all around. And when I reach there every night, I hear a faint but romantic tune, this feeling I have around daytime, when I crave that place. It is nothing but a place, or a feeling which never happened nor will.

 

 

“Escape boat”
“This will be me, utterly me. The day I decide to take all my sorrows and adversities, all the poison I have and put in on a boat.
I will take the longest destination. The deepest ocean, and will bury them there. I will ask the jellyfish to take them as deep as they can, so deep that they will ‘suffocate’ and maybe disappear. I will then swim along the ocean with, surrendering my being facing the skies.


Along my artistic growth, since I was a little girl, whenever I saw something that seemed interesting, I immediately visualized it in my head. Usually they were unique things, jewels, stones, patterns, anything that can’ possibly be made twice.
This comes out of the fact that I love African art and their culture, also Asian arts.
They were my first inspiration when I started using true colors like : oil or acrylic… when I say ‘true’ I mean “painter’s” colors. I like ambiguity, I like to wonder when I see a piece of art.. that what art is all about. Whoever sees it creates a different version compared to any other individual, because we don’t think the same, and that’s our power. And that’s what a painting should have as its power: ambiguity.
Therefore, I try to apply it subconsciously by making a point out of it.
I paint anything that in my head seems beautiful just by thinking of it. What defines my paintings is textures, colors and different materials I use on them, and that feeling… that you might not have seen it before.

 

 

Dafinë Vitija: was born in 1990 in Prishtina, Kosovo. She’s a self taught artist and also has Bachelor in English Literature. She has been part of many local and region collective shows. She’s currently living and studying “Fine Arts “ in Istanbul.

 

Tags: AlbaniaambiguityDafine VitijadreamsgoddessKosovooneiricpaintingSurrealismvisionary artWomen
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HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran
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  • TABLE OF CONTENTS
    • the dreaming machine – issue number 12
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