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  • Poetry
    …so I turned on the light: Poems by Antonio Merola

    …so I turned on the light: Poems by Antonio Merola

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    …andromeda whispers breathe as you go – Four poems by Michael Amitin

    The Wait – Bitasta Ghoshal

    The woman doesn’t want to wake up crazy: Selected poems by Mariya Grabovska

    WRITTEN ON THE TONGUE – Andrew Joron

    Three Poems from The Stony Guests – Neil P. Doherty

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    WRITTEN ON THE TONGUE – Andrew Joron

    PHOENIX (Part III) – YIN Xiaoyuan

  • Fiction
    OCTOPUS – Nandini Sahu

    OCTOPUS – Nandini Sahu

    WRITTEN ON THE TONGUE – Andrew Joron

    THE SOUL AND THE BODY / DEHATMATATWA – Abhijit Sen

    Roble Negro – Lucia Cupertino

    Roble Negro – Lucia Cupertino

    The Wait – Bitasta Ghoshal

    The Wait – Bitasta Ghoshal

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Door to My Inner Self: Four Prose Pieces by Abdallah Zrika

    Chapter ten, from”Come What May” by Ahmed Masoud

    Chapter ten, from”Come What May” by Ahmed Masoud

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    The Naked Shell of Aloneness – Kazi Rafi

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    The Shadow of a Shadow – Nandini Sahu

  • Non Fiction
    The Wait – Bitasta Ghoshal

    Listening to Our Listening – Gary Whithed

    WRITTEN ON THE TONGUE – Andrew Joron

    SOME CONSIDERATIONS ON METHOD (Part I) – Gaius Tsaamo

    WRITTEN ON THE TONGUE – Andrew Joron

    “My family is gone,” she wrote, her voice silenced by the weight of her words – Hedaya Saleh Shamun

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Mathematics As Poetic Thought; Sans Barbarian Evidence – Will Alexander

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Lingual Mesmerism That Rises From Haunting Evidence – Will Alexander

    FUTURE PERFECT – IYA KIVA

    FUTURE PERFECT – IYA KIVA

  • Interviews & reviews
    WRITTEN ON THE TONGUE – Andrew Joron

    Coordinates for a poetic debut. On “Allora ho acceso la luce” by Antonio Merola – Iuri Lombardi

    WRITTEN ON THE TONGUE – Andrew Joron

    BEING AS TRANSMUTATION: THE LIGHTNING PATHS OF WILL ALEXANDER – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Understanding the Mathematical Metaphysics of Nandini Sahu’s Zero Point – Bhaskar Bhushan

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    The Wait – Bitasta Ghoshal

    That Elusive Orgasm – Nandini Sahu

    The Wait – Bitasta Ghoshal

    BOUNDARY/GONDI – Abhijit Sen

    WRITTEN ON THE TONGUE – Andrew Joron

    The Stony Guests: THE STORY – Neil P. Doherty

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    WRITTEN ON THE TONGUE – Andrew Joron

    In Exile, War is Bitter – Hedaya Saleh Shamun

    My Annan’s Photo – Appadurai Muttulingam

    My Annan’s Photo – Appadurai Muttulingam

    WRITTEN ON THE TONGUE – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Films From Palestine: A Poem – Farah Ahamed

    Films From Palestine: A Poem – Farah Ahamed

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

  • Home
  • Poetry
    …so I turned on the light: Poems by Antonio Merola

    …so I turned on the light: Poems by Antonio Merola

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    …andromeda whispers breathe as you go – Four poems by Michael Amitin

    The Wait – Bitasta Ghoshal

    The woman doesn’t want to wake up crazy: Selected poems by Mariya Grabovska

    WRITTEN ON THE TONGUE – Andrew Joron

    Three Poems from The Stony Guests – Neil P. Doherty

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    WRITTEN ON THE TONGUE – Andrew Joron

    PHOENIX (Part III) – YIN Xiaoyuan

  • Fiction
    OCTOPUS – Nandini Sahu

    OCTOPUS – Nandini Sahu

    WRITTEN ON THE TONGUE – Andrew Joron

    THE SOUL AND THE BODY / DEHATMATATWA – Abhijit Sen

    Roble Negro – Lucia Cupertino

    Roble Negro – Lucia Cupertino

    The Wait – Bitasta Ghoshal

    The Wait – Bitasta Ghoshal

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Door to My Inner Self: Four Prose Pieces by Abdallah Zrika

    Chapter ten, from”Come What May” by Ahmed Masoud

    Chapter ten, from”Come What May” by Ahmed Masoud

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    The Naked Shell of Aloneness – Kazi Rafi

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    The Shadow of a Shadow – Nandini Sahu

  • Non Fiction
    The Wait – Bitasta Ghoshal

    Listening to Our Listening – Gary Whithed

    WRITTEN ON THE TONGUE – Andrew Joron

    SOME CONSIDERATIONS ON METHOD (Part I) – Gaius Tsaamo

    WRITTEN ON THE TONGUE – Andrew Joron

    “My family is gone,” she wrote, her voice silenced by the weight of her words – Hedaya Saleh Shamun

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Mathematics As Poetic Thought; Sans Barbarian Evidence – Will Alexander

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Lingual Mesmerism That Rises From Haunting Evidence – Will Alexander

    FUTURE PERFECT – IYA KIVA

    FUTURE PERFECT – IYA KIVA

  • Interviews & reviews
    WRITTEN ON THE TONGUE – Andrew Joron

    Coordinates for a poetic debut. On “Allora ho acceso la luce” by Antonio Merola – Iuri Lombardi

    WRITTEN ON THE TONGUE – Andrew Joron

    BEING AS TRANSMUTATION: THE LIGHTNING PATHS OF WILL ALEXANDER – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Understanding the Mathematical Metaphysics of Nandini Sahu’s Zero Point – Bhaskar Bhushan

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    The Wait – Bitasta Ghoshal

    That Elusive Orgasm – Nandini Sahu

    The Wait – Bitasta Ghoshal

    BOUNDARY/GONDI – Abhijit Sen

    WRITTEN ON THE TONGUE – Andrew Joron

    The Stony Guests: THE STORY – Neil P. Doherty

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    WRITTEN ON THE TONGUE – Andrew Joron

    In Exile, War is Bitter – Hedaya Saleh Shamun

    My Annan’s Photo – Appadurai Muttulingam

    My Annan’s Photo – Appadurai Muttulingam

    WRITTEN ON THE TONGUE – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Films From Palestine: A Poem – Farah Ahamed

    Films From Palestine: A Poem – Farah Ahamed

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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Home Out of bounds Intersections

“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija

May 3, 2019
in Intersections, Out of bounds, The dreaming machine n 4
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
“ I paint what I dream, and I dream what I paint” – The oneiric canvasses of Dafinë Vitija
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ABOUT MY TECHNIQUES AND CONCEPT

 

I usually use textures as base on canvas, I feel that sometimes when you have a painting which is flat but also like 3D it gives you another approach for the artwork. However, I like to experiment a lot with my painting techniques, I’m always searching for ways of painting which would add ‘spices’ to my identity in painting. Artistic growth is an endless road. You never know enough, you never discover enough. It’s like the universe, as much as you know, you know how little you know.
Generally saying, I must say that woman is my muse. And it doesn’t have to do with feminism. I just think we haven’t got the place we deserve in the world and society. My mother is my muse, my sister, my friends. What can be more mesmerizing and beautiful, and fragile and strong and inspiring than a woman?
My paintings inspire and are not to be defined. They determine nothing. They place us, as does music, in the ambiguous world of the undetermined. They are a kind of metaphor and always leave place for different perspectives, regarding the individual point of view.

The colors I use are generally automatic, I combine them intuitively. I use them as tools of my emotions or experience. As a result they should fit the mood on the painting.

 

 

“illuminating”- oil on canvas 2018

This piece of art is so personal to me.
I painted it through realization of the process of the “divine manifestation”.
The light is revealed. It’s synonym of spiritual and intellectual enlightenment.

 

“wishful thinking”- I see better with my eyes closed. Oil and mixed media 2018
You hear more when you listen. You see more when you observe. The style is surreal including the daylight which the subject is wishing to be all stars and fishes without sea.

 

 

“I daydream and night-dream”. Oil on canvas 2018
I’m just like a sunflower. I grow through strength even when there is no sun and it’s dark. I have the right to shine out. I am my own muse.
Motifs from Has, Prizren.

 

 

“beauty is in the depth’ acrylic and mixed media on canvas 2017
“What are heavy? sea- sand and sorrow What are brief? today and tomorrow.
What are frail? spring blossoms and youth. What are deep? the ocean and truth.”

 

 

“ I paint what I dream, and I dream what I paint” oil and mixed media on canvas 2018

I could relate this painting more to surrealism, and automatism specifically.
It’s a subconscious artwork. Sometimes I don’t like to think while I’m painting, and that gives the painting the freedom to become “something” unintentionally. There are times I dream a painting, and the very next thing I do when I wake up is try to figure it out what it was. Sometimes it’s clear. Sometimes not. However. I add other items myself.

 

 

“midnight marauder”2014

My sister was having her doubts about her that time  instrument “piano”.
She had been playing it for 15 years, she seemed unhappy about it most of the times, somewhat it was consuming her.
One day she woke up and said she doesn’t want to play it any longer. She chose double bass. She changed as a person and was blossoming all the way. I got inspired by her for this painting.

 

 

“Goddess is every Albanian woman” This  draws from Kosovo’s rich cultural heritage and reflects the image of “Hyjnesha ne Fron” (the Goddess on a Throne), celebrating the cult of the great mother idol, a terracotta artifact unearthed in Pristina in 1956. The idea of putting Goddess of the throne as a subject came from the fact that indeed every Albanian woman reflects the cult of the great mother idol as the Goddess herself.

 

 

“vivid dream”  Acrylic and oil and mixed textures on canvas.  80 x 60 cm . 2017
I dream in such vivid colours that I struggle to recapture them when I’m awake; but in principle this is a dream that I haven’t managed to remember it all.
The subjects are this lady and the old man leaving the night club where she works as a dancer. Lucid colors testify to a metaphor of the “unreal” since the lucid drugs themselves makes the reality surreal.

 

 

“ the dance of Love” 2017/ mixed media on canvas

The tree of love and life, life itself. Between the lovers. Beside the moon and the sun, there is no stronger bind and foundation of love, than that of true love. It is free like dancing in the clouds.

“Hiraeth door” there is place in my mind, with a garden of flowers all around. And when I reach there every night, I hear a faint but romantic tune, this feeling I have around daytime, when I crave that place. It is nothing but a place, or a feeling which never happened nor will.

 

 

“Escape boat”
“This will be me, utterly me. The day I decide to take all my sorrows and adversities, all the poison I have and put in on a boat.
I will take the longest destination. The deepest ocean, and will bury them there. I will ask the jellyfish to take them as deep as they can, so deep that they will ‘suffocate’ and maybe disappear. I will then swim along the ocean with, surrendering my being facing the skies.


Along my artistic growth, since I was a little girl, whenever I saw something that seemed interesting, I immediately visualized it in my head. Usually they were unique things, jewels, stones, patterns, anything that can’ possibly be made twice.
This comes out of the fact that I love African art and their culture, also Asian arts.
They were my first inspiration when I started using true colors like : oil or acrylic… when I say ‘true’ I mean “painter’s” colors. I like ambiguity, I like to wonder when I see a piece of art.. that what art is all about. Whoever sees it creates a different version compared to any other individual, because we don’t think the same, and that’s our power. And that’s what a painting should have as its power: ambiguity.
Therefore, I try to apply it subconsciously by making a point out of it.
I paint anything that in my head seems beautiful just by thinking of it. What defines my paintings is textures, colors and different materials I use on them, and that feeling… that you might not have seen it before.

 

 

Dafinë Vitija: was born in 1990 in Prishtina, Kosovo. She’s a self taught artist and also has Bachelor in English Literature. She has been part of many local and region collective shows. She’s currently living and studying “Fine Arts “ in Istanbul.

 

Tags: AlbaniaambiguityDafine VitijadreamsgoddessKosovooneiricpaintingSurrealismvisionary artWomen
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HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran
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  • THE DREAMING MACHINE
    • The dreaming machine n 12
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    • The dreaming machine n 8
    • The dreaming machine n 7
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  • TABLE OF CONTENTS
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
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