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  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

  • Out of bounds
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    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

  • Home
  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

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Home Interviews and reviews

Of Concentric Storytelling, Footballs and the Shifting World

May 2, 2023
in Interviews and reviews, The dreaming machine n 12
Overturning planes in the labyrinth – Four poems by Rita Degli Esposti
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Review of Mojaffor Hossain’s collection “Meet Human Meat and Other Stories (The Antonym 2023), by Pina Piccolo

Cover art: Olga Gritsenko “Near the pier dream oceans” 2021, courtesy of Ukrainian painters’ exhibit in Padua

Mojaffor Hossain’s latest short-story collection, translated into English from Bangla by a team of 8 stellar translators and published by The Antonym (Kolkata, 2023), cunningly combines in its title “Meet Human Meat and Other Stories” the early 21st century formulaic exhortation “Meet” with the darkly grotesque suggestion of ‘civilized’ cannibalism consumed in trendy restaurants. Taken from one of the 17 stories that make up the book and is strategically placed at its center, this assonant title with its disquieting echoes introduces the reader to a whole universe of contemporary contradictions, some belonging to mundane, everyday experiences located between Bangladesh and India or the troublesome border between the two and some set in a surrealistic territory of the imagination, uncomfortably close to reality. As a matter of fact the book’s opening story revolves around a procession of  spirits of differently mutilated people trying to return to a village  from which they had fled ahead of an invasion and ends with a story centering on a macabre football that is the object of desire of a group of destitute teen -age boys, kicking their frustration and lack of future around.

One of the salient features of Mojaffor Hossain dense yet airy writing is the variety of storytelling devices the writer effectively wields to keep the reader engaged as they are shifted between locations and characters, points of views and paradoxical situations. The writer relies chiefly on the dynamism of the narrating voice to creatively unfold layers of history, prejudice, deceit, domination, scapegoating as well as the demand for justice and a saner way of life; claims that strike the reader either implicitly (as for example in “All the Sadeqs Are Getting Killed”) or explicitly (as occurs in “The Story I Could Never Write”). 

The storytelling is entrusted sometimes to an individual narrator– whether omniscient, slightly naïve  or unreliable (“My Mother Was a Prostitute”, “Post Breaking News”), sometimes to two dialoguing/contrasting voices (“Down Memory Lane”, “An Ad Seeking the Identity of a Hand”, “A River Story”), sometimes a polyphonic chorus or cacophony (“Subservient Country, Independent People”, “The Spy”, “Land of the Headless”) sometimes to a mix of the above (“A Farewell Verse”, “The Story I Could Never Write”). Thus a multitude of narrators accompany the reader through the circles of a contemporary hell with its catalogue of  raped  and burnt women appearing on the edge of the bed to sleepless writers demanding that their story be told; village life with its traditionally appointed  bullies and scapegoats coming apart at the seams as technology, bureaucracy and vagaries of modern life seep in;  the ongoing religious acrimony between Muslims and Indus and the paradoxical situations and intrigues it gives rise to, and their long standing consequences; the power of the media and hearsay  to set up Pirandellian situations in which a living body itself does not suffice to prove one’s alive status.

In spite of the jarring, speculative and oftentimes ominous fabric of the stories, Mojaffor Hossein manages to elicit in the reader an underlying sympathy for the characters who are situated on lower rungs of the ladder of abuse (I am thinking of the son in “My Mother Was a Prostitute,” or the inept village poet with a grifter’s angle in “A Farewell Verse”. Though they partake in abuse and scapegoating, by their actions they demonstrate a kind of loyalty to the victim (again the son of the prostitute by choosing to live next to the mother buried in the courtyard of her own home as she is refused proper burial by the village norms against prostitutes).

The character of the inept poet failing in the task the village expects him to perform – i.e. to versify and the scorn that failure brought on him,, reminded me of the notion of concentric circles of stories that I see played out in this book. Salman Rushdie mentioned the importance of this kind of storytelling in his remarks about how Covid had affected this activity, in a 2021 interview reprinted in Lit Hub:

Stories are the things that tell us who we are. And for me, that’s the great value of doing this kind of work. We are a narrative animal. We’re an animal that understands itself by telling stories. Children want stories very early as a way of understanding the world. And all of us, we live in stories. Families have family stories. Cities have stories of the city. Communities, secular or religious, have stories which define them. Countries have national stories. And we live in these concentric circles of stories, and we understand ourselves through them. Stories contain, in the most beautiful way, what we have been, the potential of what we could be, speculations about how we might be. They are the memory of the human race. And it’s one of the beautiful things about being in that world, trying to make stories which become—if I’m lucky—part of that collective memory.

In the concentric stories that Mojaffor Hossain offers in this collection, I detect something Italo Calvino had been advocating in his book Six Memos for the Millennium under the rubric ‘Lightness’.  Here, the lightness is not due to lack of substance, readers are invited to follow an intriguing red balloon buoyed in the air by the contradictions of society, in a polyphonic display of clashing and colluding modernity and tradition, relations between classes, sexes, generations, religions, city and countryside, professions new and old while managing, in a way, to defeat the heaviness and darkness he could have gathered from the dire predicaments the characters are facing.  But talking of red balloons and their buoyancy should not deter readers from considering Mojaffor Hossain’s ability in bringing the reader closer to earth, to the actual mud and dust of life. In describing the macabre game of soccer played by the destitute boys, in all its elements and surrounding contexts of family, neighborhood, national and international life, the author deploys all his skill in saying and not saying, barely hinting at the nature of what’s inside the rags that constitute the football, thus fitting to a T renowned scholar Wolfgang Kayser’s remarks about the grotesque as a genre in its modern-day form:

In literature the grotesque appears in a scene or animated tableau. Its representations in the plastic arts, too, do not refer to a state of repose but to an action, a “pregnant moment”, or at least — in the case of Kafka — a situation that is filled with ominous tension. In this way the grotesque the kind of strangeness we have in mind is somewhat more closely defined. We are strongly affected and terrified because it is our world which ceases to be reliable, and we feel that we would be unable to live in this changed world. The grotesque instills fear of life rather than death. Structurally, it presupposes that the categories which apply to our world view become inapplicable.” The various forms of the grotesque are the most obvious and pronounced contradictions of any kind of rationalism and any systematic use of thought. (Wolfgang Kayser, The Grotesque in Art and Literature, page 185).

Pina Piccolo is a writer, translator and cultural promoter, living between Italy and California. She blogs at Pina Piccolo’s Blog, is the sole editor of The Dreaming Machine and is one of the founders and editors of La Macchina Sognante.

Tags: Bangladeshbook reviewbordersconcentric storytellingcontemporary BangladeshcontradictionsgrotesqueItalo CalvinoMojaffor HosseinparadoxPina PiccoloSalman Rushdiescapegoatingshort storiesThe Antonymviolence
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Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live
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Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

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December 24, 2024 marks ten years since the premature passing of Brazilian/Italian writer Julio Monteiro Martins, important cultural figure from...

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    • the dreaming machine – issue number 16
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