Layers of overlap: theatre, cinema, memory, imagination – Farah Ahamed
While watching a play at the theatre, our faces are a paradox. They are private and yet public. We ...
While watching a play at the theatre, our faces are a paradox. They are private and yet public. We ...
From the unpublished poems/screenplay contained in José Antonio Pérez-Robleda's forthcoming book "El Caballo de lo malo" (The bad guy's ...
Dark Room 1. The colour blind cuckoos are flying amidst chorus-clapping And the wintry city is imbued with newspapers and newspapers You have decked the bright woolen shops ...
The 17th Italian parliamentary term (2017) shall be infamously remembered as the one in which politicians making up ...
From the novel Adua by Igiaba Scego, English translation by Jamie Richard, New Vessel Press, 2017, excerpted courtesy of New ...
The Dreaming Machine
Writing and visual arts from the world.
A Child of Snow The stranger had large hands and a face slender like a wolf. Taiki liked wolves. The ...
I declare that there is no other Human Being Except the One who fights Hatred relentlessly In him and around ...
Sengodan was tending the young red banana tree as it were his own favorite child. Even when he came ...
The title of this piece recalls David Theo Goldberg’s article “Racial Europeanization”, where “racial evaporations” could be extended beyond the ...
From Neil P. Doherty’s Project, see selection from imagined poet Maryam Boyaciyan and The Story, both in issue n. 13 ...
A Nest of Triptychal Performances PER/FORMATIVE CITIES A Nest of Triptychal Performances Saun Santipreecha Curated by Camilla Boemio Presented by...
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