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    …so I turned on the light: Poems by Antonio Merola

    …so I turned on the light: Poems by Antonio Merola

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    …andromeda whispers breathe as you go – Four poems by Michael Amitin

    The Wait – Bitasta Ghoshal

    The woman doesn’t want to wake up crazy: Selected poems by Mariya Grabovska

    WRITTEN ON THE TONGUE – Andrew Joron

    Three Poems from The Stony Guests – Neil P. Doherty

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    WRITTEN ON THE TONGUE – Andrew Joron

    PHOENIX (Part III) – YIN Xiaoyuan

  • Fiction
    OCTOPUS – Nandini Sahu

    OCTOPUS – Nandini Sahu

    WRITTEN ON THE TONGUE – Andrew Joron

    THE SOUL AND THE BODY / DEHATMATATWA – Abhijit Sen

    Roble Negro – Lucia Cupertino

    Roble Negro – Lucia Cupertino

    The Wait – Bitasta Ghoshal

    The Wait – Bitasta Ghoshal

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Door to My Inner Self: Four Prose Pieces by Abdallah Zrika

    Chapter ten, from”Come What May” by Ahmed Masoud

    Chapter ten, from”Come What May” by Ahmed Masoud

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    The Naked Shell of Aloneness – Kazi Rafi

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    The Shadow of a Shadow – Nandini Sahu

  • Non Fiction
    The Wait – Bitasta Ghoshal

    Listening to Our Listening – Gary Whithed

    WRITTEN ON THE TONGUE – Andrew Joron

    SOME CONSIDERATIONS ON METHOD (Part I) – Gaius Tsaamo

    WRITTEN ON THE TONGUE – Andrew Joron

    “My family is gone,” she wrote, her voice silenced by the weight of her words – Hedaya Saleh Shamun

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Mathematics As Poetic Thought; Sans Barbarian Evidence – Will Alexander

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Lingual Mesmerism That Rises From Haunting Evidence – Will Alexander

    FUTURE PERFECT – IYA KIVA

    FUTURE PERFECT – IYA KIVA

  • Interviews & reviews
    WRITTEN ON THE TONGUE – Andrew Joron

    Coordinates for a poetic debut. On “Allora ho acceso la luce” by Antonio Merola – Iuri Lombardi

    WRITTEN ON THE TONGUE – Andrew Joron

    BEING AS TRANSMUTATION: THE LIGHTNING PATHS OF WILL ALEXANDER – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Understanding the Mathematical Metaphysics of Nandini Sahu’s Zero Point – Bhaskar Bhushan

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

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    The Wait – Bitasta Ghoshal

    That Elusive Orgasm – Nandini Sahu

    The Wait – Bitasta Ghoshal

    BOUNDARY/GONDI – Abhijit Sen

    WRITTEN ON THE TONGUE – Andrew Joron

    The Stony Guests: THE STORY – Neil P. Doherty

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    WRITTEN ON THE TONGUE – Andrew Joron

    In Exile, War is Bitter – Hedaya Saleh Shamun

    My Annan’s Photo – Appadurai Muttulingam

    My Annan’s Photo – Appadurai Muttulingam

    WRITTEN ON THE TONGUE – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Films From Palestine: A Poem – Farah Ahamed

    Films From Palestine: A Poem – Farah Ahamed

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

  • Home
  • Poetry
    …so I turned on the light: Poems by Antonio Merola

    …so I turned on the light: Poems by Antonio Merola

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    …andromeda whispers breathe as you go – Four poems by Michael Amitin

    The Wait – Bitasta Ghoshal

    The woman doesn’t want to wake up crazy: Selected poems by Mariya Grabovska

    WRITTEN ON THE TONGUE – Andrew Joron

    Three Poems from The Stony Guests – Neil P. Doherty

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    LAUNCHING PAPER BOATS OF HOPE: Five Poems by Halyna Kruk

    WRITTEN ON THE TONGUE – Andrew Joron

    PHOENIX (Part III) – YIN Xiaoyuan

  • Fiction
    OCTOPUS – Nandini Sahu

    OCTOPUS – Nandini Sahu

    WRITTEN ON THE TONGUE – Andrew Joron

    THE SOUL AND THE BODY / DEHATMATATWA – Abhijit Sen

    Roble Negro – Lucia Cupertino

    Roble Negro – Lucia Cupertino

    The Wait – Bitasta Ghoshal

    The Wait – Bitasta Ghoshal

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Door to My Inner Self: Four Prose Pieces by Abdallah Zrika

    Chapter ten, from”Come What May” by Ahmed Masoud

    Chapter ten, from”Come What May” by Ahmed Masoud

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    Remembering Carla Macoggi: Excerpts from “Kkeywa- Storia di una bambina meticcia” and “Nemesi della rossa”

    In memoriam – Swimming in the Tigris, Greenford: The Poetical Journey of Fawzi Karim, by Marius Kociejowski

    The Naked Shell of Aloneness – Kazi Rafi

    Pioneer’s Portrait: How Voltaire Contributed to Comparative Literature, by Razu Alauddin    

    The Shadow of a Shadow – Nandini Sahu

  • Non Fiction
    The Wait – Bitasta Ghoshal

    Listening to Our Listening – Gary Whithed

    WRITTEN ON THE TONGUE – Andrew Joron

    SOME CONSIDERATIONS ON METHOD (Part I) – Gaius Tsaamo

    WRITTEN ON THE TONGUE – Andrew Joron

    “My family is gone,” she wrote, her voice silenced by the weight of her words – Hedaya Saleh Shamun

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Mathematics As Poetic Thought; Sans Barbarian Evidence – Will Alexander

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Lingual Mesmerism That Rises From Haunting Evidence – Will Alexander

    FUTURE PERFECT – IYA KIVA

    FUTURE PERFECT – IYA KIVA

  • Interviews & reviews
    WRITTEN ON THE TONGUE – Andrew Joron

    Coordinates for a poetic debut. On “Allora ho acceso la luce” by Antonio Merola – Iuri Lombardi

    WRITTEN ON THE TONGUE – Andrew Joron

    BEING AS TRANSMUTATION: THE LIGHTNING PATHS OF WILL ALEXANDER – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Understanding the Mathematical Metaphysics of Nandini Sahu’s Zero Point – Bhaskar Bhushan

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    The Dreaming Machine. Motherboard. A conversation with Zoè Gruni – Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

    Everything Comes from the Soil: Painter Tendai Makufa Interviewed by Camilla Boemio

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    The Wait – Bitasta Ghoshal

    That Elusive Orgasm – Nandini Sahu

    The Wait – Bitasta Ghoshal

    BOUNDARY/GONDI – Abhijit Sen

    WRITTEN ON THE TONGUE – Andrew Joron

    The Stony Guests: THE STORY – Neil P. Doherty

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    Chapters Four and Five from La Cena (The Dinner) – Božidar Stanišić

    WRITTEN ON THE TONGUE – Andrew Joron

    In Exile, War is Bitter – Hedaya Saleh Shamun

    My Annan’s Photo – Appadurai Muttulingam

    My Annan’s Photo – Appadurai Muttulingam

    WRITTEN ON THE TONGUE – Andrew Joron

    WRITTEN ON THE TONGUE – Andrew Joron

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Of Farms, Poetry and Philosophy: Three Poems from Gary Whited’s Collection Being, There

    Films From Palestine: A Poem – Farah Ahamed

    Films From Palestine: A Poem – Farah Ahamed

  • News
    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    IL BIANCO E IL NERO – LE PAROLE PER DIRLO, Conference Milan Sept. 7

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE  FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

    OPEN POEM TO THE CURATORS OF THE 58th VENICE BIENNALE FROM THE GHOSTS OF THAT RELIC YOU SHOULD NOT DARE CALL “OUR BOAT” (Pina Piccolo)

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Home Poetry

Three Poems from “The Bastard and the Bishop” – Gerald Fleming

Poems from "The Bastard and the Bishop", Hanging Loose Press, 2021. Artwork by Alvaro Sanchez.

April 30, 2022
in Poetry, The dreaming machine n 10
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
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In Recall

He’d loved Jung’s Memories, Dreams, Reflections as a young
man, and if you asked him about it now he’d probably call it
enthrallment, for what returns to him are not Jung’s concepts
or any particular idea, but a sense that he was being freed—
certainly from the Catholic dogma he’d been yoked to for
twenty years, but also sent simultaneously by Jung into a
synchronicity with the woman he was falling in love with. She
was discovering the collective unconscious, too, and they were
unconscious together—hyper-aware of symbolism, uncovering
ancient myth & metaphysics for the first time—all of this
made more real as they discovered the transformative power of
their bodies.
Could Jung have rung so deep a chord without the
resonating vessels of their bodies? Could their bodies have felt
that holiness—archetypal—without their having studied him?
Did they invent those thoughts—that heat—simply because
they were young?
In fact, they never spoke of it until this year, half a century
later, when, still lovers, she said, “Do you remember when we
were first dating and we were reading Jung?”
And then he:
“I remember the beauty of your shoulders.”

In Cactus

The “leader,” his thin shirt sliced by spears of yucca, six of you
behind him, he with his machete, the yucca bleeding as he hacks
his way through/carves a flashlit path, clear yucca-blood staining
your shirts as you follow. You’re grateful for his guidance-he in
his shredded straw hat—but there’s a condescension in him that
you find disturbing.
This is not the kind of guide you had in mind. You’d hoped
for explanatory—archaeological, historical, maybe sometimes
funny—but instead, all this midsummer evening it’s been silence
& cactus: and now he slices his way into a clearing and says Here
is where we will camp for the night. You still have water, do you not?
I should have told this to you.
You should have known to bring more water. You’d first
met the hotel lobby, the group of you, cocktails in hand, he’d
walked in promising adventure, an ad-hoc overnight in which
if things went very good you’d see the constellations so big they are
out there, he’d take care of all ‘rangements (he meant arrangements,
you’re sure, but you never asked him to define them), and now
here you are, cold setting in (“A desert gets cold at night,” you
hear the elder local woman in your group say—she, who you
think never should have come this far), the clearing inside the
ring of cactus just adequate for the seven of you to lie down
on the plastic drop-cloths he’s spread on the rubbled soil, rocks
piercing the plastic, and now he distributes airline blankets, One
each now, he says. That is all in my believing you will need.
And he’s not staying! He’s not staying!  I must now leave you
for time. have business of family…. Now suddenly shifts to
his native language, the old woman translating If am not
back morning, will bring food when I do come. Then back to
English: Now: there anyone who has not water and a few of
you nod, and shrugs his shoulders, says Share, then, I am sure,
and is gone.
You settle under your airline blanket, sharp rocks finding
your back, remember the last line of the novel you’d just that
morning finished: “Two of were left then, still certain he
would come….”

In Silence

The strength of her silences sometimes frightened him. Most
of his were temporary, had questions implicit in them, and if a
companion were perceptive, he or she would allow that silence
its time, then ask the buried questions.
Sometimes his own questions to her were a challenge—
what he would have hoped to have been asked—Is that what
you really mean, or is it more than that? or sometimes they
were just fillers against the void-What do you have in mind for
dinner?
So in a sense, there never really was silence with him:
only incipience, a mute hesitance more pause than silence, a
window-shade drawn on a tightly-wound spring.
Hers, though, held a solidity, a sense that there’d been
no time before or after, and though Zen masters might have
deemed it “centered,” it was not that—its time was neither
circular nor linear: time itself puddled in front of it, useless
measure ticking its hours.
Was it productive? Was it calming? Did it serve to deepen,
was it idle, hostile?
None of these things. It was as if she were a diamond setter
by day and by night she worked to tweeze the diamonds out.
And it was the draw-string velvet bag of her diamonds, he
knew, that he kept in his pocket, fuel cells for his movements,
for his nerves, for his own silence, rarely inquired-about by her,
and thus rarely answered.

Gerald Fleming’s newest book is One (Hanging Loose Press, New York, 2016), prose poems in monosyllabics. Previous books are The Choreographer (prose poems, Sixteen Rivers Press, California, 2013), Night of Pure Breathing (prose poems, Hanging Loose, 2011), and Swimmer Climbing onto Shore, poetry (Sixteen Rivers, 2005). He taught in San Francisco’s public schools for thirty-seven years and has written three books for teachers, including Rain, Steam, and Speed (Jossey-Bass/Wiley). From 1995 to 2000, he edited and published the literary magazine Barnabe Mountain Review, and is currently editing both the limited-edition vitreous magazine One (More) Glass and The Collected Prose & Poetry of Lawrence Fixel. He lives most of the year in Lagunitas, California, and part of the year in Paris.

Tags: archetypesauthoritydesertGerald FlemingJunglanguageloveloversprose poetrysilencetrustZen
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HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran
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HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

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HAIR IN THE WIND we  invite all poets from all countries to be part of the artistic-poetic performance HAIR IN...

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  • Home
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  • THE DREAMING MACHINE
    • The dreaming machine n 12
    • The dreaming machine n 11
    • The dreaming machine n 10
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    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
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  • TABLE OF CONTENTS
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
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