• TABLE OF CONTENT
    • the dreaming machine – issue number 16
    • the dreaming machine – issue number 15
    • the dreaming machine – issue number 14
    • the dreaming machine – issue number 13
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • THE DREAMING MACHINE
    • The dreaming machine n 16
    • The dreaming machine n 15
    • The dreaming machine n 14
    • The dreaming machine n 13
    • The dreaming machine n 12
    • The dreaming machine n 11
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • CONTACT
No Result
View All Result
The Dreaming Machine
  • Home
  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

  • Home
  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

No Result
View All Result
The Dreaming Machine
No Result
View All Result
Home Out of bounds Non fiction

Tim Ingold’s “Correspondences” – Giuseppe Ferrara

English translation from Italian by Pina Piccolo, Italian language original published in Radionoff on 3 December 2021

December 6, 2022
in Non fiction, Out of bounds, The dreaming machine n 10
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Share on FacebookShare on Twitter

Italian language original published in Radionoff on 3 December 2021

Correspondences is the title of one of Charles Baudelaire’s best-known poems and is considered one of the manifestos of Symbolism. This sonnet is part of the initial section of the six making up the first edition of Fleurs du mal (1857), the one without the prologue, without the famous invitation to the reader, which Baudelaire decided to introduce in the second edition of 1861. Fortunately, Tim Ingold, the British anthropologist (how narrow a definition this is!), in his latest work Correspondences (2020) immediately extends the missing invitation, or a letter from the heart as he calls it.

This invitation shakes us from the very first line:

“ Ideas come when we least expect them. If a thought were a visitor our mind expected and it arrived at the appointment knocking, would it really be an idea? To be an idea, a thought must disturb, shake, like a gust of wind ruffling a pile of leaves. We might even have been waiting for it, but when it arrives it’s still a surprise ”.

This letter from the heart may be given a reading, whether it be inorganic or organic; rational or irrational – but dualistic at any rate – by resorting to one’s own personal evaluative functions (reason or feeling) or perceptive functions (intuition or sensation) in a succession of duplications and heading towards an infinite kaleidoscopic maze of mirrors that strengthen or dampen “reflections” upon reflections.

But as you shall discover by the end of this “simple walk” (which according to Ingold is the nature of his book) we find ourselves in a maze rather than a labyrinth. According to Ingold, in fact, moving in the maze means adhering to the axiomatic paradigm of intentions and choices: I know where I want to go, and I decide step by step, on the basis of a predetermined intention, which path to take at each intersection and which, obviously, to avoid. Conversely, staying in the labyrinth means letting oneself be guided by attention, opening up to the amazement for what is happening and following a logic of care, honing oneself and participating.

In the maze (a maze that we have culturally built for ourselves up to now) intentions guide the path we take, i.e., action shapes passion, individual decisions (doing ) determine subjection (undergoing) to the overall flow of life. Conversely, in a labyrinth, within a logic of care, the dialectic between doing and undergoing is turned upside down, for the sake of truth and reality: it is the latter term that determines the former in the binary. What we do lies in the flow of the current by which we are carried.

It is needless to underscore the relevance of this way of thinking for a pandemic situation where some individuals clearly perceive themselves locked up in a maze and others in a labyrinth. Life cannot be subordinated to acting, rather it is acting that is subordinated to life.

Ingold’s philosophy (or anthropology? or psychology? or, why not, poetry?) is a radically “active” critique of the idea of culture in a maze. Here, culture is a determined effect of growth and development, of formation, in short, of the overall process in which we live. But in English there is a term that practically indicates the process of breeding that would be more pertinent to culture in the labyrinth. The term is nurture which immediately brings to mind to nurse, nursery and therefore taking care.

Care precedes and is more important than culture.

If we wish to apply this thinking to our current international predicaments, for example, we might use this poetic metaphor

Chronically poor in history

The hours are nurtured in furrows

A human nursery of glory

 

The weeding has just finished

From these endless fields doubt

Shall sprout of a lasting peace

 

What Ingold continues to claim and acclaim in his work as an anthropologist (or better yet, steward) is a return to attention: taking care and paying attention to the world, its processes and its things. It does not mean relegating them to intentionality. (“I do this because I want this outcome”; “I don’t care what happens to what I have produced”). This kind of attitude, participatory observation, is a correspondence practice.

Thinking that is born and configured this way constitutes a real art of caring and care: an art of participation, describing and acting without wanting to control or dominate, within a logic of community and radical sharing in which individual autonomy is always within a more comprehensive flow.

In the economy of lines (yes, that’s right – Ingold is also a surveyor and architect), we must consider production neither from the side of the human species nor from that of nature / environment; instead it is the continuous correspondence of passions  (undergoings) of planet earth and actions (doings) of the human species. To produce, therefore, means to correspond with care by participating in the trajectories of non-human lives.

“ Sometimes I wonder where the philosophers have been all these years. Recently, some of them have started to say – as if it were a new, surprising discovery – that in reality the world does not revolve around human beings … “, says Ingold in his Invitation, ” yet at the center of every network, you will find always a human being. Why is that? “. In the spirit of Professor Ingold (how narrow this definition is) I will leave the reader the pleasure of taking a walk to answer this and other questions, I will limit myself only to conclude by starting from the beginning; from the famous poem by Baudelaire which gave the title to Tim Ingold’s work (all of it!).

Correspondences

Nature is a temple in which living pillars
Sometimes give voice to confused words;
Man passes there through forests of symbols
Which look at him with understanding eyes.

Like prolonged echoes mingling in the distance
In a deep and tenebrous unity,
Vast as the dark of night and as the light of day,
Perfumes, sounds, and colors correspond.

There are perfumes as cool as the flesh of children,
Sweet as oboes, green as meadows
— And others are corrupt, and rich, triumphant,

With power to expand into infinity,
Like amber and incense, musk, benzoin,
That sing the ecstasy of the soul and senses.

— William Aggeler, The Flowers of Evil (Fresno, CA: Academy Library Guild, 1954)

 

Giuseppe Ferrara was born in Naples and grew up and studied in Potenza, southern Italy. He earned his degree in Physics from the University of Salerno and has been living and working for many years in Ferrara, as a physicist at a private Research Center. He has published five collections of poetry: L’Orizzonte degli eventi (Event Horizon, Este Edition, Ferrara 2011); segnicontroversi (controversialsigns, Edizioni Kolibris, Ferrara 2013), Appunti di viaggio di un funambolo muto  (Travel Notes of a Mute Tightrope Walker, Tracce, Pescara 2016) and Il Peso e la Grazia (96 rue de-La-Fontaine Edizioni, Follonica 2018). His latest poetry publication is Raccolta differenziata (Separate waste collection, InternoLibri, Latiano 2021).  His work is included in several anthologies including  I poeti del Duca- Excursus nella poesia contemporanea di Ferrara (The Poets of the Duke – Overview of the contemporary poetry of Ferrara (Kolibris Edizioni, Ferrara 2013); Riflessi , n ° 40 (Pages, Rome 2015);  Il mio mandala-Antologia 114 haiku (My mandala-Anthology 114 haiku (Cascina Macondo series, 2015) and Folate di versi ( Gusts of wind, Paolo Laurita Edizioni, Potenza 2019). He writes about poetry and more in his blog Il Post Delle Fragole ( www.thestrawberrypost.blogspot.it), is a member of various cultural associations and contributes to many literary journals.

Tags: careCharles BaudelaireCorrespondencesGiuseppe FerraralabyrinthmazenurturestewardshipTim Ingold
Next Post
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo

Three Poems from "The Bastard and the Bishop" - Gerald Fleming

The Dreaming Machine

Writing and visual arts from the world.

Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora
Interviews and reviews

Monumentalis. An aesthetical alchemist: Camilla Boemio interviews Marta Kucsora

Interview by Camilla Boemio Kucsora's (1979, Budapest) paintings suggest an infinite psychological and physical space, where rhythm and order exists ...

December 2, 2023
“Vermeer’s Jacket “and other painterly poems – Helen Wickes
Poetry

“Vermeer’s Jacket “and other painterly poems – Helen Wickes

Vermeer's Jacket Wouldn’t you love to crawl inside that luscious gold? To wrap yourself inside the satiny, charmeuse, rustling raiment, ...

May 1, 2019
Somewhere deep inside my soul,  a tiny bone shattered – Five poems from “The Bitter Herb”, by Raphael D’Abdon
Out of bounds

“The Iphigenia” and other poems – Carmelo Militano

The Iphigenia February 10,1955   Naples, the port A city of side streets Where even the February sun is ready ...

December 6, 2018
Excerpts from the novel “La Maligredi”,  by Gioacchino Criaco
Fiction

Excerpts from the novel “La Maligredi”, by Gioacchino Criaco

When facing the Ionian Sea, the old people shook their heads like they did for magic tricks performed  by gypsies ...

May 1, 2018
“La Macchina Sognante” a Dreaming Machine* to Amplify the Silenced Voices of the World, by Pina Piccolo
Non Fiction

“La Macchina Sognante” a Dreaming Machine* to Amplify the Silenced Voices of the World, by Pina Piccolo

Introduction Situated here in Lisbon in the present, July 25t  2019, at the furthest south-western border of Fortress Europe, in ...

October 31, 2021

Latest

Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

May 6, 2025
Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

May 5, 2025
The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

The Importance of Being Imperfect – Haroonuzzaman

May 5, 2025
from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

May 4, 2025

Follow Us

news

Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live
News

Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

by Pina Piccolo
7 months ago
0

December 24, 2024 marks ten years since the premature passing of Brazilian/Italian writer Julio Monteiro Martins, important cultural figure from...

Read moreDetails
  • TABLE OF CONTENT
  • THE DREAMING MACHINE
  • CONTACT

© 2024 thedreamingmachine.com - Privacy policy - Cookie policy

No Result
View All Result
  • Home
  • Poetry
  • Fiction
  • Non Fiction
  • Interviews and reviews
  • Out of bounds
    • Poetry
    • Fiction
    • Intersections
  • THE DREAMING MACHINE
    • The dreaming machine n 16
    • The dreaming machine n 15
    • The dreaming machine n 14
    • The dreaming machine n 13
    • The dreaming machine n 12
    • The dreaming machine n 11
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • TABLE OF CONTENTS
    • the dreaming machine – issue number 16
    • the dreaming machine – issue number 15
    • the dreaming machine – issue number 14
    • the dreaming machine – issue number 13
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • News
  • Contacts

© 2024 thedreamingmachine.com - Privacy policy - Cookie policy