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    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

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    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

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    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

  • Home
  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

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    • All
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    • Non fiction
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    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

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PROWLING MEMORY’S ROOMS: Poems by Helen Wickes

December 2, 2017
in Poetry, The dreaming machine n 1
PROWLING MEMORY’S ROOMS: Poems by Helen Wickes
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NARRATION

 

He hollered
She slapped
He chose back of the hand
She found the horse whip

I visited the steer’s
rotting carcass
in the sun-blasted clearing
deep in the woods

He threw you out of the car
She brought soap to wash your mouth
He made you write
five hundred times
I won’t ever, I won’t

Buzzards, flies, wasps
by late summer the drying skin
rippling back–bed covers
shrugged off in the heat

She said you’re becoming
one of those
He still had his war
she her grand lost life

Curved horns, shiny hooves, his body
splayed in that galloping pose
daily visit to death, taking in its smell
smell–memory’s cup bearer

When she said pack up
and leave forever
he stared out the window
smirking at blue jays

Honeysuckle, pine boughs,
wild roses, they soften the stench

I’m here
you’re not
I’ve stories to tell
I’ve hardly begun

 

 

MANY FAMILIES HAVE ONE

 

He died yesterday.
I prowl memory’s rooms for his blank
and composed face, dark hair oiled back,
his perfect navy jacket, brass buttoned.
He was authoritative about boats, golf clubs,
tennis rackets, flying first class. You wonder

why I bother to mention him. He did bad things
to many children—not me—and everyone knew this.
Still, he was invited to sit at the table,
encouraged to carry on about luxury watches,
about the best caviar, the finest ski poles,
excellent tires, how to insist on good service.

He was a relation, was considered family,
always welcome for holidays. We kids remained
enraged about him, for years, our grand prince of nothing,
long before I knew the phrase, “banality of evil,” and his
showing up at holiday, all tawdry glamor, and now
he’s dead, far off, finally dead, not missed,
but held strangely in memory, the way you long remember
a bad dream you never entirely waken from.

 

 

EARLY EDUCATION

Dear ladies, gents, won’t make it
to your 50th. One day, dear little thugs of long ago,
I arrived in polished boots, fringed shirt
with silver snaps—gift from Ma—and was late,
Dad’s pickup raced us from farm
to town, and I stood before you all—

with your circle pins, pastel flats, your
slicked-back boy hair, penny loafers—
snickering beneath the yellow-toothed grin
of your homeroom goon, Mrs.
Something—who cares! She got Dad
to remove me! Me—bereft of a skirt!

Pa heads us to the track, the late set
galloping out, jogging back. Trainers mumble,
pony girls rosy, hot-walkers, racing forms rattle,
Dad pleased the colt worked the six in twelve
and change, galloped out kindly,
whole backstretch alive

with glazed donuts, cocoa, enough smart talk
to call back, all down the years. World’s had
its way, good times outweigh the rest.

 

MOM’S LOADED TODAY

Her house got robbed while she slept and her dogs,
her cat, all quiet, all loafing on the job.

Next day off she’s off to the local gun shop,
a grandkid in tow, grandkid’s ma. Little, skinny,
old, beautiful, and so full of herself, Mom wants
and gets the thing itself, and loads it up.

Shows up for lunch at the mall, at the slightly fancy,
Chinese chain place with the requisite, antiquish
rearing and snorting, robust plaster horses out front.

Anyhow, everyone’s ordering up the shrimp,
the sautéed this, the fried that, plenty of sizzle.
She hauls it out, yes she does, dips into her

Queen Elizabeth-era big leather bag and hauls out
the big gun, flourishes it while the waiters scurry,
voices beside her: Ma, shut the hell up, put it away,

and there she was, as we well remember her, waving it,
proclaiming, Ha, I’ll get the stupid bugger next time.

 

 

CHESTER COUNTY, PENNSYLVANIA

 

There were real roads and the other roads, meaning asphalt, meaning they went to nameable
towns; but real roads, meaning dirt roads, shouldered the banks of the poplar-shaded river;
veered along fields with red cattle grazing knee-deep; sliced through corn rows, past the stone
house that collapsed after old missus so-and-so went mad and old mister so-and-so drank himself
into a final tizzy after his best kid was felled by gunshot, though we’ve forgotten which
happened first, but that it did happen, because a man told our dad, who told us about it all
summer, driving to the track at dawn, while cluing us in to everything else we had to know for
later on, always taking the long-cut for the hell of it; but nowadays a dirt road often dies straight
into asphalt, trading the spit and sizzle of small pebbles for the smooth-shaven, high-pitched
sound of fast tires under people in a hurry; although some dirt roads rescue themselves, ducking
into the thickest woods they can find, circling a clearing of charred wood and bent beer cans; and
these are great roads, being neither easy nor soft, but flat-out refusing to be metaphor roads, and,
if you’re lucky, you ride a horse on a loose rein, take the pickup if you’ve got four-wheel.

 

MELVILLIAN

Almost my favorite lines
during the whole Melvillian winter of hearing him,

not him exactly, but some guy reading him aloud,
mile after mile, and he really did Ishmael justice,
on our long drives home from the valley,

where my favorite lines came at the end
of that interminable chapter on cetological systems,
the nomenclature of whale conformation,

every corner and cranny delved most thoroughly,
as we drove home day after day, the voice instructing

through the long sea voyage, while we lived
through a nearly biblical drought, the air outside yellow,
the winter hills brown when they should have blazed forth
in tourmaline, the sun a sullen, muted lump.

We wondered about him, our guide, not just our reader,
but Ishmael, our faithful teacher, winding down
from the sperms, the killers, the humpbacks,

the tail fin, the baleen, the quality of oils, and he saying,
God keep me from completing anything. And then he saying—
or what we heard him say,

that long drive home from the valley—was that this is a draft
of a draft. But once home and delving the pages, I see
it’s spelled draught of a draught, before flipping
the pages to learn it’s a variant of draft. And so then,

apprised of the tenuous nature of language, I’ve inhaled
the flavor, taken in the draught, the whole measure,
the full scent of his words.

 

Mom’s Loaded Today– first appeared in Spillway
Melvillian–was published in Euphony
Chester County, Pennsylvania–first published in Sweet: A Literary Confection


Helen Wickes is the author of four books of poetry: In Search of Landscape, Sixteen Rivers Press, 2007; Moon over Zabriskie and Dowser’s Apprentice, both from Glass Lyre Press, 2014; World as You Left It, Sixteen Rivers Press, 2015. She grew up on a farm in Pennsylvania, has lived in Oakland, California for many years, and used to work as a psychotherapist. The six poems in The Dream Machine are from her unpublished manuscript, “Transit of Mercury.” She is a member of Sixteen Rivers Press, which will publish the anthology America, I Call Your Name: Poems of Resistance and Resilience in fall of 2018.

 

Featured image: Photo by Melina Piccolo.

 

 

Tags: abuseChester CountyfamiliesfamilygunsHelen WickeshorsesMelivilleMelvillememorynarrationPoetryviolence
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