• TABLE OF CONTENT
    • the dreaming machine – issue number 17
    • the dreaming machine – issue number 16
    • the dreaming machine – issue number 15
    • the dreaming machine – issue number 14
    • the dreaming machine – issue number 13
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • THE DREAMING MACHINE
    • The dreaming machine n 17
    • The dreaming machine n 16
    • The dreaming machine n 15
    • The dreaming machine n 14
    • The dreaming machine n 13
    • The dreaming machine n 12
    • The dreaming machine n 11
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • CONTACT
No Result
View All Result
The Dreaming Machine
  • Home
  • Poetry
    Like a Dream Spinning Out of Control – Poems by Nina Sadeghi

    In memoriam: Elsa Mathews

    Imaginary Poets Boghos Üryanzade and The Pseudo-Melkon. From Neil P. Doherty’s The Stony Guests

    Under Regime and Other Stories – Gerald Fleming

    Kneading Language And Feelings in Palermo – Gianluca Asmundo’s Marionette Theater Poems

    Kneading Language And Feelings in Palermo – Gianluca Asmundo’s Marionette Theater Poems

    As a Lonely Boat Rushes Into a Storm: Selected Poems by Ndue Ukaj

    As a Lonely Boat Rushes Into a Storm: Selected Poems by Ndue Ukaj

    Like a Dream Spinning Out of Control – Poems by Nina Sadeghi

    Interview with a Clothesline and Other Poems – Nina Lindsay

    (Their) STORY (is Ours) – séamas carraher

    Triptychs of Nocturnal Souls and Oceans – Malika Afilal

  • Fiction
    SKY – Julio Monteiro Martins

    SKY – Julio Monteiro Martins

    Turning Shell Casings Into Angels – Mihaela Šuman’s Gaza Project

    Excerpt from the novel “Ardesia” – Ruska Jorjoliani

    (Their) STORY (is Ours) – séamas carraher

    Hope, People and a Tale of Fire – Prabuddha Ghosh, with a translator’s note by Rituparna Mukherjee

    Trimohinee, Chapter One – Kazi Rafi

    Trimohinee, Chapter One – Kazi Rafi

    (Their) STORY (is Ours) – séamas carraher

    MIST IS A HOME’S VEST – Kabir Deb

    (Their) STORY (is Ours) – séamas carraher

    An Hour Before – Appadurai Muttulingam

    (Their) STORY (is Ours) – séamas carraher

    Five Short Pieces from Being Somebody Else – Lynne Knight

    As my eye meanders in nature – Photographs by Susan Aberg

    A Gilded Cage – Haroonuzzaman

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

  • Non Fiction
    (Their) STORY (is Ours) – séamas carraher

    Identity, Language and Nationalism in Spain and the U.S. – Clark Bouwman

    (Their) STORY (is Ours) – séamas carraher

    Excess of Presence: Surveillance, Seizure, and Detention in Latine/a Literature & Film – Edward Avila

    Brokering The Link: In the Shadow of Many Mothers – Farah Ahamed 

    Brokering The Link: In the Shadow of Many Mothers – Farah Ahamed 

    Urban Alienation: Dhaka Through Literary Lenses – Haroonuzzaman

    Urban Alienation: Dhaka Through Literary Lenses – Haroonuzzaman

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

  • Interviews & reviews
    Sicilian Interviews: Nino Alba and the problem of the land – Gia Marie Amella

    Sicilian Interviews: Nino Alba and the problem of the land – Gia Marie Amella

    FROM VENICE TO AN ACADEMY AWARDS NOMINATION: ON  FRED KUDJO KUWORNU’S BLACK RENAISSANCE – Reginaldo Cerolini

    FROM VENICE TO AN ACADEMY AWARDS NOMINATION: ON FRED KUDJO KUWORNU’S BLACK RENAISSANCE – Reginaldo Cerolini

    Pulsing beneath the soil of Bengal -Review of Kazi Rafi’s novel Trimohinee – Nadira Bhabna

    Pulsing beneath the soil of Bengal -Review of Kazi Rafi’s novel Trimohinee – Nadira Bhabna

    Turning Shell Casings Into Angels – Mihaela Šuman’s Gaza Project

    Turning Shell Casings Into Angels – Mihaela Šuman’s Gaza Project

    (Their) STORY (is Ours) – séamas carraher

    History Goes On, Let’s Stop and Breathe – Kithamerini interviews Tanya Maliarchuk

    Zarina Zabrisky’s KHERSON: HUMAN SAFARI, review by Pina Piccolo

    Zarina Zabrisky’s KHERSON: HUMAN SAFARI, review by Pina Piccolo

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    (Their) STORY (is Ours) – séamas carraher

    Movement Class at the Holistic Institute – Carolyn Miller

    (Their) STORY (is Ours) – séamas carraher

    (Their) STORY (is Ours) – séamas carraher

    (Their) STORY (is Ours) – séamas carraher

    Surveillance & Seizure under the Bio/Necropolitical (B)order of Power – Edward Avila

    I WOULD HAVE LIKED TO BE PATTI SMITH – Pina Piccolo

    I WOULD HAVE LIKED TO BE PATTI SMITH – Pina Piccolo

    Stefan Reiterer at Museum gegenstandsfreier Kunst – Camilla Boemio

    In-Flight – Clark Bouwman

    a pile of my dream notes (excerpted) – Andrew Choate

    a pile of my dream notes (excerpted) – Andrew Choate

    This Page Is An Occupied Territory – Adeena Karasick and Warren Lehrer

    This Page Is An Occupied Territory – Adeena Karasick and Warren Lehrer

    A Few Beasts from Brenda Porster’s Bilingual Collection ” La bambina e le bestie”

    A Few Beasts from Brenda Porster’s Bilingual Collection ” La bambina e le bestie”

    As my eye meanders in nature – Photographs by Susan Aberg

    In Defence of Disorder – Haroonuzzaman

  • News
    Waiting for Palms. A conversation with Peter Ydeen – Camilla Boemio

    WAITING FOR PALMS, Peter Ydeen at Lisi Gallery in Rome, through December 19

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

  • Home
  • Poetry
    Like a Dream Spinning Out of Control – Poems by Nina Sadeghi

    In memoriam: Elsa Mathews

    Imaginary Poets Boghos Üryanzade and The Pseudo-Melkon. From Neil P. Doherty’s The Stony Guests

    Under Regime and Other Stories – Gerald Fleming

    Kneading Language And Feelings in Palermo – Gianluca Asmundo’s Marionette Theater Poems

    Kneading Language And Feelings in Palermo – Gianluca Asmundo’s Marionette Theater Poems

    As a Lonely Boat Rushes Into a Storm: Selected Poems by Ndue Ukaj

    As a Lonely Boat Rushes Into a Storm: Selected Poems by Ndue Ukaj

    Like a Dream Spinning Out of Control – Poems by Nina Sadeghi

    Interview with a Clothesline and Other Poems – Nina Lindsay

    (Their) STORY (is Ours) – séamas carraher

    Triptychs of Nocturnal Souls and Oceans – Malika Afilal

  • Fiction
    SKY – Julio Monteiro Martins

    SKY – Julio Monteiro Martins

    Turning Shell Casings Into Angels – Mihaela Šuman’s Gaza Project

    Excerpt from the novel “Ardesia” – Ruska Jorjoliani

    (Their) STORY (is Ours) – séamas carraher

    Hope, People and a Tale of Fire – Prabuddha Ghosh, with a translator’s note by Rituparna Mukherjee

    Trimohinee, Chapter One – Kazi Rafi

    Trimohinee, Chapter One – Kazi Rafi

    (Their) STORY (is Ours) – séamas carraher

    MIST IS A HOME’S VEST – Kabir Deb

    (Their) STORY (is Ours) – séamas carraher

    An Hour Before – Appadurai Muttulingam

    (Their) STORY (is Ours) – séamas carraher

    Five Short Pieces from Being Somebody Else – Lynne Knight

    As my eye meanders in nature – Photographs by Susan Aberg

    A Gilded Cage – Haroonuzzaman

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

  • Non Fiction
    (Their) STORY (is Ours) – séamas carraher

    Identity, Language and Nationalism in Spain and the U.S. – Clark Bouwman

    (Their) STORY (is Ours) – séamas carraher

    Excess of Presence: Surveillance, Seizure, and Detention in Latine/a Literature & Film – Edward Avila

    Brokering The Link: In the Shadow of Many Mothers – Farah Ahamed 

    Brokering The Link: In the Shadow of Many Mothers – Farah Ahamed 

    Urban Alienation: Dhaka Through Literary Lenses – Haroonuzzaman

    Urban Alienation: Dhaka Through Literary Lenses – Haroonuzzaman

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

  • Interviews & reviews
    Sicilian Interviews: Nino Alba and the problem of the land – Gia Marie Amella

    Sicilian Interviews: Nino Alba and the problem of the land – Gia Marie Amella

    FROM VENICE TO AN ACADEMY AWARDS NOMINATION: ON  FRED KUDJO KUWORNU’S BLACK RENAISSANCE – Reginaldo Cerolini

    FROM VENICE TO AN ACADEMY AWARDS NOMINATION: ON FRED KUDJO KUWORNU’S BLACK RENAISSANCE – Reginaldo Cerolini

    Pulsing beneath the soil of Bengal -Review of Kazi Rafi’s novel Trimohinee – Nadira Bhabna

    Pulsing beneath the soil of Bengal -Review of Kazi Rafi’s novel Trimohinee – Nadira Bhabna

    Turning Shell Casings Into Angels – Mihaela Šuman’s Gaza Project

    Turning Shell Casings Into Angels – Mihaela Šuman’s Gaza Project

    (Their) STORY (is Ours) – séamas carraher

    History Goes On, Let’s Stop and Breathe – Kithamerini interviews Tanya Maliarchuk

    Zarina Zabrisky’s KHERSON: HUMAN SAFARI, review by Pina Piccolo

    Zarina Zabrisky’s KHERSON: HUMAN SAFARI, review by Pina Piccolo

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    (Their) STORY (is Ours) – séamas carraher

    Movement Class at the Holistic Institute – Carolyn Miller

    (Their) STORY (is Ours) – séamas carraher

    (Their) STORY (is Ours) – séamas carraher

    (Their) STORY (is Ours) – séamas carraher

    Surveillance & Seizure under the Bio/Necropolitical (B)order of Power – Edward Avila

    I WOULD HAVE LIKED TO BE PATTI SMITH – Pina Piccolo

    I WOULD HAVE LIKED TO BE PATTI SMITH – Pina Piccolo

    Stefan Reiterer at Museum gegenstandsfreier Kunst – Camilla Boemio

    In-Flight – Clark Bouwman

    a pile of my dream notes (excerpted) – Andrew Choate

    a pile of my dream notes (excerpted) – Andrew Choate

    This Page Is An Occupied Territory – Adeena Karasick and Warren Lehrer

    This Page Is An Occupied Territory – Adeena Karasick and Warren Lehrer

    A Few Beasts from Brenda Porster’s Bilingual Collection ” La bambina e le bestie”

    A Few Beasts from Brenda Porster’s Bilingual Collection ” La bambina e le bestie”

    As my eye meanders in nature – Photographs by Susan Aberg

    In Defence of Disorder – Haroonuzzaman

  • News
    Waiting for Palms. A conversation with Peter Ydeen – Camilla Boemio

    WAITING FOR PALMS, Peter Ydeen at Lisi Gallery in Rome, through December 19

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

No Result
View All Result
The Dreaming Machine
No Result
View All Result
Home Out of bounds Non fiction

Bear encounters in Italy: Jj4, anthropomorphized nature and the dialectics of generations – Post by Maurizio Vitale (a.k.a. Jack Daniel)

May 2, 2023
in Non fiction, Out of bounds, The dreaming machine n 12
Bear encounters in Italy:  Jj4, anthropomorphized nature and the dialectics of generations – Post by Maurizio Vitale (a.k.a. Jack Daniel)
Share on FacebookShare on Twitter

Map in cover image from https://publications.jrc.ec.europa.eu/repository/handle/JRC124671?fbclid=IwAR2gJu8Mh2F1BpNzbNxjybtGIvK28pyK6rPQQzvRo73Lur125JlDUPrd4UU

Posted in Facebook by ‘Jack Daniel’ on April 8, 2023, translated by Pina Piccolo.

The natural world we Europeans who were born from the mid twentieth-century on have experienced since our birth is a largely artificial and anthropomorphized world, rendered harmless and domesticated by centuries, if not millennia, of human transformation. Rather than nature, it resembles a giant Renaissance garden, a park in which landscapers (who weren’t called that back then) reconstructed an environment that looked natural, but wasn’t, with hedges, artfully planted trees, groves and pavilions. It was the quintessence of homo faber, of humans building nature the way they liked it, governing it and making it beautiful and, above all, harmless.

Born and raised in this faux-natural environment, we exalt it, consider it beautiful and gentle without realizing that what we praise is not nature itself, but rather that environment that we have domesticated and customized to meet human needs, for our use and consumption. Nature appears to be so gentle and harmless, for the simple fact that, here, in Europe, it is not at all natural, but human.

The map on the cover of this essay shows the presence of primary, old growth, forests in Europe. That is, those spontaneous and natural forests that have never been touched by the hand of man. We can see that they practically do not exist in Western Europe: only a few spots here and there but they are somewhat more present in Eastern and Northern Europe, in the Carpathians, Russia and Finland.

Despite appearances to the contrary, the wooded areas in our own Alpine Arc, are a human product. Centuries and centuries of human intervention have shaped its vegetation: what looks to us like a forest as nature made it, is actually the work of generations of mountain people who created clearings, encouraged the growth of the most desirable trees, and ultimately shaped and cultivated it. After all, before the Romans, the Po Valley was an endless forest, and I forget now which ancient historian wrote that a monkey could climb a tree in Ostia, Rome’s port, and making its way through a canopy of vegetation, it could get all the way to Marseilles.

If this happened with trees and flora, all the more reason to think it has happened with wildlife. The fairy tale of Little Red Riding Hood (as well as Peter and the Wolf) tells us about the big bad wolf because the Grimms knew full well that fear of that animal had a grip on children: it was a real fear, complete with the bad wolf good hunter dichotomy -unlike Bambi which, in fact comes later. And not just fairy tales from centuries past-suffice it to read  Ignazio Silone’s novel Wine and Bread, written in the 1930s. In Europe, generations of humans, in short, have seen nature, and the forest, as a threatening place inhabited by beings that were anything but friendly and harmless, whether they were real, like wolves, or imaginary, like goblins, sprites, evil witches and various demons, fable-like personifications of real dangers. So much for the gentility of Nature: it was something to be on guard against.

Over centuries, Europeans have intervened especially on fauna: at one time  there were lions living in Greece (Hercules and the Nemean lion, but not only that: lions in Greece became extinct after Alexander the Great, and centuries and millennia of hunters have reduced, if not eliminated, the spread of the species that are most threatening to humans, starting with wolves and bears. For their own protection, but mostly for the protection of herds and flocks.

When my generation came into the world in the second half of the past century, the process of anthropomorphizing the European environment had reached its apex. Having caused the disappearance of large predators, having domesticated nature and turned it largely into an ornamental or vegetable garden, we realized that that process of construction had become destructive.

The generations that were born in a fully urbanized setting in the second half of the 20th century then began to juxtapose the concrete and fumes that characterized cities to an idea of Nature which was a completely abstract one as the kind of Nature we found ourselves living in was a domesticated Nature. In short, the Nature that people of my generation sought to oppose by pouring concrete was not at all Nature, but an environment made completely harmless by millennia of hunting. That activity reached its peak in those very years: in 1980, out of a population of close to 60 million, in Italy there were 1.7 million hunters; today there are fewer than half a million (https://tinyurl.com/47dt7yu2 ).

In Italy, conservation programs were created towards the end of the last century. These, in combination with the dramatic decrease in the number of hunters, led to a repopulation of our territory, first and foremost of animals that can be considered prey (wild boars in primis, but ungulates in general). An increase in prey (rabbits), also entails that of predators (foxes). It was a policy to introduce bears in the Alpine Trentino region for that purpose, whereas wolves have multiplied spontaneously, lynx and jackals too have reappeared in Italy after the extinction caused by hunting in the late 1800s.

Accustomed to an idea of Nature that is now entirely gentle and domesticated, therefore, we greeted these returns or re-introductions with great joy, convinced that wolves and lynx were, being natural, as gentle and domesticated as we imagined all of Nature to be, since that is what we knew. But as can be expected, things, however, are not so simple and straightforward.

The bear attack that occurred in April of this year in Trentino, by a female bear that has been identified as Jj4, and that led to the death of Andrea Papi, a runner who was running on a trail in the woods,  is a borderline case, which, tragic as it is, will probably remain isolated. But as the number of wolves increases, so do the risks to herds and flocks. Having eliminated predators in the last century, two or three generations of shepherds have become accustomed to taking their cattle out to pasture and leaving them in the care of sheep-herding dogs that  are tiny in size but very good at herding and getting the sheep to form rows. Today we are beginning to see the need for other kinds of shepherding dogs, larger Maremma dogs or similar, ones that can stand up to and drive away wolves. But even having such dogs requires a great deal of care, because the risk is that then some of them, if left unsupervised, will create small packs which can, in turn, create dangers, even deadly ones, as happened one year ago in the woods near the town of  Soverato, in southern Italy, where a 20 year old girl was mauled to death by a stray pack of shepherding dogs.

For half a century, we had no problem walking in the mountains, letting our dogs loose or going into the woods: the only risk, apart from falls, which can also happen at home, was sticking your hand between boulders or in the brush and getting bitten by a viper. To avoid such danger, all you needed to do was to be careful where you placed your hand, something that children were taught even as toddlers to do. But when you start having wolves, bears or even just wild boars in the woods, you can no longer afford to be lost there. You can’t pretend to be Arcadia; something you could still easily do far back as the end of the twentieth century without dire consequences. Now, instead, care and attention are required.

In short, we are experiencing a sort of throwback contradiction. Our great-great-grandparents (not grandparents, as mentioned) knew their way around an environment populated with potentially dangerous animals. It was a world they felt was threatening and the risks associated to such environments were taught to children (even with fairy tales like Little Red Riding Hood). If they could, those generations, certainly did not refrain from hunting predators, large ones like lynx or wolves, or smaller ones like foxes, if only to safeguard their flocks and hen-houses. When this capillary and destructive way of hunting ended, they left an environment that extremely depleted as far as fauna was concerned, but completely harmless, with the exception of vipers.

We were born into this depleted but gentle environment, and to recreate its richness, we reduced hunting and encouraged repopulations. This resulted in the return of the animals that our great-great-grandparents detested but that we, today, do not perceive to be our enemies, having lived in an environment that was devoid of them. On the contrary, we love these animals madly. If one of those great-great-grandparents of ours were still alive today and heard us talking about wolf rights, after seeing a herd slaughtered, they would not hesitate to clubber the wolf defenders. We, on the other hand, do talk about their rights while deluding ourselves that we live in a completely natural environment, populated by bears, lynxes, wolves and other predators, in which, though, we can continue to stroll amiably with our dogs, letting children roam freely and animals live placidly in the pasture without keeping a close eye  and exercising strict surveillance. These two things cannot go together.

And that they do not stand together is shown by the controversies that cyclically erupt when there is a case involving a wild animal, whether tragic, as in Trentino, or far less so, such as the multiplication of wild boars. The urbanized generation born last century, who have a tendentially idyllic idea of nature, defend the wild animal and consider those who would like to eliminate and hunt them  to be inhuman barbarians. Those who do deal with these animals, on the other hand, tend to espouse the very unromantic views of their great-great-grandparents and consider the urbanized people born last century to be people who have experienced nature in a park, if not on postcards or in some documentary.

The thesis (great-great-grandparents) collides with the antithesis (us). The synthesis is all to be found, and hopefully those coming after us will be able to find it, because I have a feeling that our generation really lacks the ability to do so

Maurizio Vitale, a.k.a. Jack Daniel, is an Italian writer and blogger. His book Plebe can be download from his Altervista blog http://jadan.altervista.org.

Tags: anthropomorphized naturebear attack in Trentinoecosystemsfaunahuman and animal relationsnature in Europerepopulated forests
Next Post
Overturning planes in the labyrinth – Four poems by Rita Degli Esposti

Human Bestiary Series - Five Poems by Pina Piccolo

The Dreaming Machine

Writing and visual arts from the world.

POEMS FOR PEACE, by Hamid Barole Abdu
Interviews and reviews

Mia Funk Interviews Photographer Mark Seliger

The Dreaming Machine is honored to be part of The Creative Process, an exhibition and international educational initiative traveling to ...

November 30, 2020
Poetry

they bombed the fucking zoo – Michael D. Amitin

they bombed the fucking zoo o' fairest mirror in my hand to you, dead birds and thee, I sing of ...

April 15, 2023
Hunting for images in Guatemala City: Alvaro Sánchez interviewed by Pina Piccolo
Poetry

The malice of desires feeds the power of my imagination – Poems by Mubeen Kishany

A Black Swan   Staring at the news lends me the wisdom of a shepherd sitting on a hill as ...

May 1, 2022
Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud
Fiction

Come What May, chpt. 11 – Ahmed Masoud

I couldn’t sleep that night, still in shock to hear that Ammar had called Jamil just before he died, and ...

December 1, 2024
Only those who savor the smell of lead shall survive – Ni’ma Hassan
Poetry

Only those who savor the smell of lead shall survive – Ni’ma Hassan

English translation by Pina Piccolo, from Italian translation of Arabic original by Sana Darghmouni. Cover art: Salma, by Sliman Mansour. ...

April 25, 2025

Latest

Waiting for Palms. A conversation with Peter Ydeen – Camilla Boemio

WAITING FOR PALMS, Peter Ydeen at Lisi Gallery in Rome, through December 19

December 4, 2025
Like a Dream Spinning Out of Control – Poems by Nina Sadeghi

In memoriam: Elsa Mathews

December 3, 2025
(Their) STORY (is Ours) – séamas carraher

Movement Class at the Holistic Institute – Carolyn Miller

December 2, 2025
SKY – Julio Monteiro Martins

SKY – Julio Monteiro Martins

December 3, 2025

Follow Us

news

Waiting for Palms. A conversation with Peter Ydeen – Camilla Boemio
News

WAITING FOR PALMS, Peter Ydeen at Lisi Gallery in Rome, through December 19

by Pina Piccolo
2 months ago
0

In this issue of The Dreaming Machine, an interview with the artist focusing on this exhibit, curated by Camilla Boemio,...

Read moreDetails
  • TABLE OF CONTENT
  • THE DREAMING MACHINE
  • CONTACT

© 2024 thedreamingmachine.com - Privacy policy - Cookie policy

No Result
View All Result
  • Home
  • Poetry
  • Fiction
  • Non Fiction
  • Interviews and reviews
  • Out of bounds
    • Poetry
    • Fiction
    • Intersections
  • THE DREAMING MACHINE
    • The dreaming machine n 17
    • The dreaming machine n 16
    • The dreaming machine n 15
    • The dreaming machine n 14
    • The dreaming machine n 13
    • The dreaming machine n 12
    • The dreaming machine n 11
    • The dreaming machine n 10
    • The dreaming machine n 9
    • The dreaming machine n 8
    • The dreaming machine n 7
    • The dreaming machine n 6
    • The dreaming machine n 5
    • The dreaming machine n 4
    • The dreaming machine n 3
    • The dreaming machine n 2
    • The dreaming machine n 1
  • TABLE OF CONTENTS
    • the dreaming machine – issue number 17
    • the dreaming machine – issue number 16
    • the dreaming machine – issue number 15
    • the dreaming machine – issue number 14
    • the dreaming machine – issue number 13
    • the dreaming machine – issue number 12
    • The dreaming machine – issue number 11
    • The dreaming machine – issue number 10
    • The dreaming machine – issue number 9
    • The dreaming machine – issue number 8
    • The dreaming machine – issue number 7
    • The dreaming machine – issue number 6
    • The dreaming machine – issue number 5
    • The dreaming machine – issue number 4
    • The dreaming machine – issue number 3
    • The dreaming machine – issue number 2
    • The dreaming machine – issue number 1
  • News
  • Contacts

© 2024 thedreamingmachine.com - Privacy policy - Cookie policy