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  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

  • Out of bounds
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    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

  • Home
  • Poetry
    The God of Submission Loves Gentle Calves and Other Poems –  Yuliya Musakovska

    The God of Submission Loves Gentle Calves and Other Poems – Yuliya Musakovska

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Hence, the walruses will keep our memories – Poems from Ikaro Valderrama’s Tengri: The Book of Mysteries

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    “When Crimea Was Not a Grief”: Six Poems by Lyudmyla Khersonska, from 21st Century Ukraine

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Of Hunger and Tents: Poems from Gaza by Yousef el-Qedra

    Ratko Lalić’s painting, a little Noah’s ark –  Božidar Stanišić  

    The region suddenly turned into a deciduous forest. Poems by Paulami Sengupta

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A False Dimension: regarding the empty walls – Aritra Sanyal

  • Fiction
    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Importance of Being Imperfect – Haroonuzzaman

    THE STATE – Hamim Faruque

    THE STATE – Hamim Faruque

    Tempus Fugit (in D Minor) – Michele Carenini

    Tempus Fugit (in D Minor) – Michele Carenini

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    A Mirage of a Dream – Kazi Rafi

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    Prologue to “Maya and the World of the Spirits” – Gaius Tsaamo

    RETRIBUTION – Mojaffor Hossain

    RETRIBUTION – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

  • Non Fiction
    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    I AM STILL HERE: It’s not a movie, it’s a hymn to democracy – Loretta Emiri

    Requiem for a Mattanza – Gia Marie Amella

    Requiem for a Mattanza – Gia Marie Amella

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    In Defense of T.C. Boyle: Satire in the Era of Psychological Realism – Clark Bouwman

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    That is the Face – Appadurai Muttulingam

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    Langston Hughes: Shakespeare in Harlem – Barry David Horwitz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Understanding the Quintessential Divinity: Binding the Two Geographies – Haroonuzzaman

  • Interviews & reviews
    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as  Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    Michelle Reale’s Volta: An Italian-American Reckoning With Race. Necessary turnabouts as Columbus Day returns amidst Sinners’ vampires – Pina Piccolo

    from The Creative Process: The Future of activism.  Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    from The Creative Process: The Future of activism. Bayo Akomolafe interviewed by Mia Funk and Natalie McCarthy

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    The Spanish Steps, Revisited: A Temporary Exhibition – A conversation with Sheila Pepe

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    from The Creative Process: A Life in Writing with T.C. Boyle, interviewed by Mia Funk & Cary Trott

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Living as a painter: Shaun McDowell in conversation with curator Camilla Boemio

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

    Calixto Robles and Ancestral Spirits in the Mission – A Conversation on Art, Society and Social Action

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Area Sacra at Torre di Largo Argentina —or, Calpurnia’s Dream – Laura Hinton

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    from The Creative Process: TIOKASIN GHOSTHORSE, interviewed by Mia Funk and Melannie Munoz

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    From The Stony Guests, Part IV: SIRAN BAKIRCI and SAIT B. KARAKAYA – Neil P. Doherty

    Eva Bovenzi: The inner world. The artist in conversation with curator Camilla Boemio

    Chaos Theory – Michele Carenini

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    Of People and Puppets, Kingdoms of Silence, Trauma and Storytelling: Review of “Azad, the rabbit and the wolf – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    Poetry is also born from Gesture – Ikaro Valderrama on Gestos de la Poesia, transnational poetry, multimedia and the energy of the Andes

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    A loneliness like an endless steppe – Poems from Maria Luisa Vezzali’s collection Home Ghost

    The Creeping of the Spirit of the Times and Other Poems – Pina Piccolo

    Once the veil of artifice falls away: Poems by Haroonuzzaman

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

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Crowdfunding for [DI]SCORDARE project

The Dreaming Machine encourages readers to support the crowdfunding efforts for this website project aimed at restoring memory of inconvenient moments of Italian history at a time when the country is in the throes of the results of historical amnesia.

December 2, 2018
in News
Crowdfunding for [DI]SCORDARE project
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[DI] SCORDARE

Difficult Heritage in Italy

From colonialism to fascism and Genua G8

WHAT ARE WE TALKING ABOUT

What do the Nazi-fascist massacre of Sant’Anna di Stazzema and the murder of Carlo Giuliani during the G8 summit in Genoa have in common?  What about the massacre of the monks of Debra Libanos in Ethiopia by the Italian fascist colonists and the bombing of the Bologna train station? Not to mention the Portella della Ginestra massacre and the victims of the ICMESA Seveso disaster.

The [DI]SCORDARE project actually combines in its name two antitethical discussion topics that our project wants to explore: on the one hand the people who have been opposing, being a discordant voice, not in accordance with the accepted or official Italian chronicles; on the other hand, the prevailing Italian habit of “forgetting”, cancelling or even hiding any collective trauma that have been defining the identity of the country since 1861.

The new-born Italian nation soon started the wars of colonial conquest that, though started in the liberal era, had their peak during the fascist era. As a matter of fact, Italian colonialism has not only brought death and destruction to different continents in the world but it has also contributed to the creation of a collective racist imagination that manifests itself today in a poisonous way throughout Europe. Undoubtedly, today’s racists in Italy are the nephews of the past Italian colonialists.

Since the twenties, Italy has been dominated by fascism, a fierce dictatorship, equal to Nazism, Francoism or Stalinism. The memory of those terrible moments is engraved in the stone of many architectures that still dominate the Italian landscape today. Most of the municipalities, in many regions of Italy, still recall the massacres and atrocities suffered during those painful times. This has formed some clear and visible images, linguistic expressions, sayings, bewildering habits and manifest violent aversion towards any form of “difference”.

In the seventies and then again in the eighties, Italy went through a series of massacres that have literally changed the face of the country. From the Piazza Fontana massacre in Milan to the one at Bologna train station, with many other equally serious and dramatic events in between. The so-called period of the “strategy of tension” has swept the legs of the country, preventing a true democratic development.

These awful massacres and violent struggles have been usually associated with governments, security apparatuses working behind the scenes and political groups sitting in the parliament.

In the midst of such appalling events, many “secondary” traumas like Portella della Ginestra or apparently non-political events like the ICMESA Seveso disaster, have always been covered up by an explicit political decision. So here we come to more recent traumas like the Genua G8 – Diaz massacre and the murder of Carlo Giuliani.

Can all these stories be classified as ” difficult legacies “? They have changed the identity of an entire country, Italy, converting removal , cancellation and forgetting mechanisms into a real public life philosophy. On the other hand, what is that part of population trying to remember and to achieve peace through memory actually doing today? How can a future of the past be envisioned then ?

Many voices are actually answering to these questions in Italy: museums, memorials, school camps, educational centers, but also young graphic journalists, songwriters, artists, performers and grassroots movements.

WHAT IS OUR GOAL

We want to create a website that keeps the debate open on such topics, making the memory of these stories alive, without considering the past, but focusing on today’s Italy, oftentimes racist, indifferent and not aware of its own essence. Our aim is therefore to produce micro-documentaries by stopping over these sites of remembrance , talking to people , and visiting museums , memorials and parks that communities have built and struggled to keep alive over the years.

The documentaries, freely available online, will be realized by Isabella Gaffè: Videomaker and by Viviana Gravano: art historian, curator, difficult heritage and postcolonial studies expert and will occasionally involve artists, researchers, theoreticians and activists.

They will be a day-by-day chronicle of a long journey that will make us see with our own eyes what “discordant” Italy usually does to keep on remembering and producing ideas…

The web portal will also be a way to bring information on initiatives, publications, articles that talk about the topics we will deal with. It will be an open space for artists, theorists and activists who want to contribute by reporting links that will be included in the portal itself.

Keeping the memory alive does not only mean reviewing the past but first and foremost reading the present in all its cracks, falls and dangerous returns.

That is why the portal will not only speak of what has been, but chiefly of what “it is” or what “could be” to a greater extent.

We will ask for help from non-Italian contributors as well, since today’s Italy is under close scrutiny by many artists and scholars from all over the world , therefore, it seems relevant to both mention and reveal any form of reflection or initiative focusing on the issues we are dealing with, through the eyes of non italian citizens .

WHY WE ASK FOR DONATIONS:

[DI] SCORDARE does not want to have any kind of public funding that may in any way condition its freedom of expression from the very start. The project does not intend to relate to any institutional or academic organism since its ambition is to be a territory that crosses all realities without boundaries or distinctions.

As a consequence, we have thought of a grassroots funding so as to pay travel expenses, video production equipment and website building costs.

We’re going to make at least 16 stops in Italy: even though the journey throughout the country, from Bolzano to Palermo, has already begun and self-financed, we will however need your precious help in order to continue and complete the project. We also thought that this site, without being presumptuous, could become a major asset for many people and therefore it would be fair to start a grassroots funding among the citizens who believe that these things are still critical, actually the greatest bet on the future of Italy.

NO PERK BUT THANKS INSTEAD

We’ve thought a lot about the idea of creating ad hoc perks for the project but then we told ourselves that this site talks so much about important things that we didn’t feel like creating some “pop” pages, gadgets or even items to give away. Everyone can contribute and receive our special GRATITUDE; as a matter of fact the site itself will have a fixed page with the names of all the people that helped us building it.

Of course there will be a Facebook page where every contributor will be thanked too.

Above all, if you help us you will be part of a shared project that will be yours too .

HOW WE WILL USE YOUR DONATIONS

For transparency, we indicate below what your donations will be used for:

1. Graphic Designer to realize the logo and the coordinated image of the project

2. Web Designer to create the Website, ie the entire platform

3. Travel around Italy to carry out the project (transport, meals, lodging, museum tickets, etc.)

4. Materials for producing audio and video production of documentaries

5. Social Media manager to talk about the portal on the web and on social media

6. Fee for special projects with artists (visual artist and performers).

FOR ANY QUESTIONS ABOUT THE DONATION PLEASE CONTACT US

Contact us:  discordare@gmail.com

ENGLISH VERSION

translated by Pierpaolo Ricci

€
Tags: [DI]SCORDAREactivismcolonialismcrowdfundingdifficult legaciesfascismhistorical memoryItalian historynazi massacresremovalState terrorViviana Gravanowebsite
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    • the dreaming machine – issue number 16
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